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In a world where magic has been condemned; can an unlikely hero find the Courage to save the fate of a kingdom? Quinlan always thought of himself as nothing special. He is struggling with finding purpose in his ordinary life when everything he knows is upended. Not only does he find himself thrown into an alternate dimension, but he also discovers he is someone with very special abilities. The ability to connect with the ancient magic of this strange world. He is a Seventh. Quinlan’s newfound skills are put to the test when he learns of a plot to murder the royal family. Teaming together with Christiana, a reclusive Seventh who helps him hone his powers, Alexander, a foreign prince desperate to prove himself, and Blair, a friend from his past, Quinlan goes undercover to learn the truth behind the murders. But things aren’t always what they seem, and everyone has their own agenda. When more secrets come to light and things from his past creep up, will Quinlan be able to push through? Or will grief, betrayal and pain cause him to break? After all, in this land, being a Seventh is as good as a death sentence... And no one can be trusted... About the Author Starci Scheffler was born in Glen Ellyn, Illinois. She currently resides in Colorado Springs, Colorado. As she grew up, she was never seen without a novel in hand, and by middle school was proud to say she would read over 100 books a year. In high school, she developed a passion for writing and started writing short stories. Seventh’s Beginning is her first full length novel. When not writing, Starci works as a bartender and a pastry artist in Colorado Springs. She loves hiking, dancing, SCUBA diving, and singing musicals at the top of her lungs. Most often, though, you can find Starci curled up with a large mug of tea and a good book.
What did the writer of Genesis mean by “the first day”? Is it a literal week or a series of time periods? If I believe that the earth is 4.5 billion years old, am I denying the authority of Scripture? In response to the continuing controversy over the interpretation of the creation narrative in Genesis, John Lennox proposes a succinct method of reading and interpreting the first chapters of Genesis without discounting either science or Scripture. With examples from history, a brief but thorough exploration of the major interpretations, and a look into the particular significance of the creation of human beings, Lennox suggests that Christians can heed modern scientific knowledge while staying faithful to the biblical narrative. He moves beyond a simple response to the controversy, insisting that Genesis teaches us far more about the God of Jesus Christ and about God’s intention for creation than it does about the age of the earth. With this book, Lennox offers a careful yet accessible introduction to a scientifically-savvy, theologically-astute, and Scripturally faithful interpretation of Genesis.
This book argues that there are deep connections between ‘poetic’ thinking and the sensitive recognition of creaturely others. It explores this proposition in relation to four poets: Marianne Moore, Elizabeth Bishop, Ted Hughes, and Les Murray. Through a series of close readings, and by paying close attention to issues of sound, rhythm, simile, metaphor, and image, it explores how poetry cultivates a special openness towards animal others. The thinking behind this book is inspired by J. M. Coetzee’s The Lives of Animals. In particular, it takes up that book’s suggestion that poetry invites us to relate to animals in an open-ended and sympathetic manner. Poets, according to Elizabeth Costello, the book’s protagonist, ‘return the living, electric being to language’, and, doing so, compel us to open our hearts towards animals and the claims they make upon us. There are special affinities, for her, between the music of poetry and the recognition of others. But what might it mean to say that poets to return life to language? And why might this have any bearing on our relationship with animals? Beyond offering many suggestive starting points, Elizabeth Costello says very little about the nature of poetry’s special relationship with the animal; one aim of this study, then, is to ask of what this relationship consists, not least by examining the various ways poets have bodied forth animals in language.
The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.
First published in 2005. This expansive and fascinating treatment of ancient Egyptian mythology and its influence on the traditions that followed from it includes explorations of sign-language in mythological representation, totemism, fetishism, spirits and Gods, the Egyptian Book of the Dead, and Egyptian wisdom in the Hebrew Genesis. Readers will enjoy the wealth of information offered by Massey, as well as his clear and readable style.