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On a mid-October evening, a group of fathers gathered around a conference table and met each other for the first time. None of the men had ever thought of himself a "support group kind of guy" and each felt entirely out of place. In fact, nothing about their lives felt normal anymore. The Group: Seven Widowed Fathers Reimagine Life chronicles the challenges and triumphs of seven men whose wives died from cancer and were left to raise their young children entirely on their own. Brought together by tragedy, the fathers - Neill, Dan, Bruce, Karl, Joe, Steve, and Russ - forged an uncommon bond. Over time, group meetings evolved into a forum for reinvention and transformed the men in unexpected ways. Through the fathers' poignant interactions, The Group illustrates that while some wounds never fully heal, each of us has the potential to construct a new and meaningful future. Rosenstein and Yopp, co-leaders of the support group, weave together the fathers' stories with contemporary research on grief and adaptation. The Group traces a compelling journey of healing and personal discovery that no book has ever captured before. The men's touching efforts to care for their families, grieve for their wives, and reimagine their futures will inspire anyone who has suffered a major loss.
Cain, a quixotic anti-hero, navigates the foreign and hostile world of construction as he builds the Twin Towers prison in LA. The novel follows Cain through the seven stories, nine counting the foundation and roof, of this brooding building culminating with the violent LA riots. Whop, Cains personal Virgil, guides Cain through the hell of work-site accidents, deaths, graft, greed, incompetence, and disillusionment. Unlike in Dantes Inferno, Whop does not guide Cain to redemption. Instead, Cains foreman, Nickels, applies pressure to Cains mental state as the steel assaults his body and soul. While Cain sinks deeper into the construction site his hold on reality blurs by the surreal bombardment to his senses. He absorbs the maddening orchestra of noises and sights; the Native American iron worker, Coyote Eye, killing himself for his beloved; the rodbuster who robbed banks to escape the job; the sex addiction of Big Daddy and his crew of looneys; and the merciless steel trying to murder Cain one piercing shard at a time. The rest of the crew: Iron Horse, Tiny, Willie the Elevator Operator, Righteous Eddy Edmond, and the Funky Red Headed Dread Lock Dude notice Cains odd behavior, but they do not recognize his mental instability. As the Rodney King riot takes to the streets nine months later, LA burns in the night sky while Cain, Nickels and the cold steel collide.
A literary memoir of exile and survival in Soviet prison camps during the Holocaust. Most Polish Jews who survived the Second World War did not go to concentration camps, but were banished by Stalin to the remote prison settlements and Gulags of the Soviet Union. Less than ten percent of Polish Jews came out of the war alive—the largest population of Jews who endured—for whom Soviet exile was the main chance for survival. Ellen G. Friedman’s The Seven, A Family Holocaust Story is an account of this displacement. Friedman always knew that she was born to Polish-Jewish parents on the run from Hitler, but her family did not describe themselves as Holocaust survivors since that label seemed only to apply only to those who came out of the concentration camps with numbers tattooed on their arms. The title of the book comes from the closeness that set seven individuals apart from the hundreds of thousands of other refugees in the Gulags of the USSR. The Seven—a name given to them by their fellow refugees—were Polish Jews from Warsaw, most of them related. The Seven, A Family Holocaust Storybrings together the very different perspectives of the survivors and others who came to be linked to them, providing a glimpse into the repercussions of the Holocaust in one extended family who survived because they were loyal to one another, lucky, and endlessly enterprising. Interwoven into the survivors’ accounts of their experiences before, during, and after the war are their own and the author’s reflections on the themes of exile, memory, love, and resentment. Based on primary interviews and told in a blending of past and present experiences, Friedman gives a new voice to Holocaust memory—one that is sure to resonate with today’s exiles and refugees. Those with an interest in World War II memoir and genocide studies will welcome this unique perspective.
An upbeat, empowering, important picture book from the team that created the award-winning Crown: An Ode to the Fresh Cut. A perfect gift for any special occasion! I am a nonstop ball of energy. Powerful and full of light. I am a go-getter. A difference maker. A leader. The confident Black narrator of this book is proud of everything that makes him who he is. He's got big plans, and no doubt he'll see them through--as he's creative, adventurous, smart, funny, and a good friend. Sometimes he falls, but he always gets back up. And other times he's afraid, because he's so often misunderstood and called what he is not. So slow down and really look and listen, when somebody tells you--and shows you--who they are. There are superheroes in our midst!
The most basic questions everyone faces in life is Why am I here? What is my purpose? Gerard Kelly presents the stories that make up the overall story of God in the world. And here we find our purpose for each of our individual Christian lives. Our purpose is as distinctive as our fingerprint and we will connect with it when we connect with our identity and origin in God. God remembers how he made us and is committed to the fruitfulness and fulfilment of our potential. We discover the importance of finding our place of service and usefulness, knowing that our lives have meaning in the purposes of God.
When his father died, Harrison Candelaria Fletcher wasn’t quite two. His mother packed up his father’s belongings, put the boxes in a hall closet, and closed the door. The “man in a box” remained a mystery, hardly mentioned, and making only rare appearances in stories when Fletcher or his siblings inquired. Meanwhile, his young Hispanic mother transformed herself into an artist, scouting the back roads and secondhand shops of New Mexico for relics and unlikely treasures to add to her “little shrines,” or descansos. “Look closely,” she’d say to her son. “Everything tells a story.” This book is Fletcher’s literary descanso, a piecing together—from moments and objects and words—of a father’s life, of the life lived without that father, and of his own mixed-race identity. Fletcher’s reflections unfold like a collage, offering a rich array of images and stories of life with his single mother, organizing weekend family car trips to explore graveyards and adobe ruins; of growing up on the fault lines of class and culture; of being a father who never had one of his own to learn from. From incidents and observations, Fletcher assembles a beautifully crafted portrait of his family’s unspoken affliction with loss over the decades, a portrait that finally evokes the father at its heart.
Seven Stories and a Play are light reading, meant to entertain: the Viscount Cavalier in Englands Civil War; the physicist who invented a time machine that delivered its passengers direct to eternity; a conservation effort that never got off the ground; the disillusionments of marriage, old and young; a murder unravelled; beating the genie, and a money-hungry Roman domina who has to be got out of town.
"Why mess around with Catholicism when you can have your own customized religion?" Fed up with his parents' boring old religion, agnostic-going-on-atheist Jason Bock invents a new god -- the town's water tower. He recruits an unlikely group of worshippers: his snail-farming best friend, Shin, cute-as-a-button (whatever that means) Magda Price, and the violent and unpredictable Henry Stagg. As their religion grows, it takes on a life of its own. While Jason struggles to keep the faith pure, Shin obsesses over writing their bible, and the explosive Henry schemes to make the new faith even more exciting -- and dangerous. When the Chutengodians hold their first ceremony high atop the dome of the water tower, things quickly go from merely dangerous to terrifying and deadly. Jason soon realizes that inventing a religion is a lot easier than controlling it, but control it he must, before his creation destroys both his friends and himself.
One man's search to find his role in the world is revealed in the writer's portrait of his youthful political activism and entry into a Trappist monastery