Download Free Sex And Horror Book in PDF and EPUB Free Download. You can read online Sex And Horror and write the review.

This is the third volume in our bestselling Sex and Horror series, which celebrates the publishing craze known as 'fumetti sexy': Italian adult comics and cartoons with a unique take on such genres as horror, crime, fantasy, history and fairy tales.This book focuses on the work of Fernando Carcupino - famed not just for his comic work but his pinups as well. Sex and Horror volume three is another visual feast of outrageous pulp art.
This is the fourth title in our Sex and Horror series, which celebrates the 1960s and 1970s publishing phenomenon called "fumetti sexy" Italian adult comics with a unique take on such genres as horror, crime, fantasy, history, and fairy tales. The comics' huge success was due in part to their uninhibited mix of twisted humor, gory violence, and up-front eroticism; however, what makes them so sought-after today is their technicolor cover illustrations, rendered by classically trained painters. The book promises another visual feast of outrageous pulp art.
Many critics and fans refer to the 1990s as the decade that horror forgot, with few notable entries in the genre. Yet horror went mainstream in the '90s by speaking to the anxieties of American youth during one of the country's most prosperous eras. No longer were films made on low budgets and dependent on devotees for success. Horror found its way onto magazine covers, fashion ads and CD soundtrack covers. "Girl power" feminism and a growing distaste for consumerism defined an audience that both embraced and rejected the commercial appeal of these films. This in-depth study examines the youth subculture and politics of the era, focusing on such films as Buffy the Vampire Slayer (1992), Scream (1996), I Know What You Did Last Summer (1997), Idle Hands (1999) and Cherry Falls (2000).
During the 1960s abd '70s, the European horror film went totally crazy. It began to go kinky--creating a new type of cinema that blended eroticism and terror. Immoral Tales illuminates an entire world of sexy, gory, arty and sleazy films that are only now gaining recognition in the U.S. Photos, many in color.
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.
Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of ‘gynaehorror’: films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and ‘mad science’; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and ‘abject barren’ bodies in horror. The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.
Sex, Drugs & Horror is an all-out assault on the senses. Everything-from Splatterpunk to Horror Erotica will find a home here. This one is not for the squeamish or prudish. Filled with chills and thrills, this anthology will not disappoint!
In the early 1980s, William Steel's life took a turn towards the macabre when he quite literally ran into Robert Durst in midtown Manhattan. Steel was attending a school for locksmithing and security systems at the time, and Durst -- the black sheep of a family that controls billions of dollars in New York real estate -- decided he could use a man of those specific talents. Little did Steel realize that his new acquaintance was not only the prime suspect in his first wife's mysterious disappearance but quite possibly the wealthiest serial killer in American history. For the better part of a decade, Steel and Durst maintained what has been called a friendship of mutual usury, as Durst paid Steel for use of his Brooklyn home to engage in drug- and fetish-fueled sex with a variety of prostitutes. As they got to know each other better, Durst boasted to Steel of darker deeds. Were they confessions of rape, torture and cold-blooded murder, or just the twisted fantasies of a maniacal multimillionaire? Steel didn't know for sure until years later. He's now convinced that Durst is, indeed, a murderous monster, and he remains haunted by thoughts that he should have done something to stop the fiend before he claimed more innocent lives. In his gripping memoir, Sex and the Serial Killer, My Bizarre Times with Robert Durst, Steel reveals the depths of the scion's depravity, and he demands justice for Durst's victims and their shattered families.NOTE: Parts of this book have been redacted for various legal and safety reasons.
Twenty-two sensuous and erotic tales of terror and the macabre include chilling works by Robert Bloch, J. G. Ballard, Harlan Ellison, Ramsey Campbell, Ray Bradbury, Thomas Ligotti, Nancy A. Collins, and other masters of the horror genre. Reprint.
Between the late 1950s and mid-1970s, British cinema experienced an explosion of X-certificated films. In parallel with an era marked by social, political, and sexual ferment and upheaval, British filmmakers and censors pushed and guarded the permissible limits of violence, horror, revolt, and sexuality on screen. Adult Themes is the first volume entirely devoted to the exploration of British X certificate films across this transformative period, since identified as 'the long 1960s'. How did the British Board of Film Censors, harried on one side by the censorious and moralistic, and beset on the other by demands for greater artistic freedom, oversee and manage this provocative body of films? How did the freedoms and restrictions of the X certificate hasten, determine, and reshape post-war British cinema into an artistic, exploitational, and unapologetically adult medium? Contributors to this collection consider these central questions as they take us to swinging parties, on youthful crime sprees, into local council meetings, on police raids of cinemas, and around Soho strip clubs, and introduce us to mass murderers, lesbian vampires, apoplectic protestors, eroticised middle-aged women, and rebellious working-class men. Adult Themes examines both the workings and negotiations of British film censorship, the limits of artistic expression, and a wider culture of X certificate cinema. This is an important volume for students and scholars of British Film History and censorship, Media Studies, the 1960s, and Cultural and Sexuality Studies, while simultaneously an entertaining read for all connoisseurs of British cinema at its most vivid and scandalous.