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The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
Seven Masters, One Path brings together the seven primary practices of the world’s most revered spiritual masters—Krishnamurti, Lao-tzu, Buddha, Jesus, Mohammed, Gurdjieff, and Patanjali—in one simple yet complete program. Finally everyone who wants to learn how to meditate, or to deepen their meditation practice, can turn to one comprehensive guidebook that leads readers gently yet surely into experiencing the seven universal dimensions of daily meditation practice. Seven Masters, One Path guarantees access to deep meditative experience for people seeking relief from emotional and mental stress, and especially for anyone who longs to experience a deeper sense of connection with our spiritual core. No matter how divergent all the theologies, philosophies, rituals, and dogmas of the world’s great meditative traditions might appear, John Selby reveals that the underlying intent of the original masters was remarkably similar—to help people to point their attention toward regular contact with the divine, through opening hearts and souls to direct communion with God by whatever name. Offering one meditation each from the seven teachers, Seven Masters, One Path emphasizes the commonalities in the diverse traditions, ultimately providing a unique and accessible meditation program that anyone can master.
THE STORIES: In BETTE AND ME, the author and the legendary Bette Midler get their hair done, try on makeup, and row a boat on the Hudson River. They finally end up at Radio City Music Hall, where Wendy rises from the orchestra pit on a half-shell w
Welcome home. A place 200 million years in the making. Long ago, our planet had only one gigantic land mass. Then something monumental happened. That supercontinent ruptured and seven different worlds were born. Each of those worlds - or continents - evolved, and continues to evolve, its own way of life. From the jungle of the Congo or the majestic Himalayas to the densely populated wilds of Europe or the comparatively isolated Australasia, Seven Worlds, One Planet explores the natural wonders that give each of our continents its distinct character. Following the animals that have made these iconic environments their home, it discovers spectacular wildlife stories that reveal what makes each of these seven worlds unique. With a foreword by Sir David Attenborough and over 250 breathtaking images, including stills from the BBC Natural History Unit’s spectacular footage, Seven Worlds, One Planet is a stunning exploration of the planet, and the worlds within it, that we call home.
These short plays by the great Danish-Norwegian playwright Ludvig Holberg reveal, in brilliant and sparking miniature, his genius for comedy. The plays are here translated into English for the first time, with an introduction by Svend Kragh-Jacobsen, well-known Danish theater critic. In these social comedies Holberg pricks the vanity of snobbery and the worship of riches, deals with the world of the philosophers, and has fun with the theme of common sense. A talkative barber, a scientific charlatan, and an ignorant farmer boy come in for sharp characterization. Originally published in 1950. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
THE STORIES: MARGARET’S BED. Elsie picks up Ben at the symphony and brings him back to the apartment she shares with Margaret, who is away for the night. Ben assumes that this is a prelude to sex, but truly Elsie is just desperate for Ben to sleep in Margaret’s empty bed, because she has a pathological fear of sleeping in an empty apartment. (1 man, 1 woman.) THE KILLING. Mac meets Huey at a bar and brings him home to his apartment to share a bottle of whiskey, but this isn’t the kind of pick-up you might think. Mac, who is a religious man and fears damnation, hopes to convince Huey, who does not believe, to kill him. (2 men.) THE POWER OF SILENCE. Teachers at the same school, Emma and Louise have been receiving mysterious phone calls, and when Emma answers, no one speaks. Louise is less disturbed by the calls, but they make Emma frantic, and she is sure that one of her students is responsible. After several silent calls, someone rings their door buzzer repeatedly. But who’s there? (2 men, 2 women.) PRODIGAL. Terry is a troubled teen who’s been arrested multiple times and is on probation. In fact, if his mother won’t let him stay with her, Terry has to turn himself in and go back to “the farm.” Nancy has a chance at a new life with a new husband, though, and she can’t handle her son anymore. But her decision has dire consequences for others. (1 man, 2 women.) THE CALL. Joe has traveled to New York City from Billings, Montana for a Shriners-like convention and parade, but he is weighed down by his sense of failure and fear of a changing world. He can’t even bring himself to stay with his successful actress sister and her husband in their tony apartment, preferring to drag his heavy suitcase to find a hotel room on a low floor. (2 men.) THE LOVE DEATH. Byron is a successful writer, living alone in a well-decorated apartment, who makes a series of calls to his mother, friends, and the critic who gave his last book of short stories a terrible review to let them know that he is about to commit suicide. (1 man, voices.) MOVED-IN. The super of the apartment complex, Mr. Flicker, is leaving, and the board has offered his job to Carlton. But Carlton, an African American who struggled to get admitted to the complex in the first place, isn’t sure he wants to take the job and give up the hate he feels for many of his fellow tenants. (2 men, 1 woman.)
What did the writer of Genesis mean by “the first day”? Is it a literal week or a series of time periods? If I believe that the earth is 4.5 billion years old, am I denying the authority of Scripture? In response to the continuing controversy over the interpretation of the creation narrative in Genesis, John Lennox proposes a succinct method of reading and interpreting the first chapters of Genesis without discounting either science or Scripture. With examples from history, a brief but thorough exploration of the major interpretations, and a look into the particular significance of the creation of human beings, Lennox suggests that Christians can heed modern scientific knowledge while staying faithful to the biblical narrative. He moves beyond a simple response to the controversy, insisting that Genesis teaches us far more about the God of Jesus Christ and about God’s intention for creation than it does about the age of the earth. With this book, Lennox offers a careful yet accessible introduction to a scientifically-savvy, theologically-astute, and Scripturally faithful interpretation of Genesis.
"Maia D'Apliáese and her five sisters gather together at their childhood home, 'Atlantis'--a fabulous, secluded castle situated on the shores of Lake Geneva--having been told that their beloved father, who adopted them all as babies, has died. Each of them is handed a tantalizing clue to her true heritage--a clue which takes Maia across the world to a crumbling mansion in Rio de Janeiro, Brazil. Once there, she begins to put together the pieces of her story and its beginnings"--