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Englishman Frank Collinson went to Texas in 1872, when he was seventeen, to work on Will Noonan’s ranch near Castroville. He lived the rest of his life in the southwestern United States, and at the age of seventy-nine began writing about the Old West he knew and loved. He had a flair for writing, a phenomenal memory, and a passion for truth that is evident in what he wrote and said. His writings for Ranch Romances, his letters, and transcriptions of his conversations have been arranged here in roughly chronological order, so that their importance for frontier history is readily apparent. Collinson ranged the West in his writings as he did in person, telling of the last tragic days of buffalo hunting on the Plains; clashes between hunters or cowboys and the Plains Indians; the character of trail drivers; and the definitive nature of violence, particularly at gun-point. J. Frank Dobie said of Collinson: "In the realm of frontier chronicles, the writing of educated Englishmen. . . men with the perspective of civilization, with imagination, and a lust for primitive nature, stand out. To this class of men belongs Frank Collinson."
A large part of American history was written from the seat of a military saddle. While the United States Army used horse-mounted fighting men from the very beginning, it was in the nineteenth century - from the decade before the Mexican War through the Indian wars - that the dashing cavalry units captured the American imagination. The horse solders remained part of the army until 1943, when the military converted them to mechanized forces. Even so, West Point did not tear down its stables and abandon its riding-proficiency requirement until 1947. The long retention of the cavalry was due to affection for the memory of the glorious role of the cavalry in American military history.
The essays compiled in this volume, written by distinguished experts, present a broad panorama of the most important methodological challenges faced by conceptual history today, as well as some more specific contributions regarding the temporal dimension of certain modern concepts. At a moment when time and concepts ,and political concepts in particular, are no longer obvious and taken for granted but have themselves become historical matter, this book does not limit itself to an updating of the state of the art; it also offers very useful lessons for the development of future research into this field.
The saddle has become an American icon. One of the most famous saddle makers is Donald L. King of Sheridan, Wyoming. This fascinating study of the Sheridan saddle and its creator not only highlights King's contributions but also traces the origins of the western saddle to its roots in Mexico and Spain. 24 color plates. 38 b&w illustrations.