Download Free Shade It Black Book in PDF and EPUB Free Download. You can read online Shade It Black and write the review.

A female marine’s “absorbing memoir” recounting her work with the remains and personal effects of fallen soldiers and her battle with PTSD (Publishers Weekly). In 2008, CBS chief foreign correspondent Lara Logan candidly speculated about the human side of the war in Iraq: “Tell me the last time you saw the body of a dead American soldier. What does that look like? Who in America knows what that looks like? Because I know what that looks like, and I feel responsible for the fact that no one else does . . .” Logan’s query raised some important yet ignored questions: How did the remains of American service men and women get from the dusty roads of Fallujah to the flag-covered coffins at Dover Air Force Base? And what does the gathering of those remains tell us about the nature of modern warfare and about ourselves? These questions are the focus of Jessica Goodell’s story Shade It Black: Death and After in Iraq. Goodell enlisted in the Marines immediately after graduating from high school in 2001, and in 2004 she volunteered to serve in the Marine Corps’ first officially declared Mortuary Affairs unit in Iraq. Her platoon was tasked with recovering and processing the remains of fallen soldiers. With sensitivity and insight, Goodell describes her job retrieving and examining the remains of fellow soldiers lost in combat in Iraq, and the psychological intricacy of coping with their fates, as well as her own. Death assumed many forms during the war, and the challenge of maintaining one’s own humanity could be difficult. Responsible for diagramming the outlines of the fallen, if a part was missing she was instructed to “shade it black.” This insightful memoir also describes the difficulties faced by these Marines when they transition from a life characterized by self-sacrifice to a civilian existence marked very often by self-absorption. In sharing the story of her own journey, Goodell helps us to better understand how post-traumatic stress disorder affects female veterans. With the assistance of John Hearn, she has written one of the most unique accounts of America’s current wars overseas yet seen.
Photographs and poetic text celebrate the beauty and diversity of African American children. On board pages.
When Brad Shade arrives in Swift Current in the wake of an old friend's suicide, all he wants to do is make an appearance at the funeral and get back home. But Mitzi, the grieving widow, can't believe her husband took his own life, especially when his multimillion-dollar business is thriving. When Shade starts asking questions, he ends up taking a sometimes violent detour through the dark side of a small prairie town that has no shortage of secrets it wants kept at almost any cost. The second in the Brad Shade series, The Black Ace reunites us with the wisecracking former journeyman who never played by a rule he wouldn't bend or break for a win, who always plays to win, and doesn't know how to leave well enough alone.
Lilly has just enough black not to be white and just enough white not to be black. As a slave caught in between two worlds she is kept out of the sun so as not to be burned by it's rays and to keep her skin that tinge that the massa wanted. She is implicitly and explicitly taught that she is slave yet she is also different from other slaves, distanced from those who work the fields. Her mother worries constantly about her virginity. In a boarder line that keeps her from fully feeling a part of either world, Lilly entertains notions of freedom while struggling with various challenges and figuring out her identity as a creamed colored girl. Through all her challenges, Lilly somehow finds the courage to redefine herself and chart a new path. This is the story of how she changes her destiny.
A child reflects on the meaning of being Black in this moving and powerful anthem about a people, a culture, a history, and a legacy that lives on. Red is a rainbow color. Green sits next to blue. Yellow, orange, violet, indigo, They are rainbow colors, too, but My color is black . . . And there’s no BLACK in rainbows. From the wheels of a bicycle to the robe on Thurgood Marshall's back, Black surrounds our lives. It is a color to simply describe some of our favorite things, but it also evokes a deeper sentiment about the incredible people who helped change the world and a community that continues to grow and thrive. Stunningly illustrated by Caldecott Honoree and Coretta Scott King Award winner Ekua Holmes, Black Is a Rainbow Color is a sweeping celebration told through debut author Angela Joy’s rhythmically captivating and unforgettable words. An ALSC Notable Children's Book 2021 An NCTE 2021 Notable Poetry Book A 2021 Notable Social Studies Trade Book of the NCSS/CBC A New York Public Library Best Book of 2020 A Washington Post Best Book of 2020 A Horn Book Fanfare Best Book of the Year A 2020 Jane Addams Children's Book Award Honoree
Twenty-six edition oral histories of Orange County African-American pioneers from Willis Duffy to the family of Robert Clemons.
This book uses a decolonial Black feminist lens to understand the contemporary significance of the practices and politics of indifference in United States higher education. It illustrates how higher education institutions are complicit in maintaining dominant social norms that perpetuate difference. It weaves together Black feminisms, affect and queer theory to demonstrate that the ways in which human bodies are classified and normalized in societal and scientific terms contribute to how the minoritized and marginalized feel White higher education spaces. The text espouses a Black Feminist Shad(e)y Theoretics to read the university, by considering the historical positioning of the modern university as sites in which the modern body is made and remade through empirically reliable truth claims and how contemporary knowledges and academic disciplinary inheritances bear the fingerprints of racist sexist science even as the academic tries to disavow its inheritance through so-called inclusive practices and policies today. This book will appeal to students and scholars interested in Black feminism, Gender and women's studies, Black and ethnic studies, sociology, decoloniality, queer studies and affect theory.
A Darker Shade of Magic, from #1 New York Times bestselling author V.E. Schwab Kell is one of the last Antari—magicians with a rare, coveted ability to travel between parallel Londons; Red, Grey, White, and, once upon a time, Black. Kell was raised in Arnes—Red London—and officially serves the Maresh Empire as an ambassador, traveling between the frequent bloody regime changes in White London and the court of George III in the dullest of Londons, the one without any magic left to see. Unofficially, Kell is a smuggler, servicing people willing to pay for even the smallest glimpses of a world they'll never see. It's a defiant hobby with dangerous consequences, which Kell is now seeing firsthand. After an exchange goes awry, Kell escapes to Grey London and runs into Delilah Bard, a cut-purse with lofty aspirations. She first robs him, then saves him from a deadly enemy, and finally forces Kell to spirit her to another world for a proper adventure. Now perilous magic is afoot, and treachery lurks at every turn. To save all of the worlds, they'll first need to stay alive. "A Darker Shade of Magic has all the hallmarks of a classic work of fantasy. Schwab has given us a gem of a tale...This is a book to treasure."—Deborah Harkeness, New York Times bestselling author of the All Souls trilogy Shades of Magic series 1. A Darker Shade of Magic 2. A Gathering of Shadows 3. A Conjuring of Light At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the 1980s--at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities--the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement--particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin. In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource. Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson
After Nikki Chase--a smart, ambitious, attractive black economics professor--stumbles over her friend Ella's body during a blackout, she finds herself plunged into the investigation and uncovering some of Harvard's most deeply buried secrets.