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This book is a collection of studies of various religious groups in the changing religious markets of China. These ethnographic studies demonstrate many shades of gray in the religious market and fluidity across the red, black, and gray markets.
"Overseas Chinese Christians in Contemporary China explores how diasporic Chinese understandings of what it means to be Chinese is changing in post-1979 China. Ethnographically, it focuses on overseas Chinese Christian business people residing in Shanghai. Hyper-mobile, well-educated, and financially secure, these elites adopt a long-term view of their time in the country. This study examines how these elites put Christianity to work mediating their hopes, fears, and obligations in order to illuminate the ways in which this overseas Chinese experience departs from existing academic models of diasporic Chinese as either bridge-builders or pragmatic capitalists. By focusing on religion, this study offers novel insights into how overseas Chinese are making a place for themselves in a globalising and increasingly powerful China"--
In Masters of Psalmody (bimo) Aurélie Névot analyses the religious, political and theoretical issues of a scriptural shamanism observed in southwestern China among the Yi-Sani. Her focus is on blood sacrifices and chants based on a secret and labile writing handled only by ritualists called bimo. Through ethnographic data, the author presents the still little known bimo metaphysics and unravels the complexity of the local text-based ritual system in which the continuity of each bimo lineage relies on the transmission of manuscripts whose writing relates to lineage blood. While illuminating the usages of this shamanistic tradition that is characterized by scriptural variability between patrilineages, Aurélie Névot highlights the radical changes it is undergoing by becoming a Chinese state tradition.
In this book Ronald Suleski introduces a new category of source material, chaoben 抄本, for understanding the lives of China's semi-literate masses before 1950. It links the documents now flooding the antiques markets in China, with the hopes and fears of China's people at the end of the pre-modern era.
This biography of Candida Xu (1607-1680), granddaughter of the prominent Chinese Christian convert and statesman Xu Guangqi (1562-1633) and foremost Chinese Christian woman of the seventeenth century, is based on the biography of Candida Xu titled Histoire d'une dame chrétienne de la Chine (Paris, 1688) written by her confessor Philippe Couplet, S.J. (1623-1693), an obituary of his mother and other writings by her eldest son, and the Xu family history. Using these as well as other relevant European missionary and Chinese language sources, Candida Xu's life as daughter, wife, mother, and generous contributor to the Christian Church is recounted. Events in her life are set in the context of historical and religious circumstances in China at the time. Consideration of the situation of women, particularly Christian women, draws out how Candida Xu's faith helped her and other believing Christian women to gain greater freedom of choice and action.
The hilarious, colorful #1 New York Times bestselling phenomenon that every kid wants! Gift a copy to someone you love today. Poor Duncan just wants to color. But when he opens his box of crayons, he finds only letters, all saying the same thing: His crayons have had enough! They quit! Blue crayon needs a break from coloring all those bodies of water. Black crayon wants to be used for more than just outlining. And Orange and Yellow are no longer speaking—each believes he is the true color of the sun. What can Duncan possibly do to appease all of the crayons and get them back to doing what they do best? With giggle-inducing text from Drew Daywalt and bold and bright illustrations from Oliver Jeffers, The Day the Crayons Quit is the perfect gift for new parents, baby showers, back-to-school, or any time of year! Perfect for fans of Don't Let the Pigeon Drive the Bus by Mo Willems and The True Story of the Three Little Pigs by Jon Sciezka and Lane Smith. Praise for The Day the Crayons Quit: Amazon’s 2013 Best Picture Book of the Year A Barnes & Noble Best Book of 2013 Goodreads’ 2013 Best Picture Book of the Year Winner of the E.B. White Read-Aloud Award * “Hilarious . . . Move over, Click, Clack, Moo; we’ve got a new contender for the most successful picture-book strike.” –BCCB, starred review “Jeffers . . . elevates crayon drawing to remarkable heights.” –Booklist “Fresh and funny.” –The Wall Street Journal "This book will have children asking to have it read again and again.” –Library Media Connection * “This colorful title should make for an uproarious storytime.” –School Library Journal, starred review * “These memorable personalities will leave readers glancing apprehensively at their own crayon boxes.” –Publishers Weekly, starred review “Utterly original.” –San Francisco Chronicle
Harvard psychologist and philosopher William James' The Varieties of Religious Experience: A Study in Human Nature explores the nature of religion and, in James' observation, its divorce from science when studied academically. After publication in 1902 it quickly became a canonical text of philosophy and psychology, remaining in print through the entire century. "Scientific theories are organically conditioned just as much as religious emotions are; and if we only knew the facts intimately enough, we should doubtless see 'the liver' determining the dicta of the sturdy atheist as decisively as it does those of the Methodist under conviction anxious about his soul. When it alters in one way the blood that percolates it, we get the Methodist, when in another way, we get the atheist form of mind."
Examines the images, hopes, and fears that were evoked during China’s century-long subservience to external powers.
Haunting accounts of real-life exorcisms through the centuries and around the world, from ancient Egypt and the biblical Middle East to colonial America and twentieth-century South Africa A Penguin Classic Levitation. Feats of superhuman strength. Speaking in tongues. A hateful, glowing stare. The signs of spirit possession have been documented for thousands of years and across religions and cultures, even into our time: In 2019 the Vatican convened 250 priests from 50 countries for a weeklong seminar on exorcism. The Penguin Book of Exorcisms brings together the most astonishing accounts: Saint Anthony set upon by demons in the form of a lion, a bull, and a panther, who are no match for his devotion and prayer; the Prophet Muhammad casting an enemy of God out of a young boy; fox spirits in medieval China and Japan; a headless bear assaulting a woman in sixteenth-century England; the possession in the French town of Loudun of an entire convent of Ursuline nuns; a Zulu woman who floated to a height of five feet almost daily; a previously unpublished account of an exorcism in Earling, Iowa, in 1928--an important inspiration for the movie The Exorcist; poltergeist activity at a home in Maryland in 1949--the basis for William Peter Blatty's novel The Exorcist; a Filipina girl "bitten by devils"; and a rare example of a priest's letter requesting permission of a bishop to perform an exorcism--after witnessing a boy walk backward up a wall. Fifty-seven percent of Americans profess to believe in demonic possession; after reading this book, you may too. For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
In God is Red, Chinese dissident journalist and poet Liao Yiwu—once lauded, later imprisoned, and now celebrated author of For a Song and a Hundred Songs and The Corpse Walker—profiles the extraordinary lives of dozens of Chinese Christians, providing a rare glimpse into the underground world of belief that is taking hold within the officially atheistic state of Communist China. Liao felt a kinship with Chinese Christians in their unwavering commitment to the freedom of expression and to finding meaning in a tumultuous society, even though he is not a Christian himself. This is a fascinating tale of otherwise unknown personalities thriving against all odds. God is Red will resonate with readers of Phillip Jenkins' The Lost History of Christianity and Peter Hessler's Country Driving.