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Dharma is the concealed cosmic principle underlying the integrity of the Universe. The forces of Nature know this innately and work together in mutually respectful harmony. Human beings, however, struggle to uncover, and even more so to accept, their unique paths as individuals. This fact is clearly evidenced by the endless destruction and suffering people worldwide have been inflicting on themselves, each other, and on the Earth for thousands of years
Our world is charged with both the grandeur of God and the void of his absence. The seven deadly sins are the force causing that hole. They are at work in each of us. They decimate our relationships, our souls and our world. These deadly sins often seem pleasing and good for gaining what we desire, but they are thoroughly poisonous. Conversely, the Beatitudes are Jesus' pictures of a restored creation. The Beatitudes introduced what Jesus said to his earliest followers about a life strong and fruitful. In fact, the Beatitudes give us a glimpse of a world empty of evil and filled to the edges with God's life. Looking at the Beatitudes and the seven deadly sins in turn, we see two paths, two sets of invitations. Both call to deep places within us to come and taste. Both invite us to take up residence. Both present themselves as life as it actually is. But only one will draw us further into reality.And only one will make us happy. “Of the many, many books about the Gospels, or about Jesus, or about Christian morality, only one in a thousand gives us a real breakthrough, a new ‘big picture’. Most are just nice little candles on the cake. Seven is a bonfire. It’s not just good; it’s striking. It doesn’t just say all the things you’ve heard a thousand times before. And yet it’s totally in sync with both the saints and the scholars.”--Peter Kreeft, professor of philosophy at Boston College, and author of over forty-five books, including Fundamentals of the Faith.
'Deftly embroidered, the narrative is perfumed, with plants and flowers, signifiers of life, of love...a vivid and sometimes harrowing tale of yearning' - The Weekend Australian 'accomplished and devastating' - The Saturday Paper 'From the outset, the novel captures the attention of the eye and the mind with its exquisite sensory observation, its breathtakingly exact expressions of feelings and sensations.' - Australian Book Review Are you still a liar? The crafting of those five words, even without dispatch, left her chilled. Arctic Circle, 2012. On a lightless day at the end of the polar winter, landscape architect Evie Waddell finds herself exhuming the past as she buries Australian seeds in a frozen mountain vault - insurance against catastrophe. Molong, 1953. Catastrophe is all seven-year-old Paddy O'Connor has known. Shipped from institutional care in London to an Australian farm school, his world is a shadowy place where lies scaffold fragile truths and painful memories. To Paddy's south in Canberra, young Evie is safe in her family's embrace, yet soon learns there are some paths from which you can't turn back; impulses and threats that she only half understands but seems to have known forever. Blue Mountains, 1962. From their first meeting as teenagers at a country market, Paddy and Evie grow a compulsive, unconventional love that spans decades, taking them in directions neither could have foreseen. Set against the uneasy relationship society has with its own truth-telling in history, war and politics, DESIRE LINES is an epic story of love and the lies we tell ourselves to survive - and a reminder that even truths which seem lost forever can find their way home. 'Felicity Volk is the real deal' - NIKKI GEMMELL 'Epic, tender, heart-rending - a story resonating in its spectacular landscapes' - INGA SIMPSON 'Genuinely tender, passionate and devastating' Books+Publishing
This book is an intimate study of the three giants in Irish literary history: Oscar Wilde, William Butler Yeats, and James Joyce. In addition to constructing a narrative of Irelands political and literary past, Vicki Mahaffey interweaves the lives and writing of the authors into a portrait of national imagination, shaped not only by a vast cultural and mythic heritage, but also by the hard fact of English political domination. States of Desire argues that what people desire is fundamentally connected to how they write and read. Not only do language and narrative shape desire (and vice versa), but because these processes are socially conditioned, some political circumstances, such as those present in Ireland at the turn of the century, foster experimental desire more successfully than others. Mahaffey's contribution to the critical discourse on literary modernism is to assign a political motive to the art of modernist wordplay; in doing so, she offers a more compelling and socially driven version of the oft-told tale of literary modernism. Irish writers, she argues, sought to disrupt the rigidity of political thinking and social control by turning language into a weapon; by opening up infinite new possibilities of meaning and association, linguistic play makes it impossible for thought to be monopolized by the state or any other institutional power. In this light, the text becomes a prism of political, cultural, and erotic desires: a fountain of conscious and unconscious linguistic suggestion. Defying semantic control and refuting societal repression, Wilde, Yeats, and Joyce literally fought, in their lives and in their work, for a freedom of expression which--as was painfully evidenced in the case of Wilde--was not to be had for the asking.
Many Shades of Evil combines the novels 'Axe' and 'Seven Shades of Evil'. It takes you on a journey from the darkworld to the stars and beyond.
A distinguished international team of scholars under the editorship of Carlo Natali have collaborated to produce a systematic, chapter-by-chapter study of one of the most influential texts in the history of moral philosophy. The seventh book of Aristotle's Nicomachean Ethics discusses weakness of will in its first ten chapters, then turns in the last four chapters to pleasure and its relation to the supreme human good.