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In her 1927 autobiography Carrie Jacobs-Bond wrote: "The only thing that seems to me at all remarkable about my life is that I was nearly thirty-two years old before I even thought of having a career." After years of research I have concluded, on the contrary, that everything about her life was remarkable. A divorcee, then a widow, she was nearly forty years old before her music lifted her out of poverty. She went on to make a fortune as her own publisher, becoming an international celebrity, world traveler, friend of the rich and famous, sometime vaudeville star, and a charitable woman who gave away most of her money before she died. The woman's life needs to be revisited. Her own book was long on anecdotes and platitudes but short on times and places, and on the secrets of her heart. I have filled in some of the blank pages in her life's story by creating this new autobiography. Names and places and dates within reach of my research are faithfully employed. The rest is an affectionate and studied re-telling of her life, knit together by a man who never met Carrie Jacobs-Bond but has been under her spell ever since he sang "I Love You Truly" in 7th grade Boys' Glee Club. MAX MORATH EDITOR: USE THIS QUOTE BOTTOM BACK PAGE: Morath brings to everything he touches a keen intelligence and encyclopedic knowledge of every aspect, musical and otherwise, of late 19th and early 20th century Americana. New York Post
America’s Songs II: Songs from the 1890's to the Post-War Years continues to tell the stories behind popular songs in our country’s history, serving as a sequel to the bestselling America’s Songs: Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley. Beginning in 1890 and ending in post-war America, America's Songs II is a testament to the richness of popular music in the first half of the 20th century. This volume builds on the unique features of the first volume, delving deeper into the nature of the collaboration between well-known songwriters of the time but also shedding light on some of the early performers to turn songs into hits. The book’s structure – a collection of short easy-to-read essays – allows the author to provide historical context to certain songs, but also to demonstrate how individual songs facilitated the popularity of specific genres, including ragtime, jazz, and blues, which subsequently reshaped the landscape of American popular music. America’s Songs II: Songs from the 1890's to the Post-War Years will appeal to American popular music enthusiasts but will also serve as an ideal reference guide for students or as a supplement in American music courses.
In Songbooks, critic and scholar Eric Weisbard offers a critical guide to books on American popular music from William Billings's 1770 New-England Psalm-Singer to Jay-Z's 2010 memoir Decoded. Drawing on his background editing the Village Voice music section, coediting the Journal of Popular Music Studies, and organizing the Pop Conference, Weisbard connects American music writing from memoirs, biographies, and song compilations to blues novels, magazine essays, and academic studies. The authors of these works are as diverse as the music itself: women, people of color, queer writers, self-educated scholars, poets, musicians, and elites discarding their social norms. Whether analyzing books on Louis Armstrong, the Beatles, and Madonna; the novels of Theodore Dreiser, Gayl Jones, and Jennifer Egan; or varying takes on blackface minstrelsy, Weisbard charts an alternative history of American music as told through its writing. As Weisbard demonstrates, the most enduring work pursues questions that linger across time period and genre—cultural studies in the form of notes on the fly, on sounds that never cease to change meaning.
Uncovers the unexplored history of the love song, from the fertility rites of ancient cultures to the sexualized YouTube videos of the present day, and discusses such topics as censorship, the legacy of love songs, and why it is a dominant form of modern musical expression.