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An analysis of the noted painting "Sunday on La Grande Jette, 1884" by French painter Georges Seurat. The discussion includes information on technique and meaning of the painting.
Ages 8 to 12 years. Based on Victorian era peep shows, this unique book has die-cut layers attached to accordion sides which expand to let the viewer see George Pierre Seurat's 1884 masterpiece, A Sunday on La Grande Jatte, from a whole new perspective -- three-dimensionally.
(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine
A volume which embodies an entire generation of scholarship on the artist. Seurat's brief but brilliant career is traced from his early academic drawings of the 1870s to the paintings of popular entertainments and the serene landscapes of his final years.
Painted in 1884, La Grande Jatte ushered in the age of the Neo-Impressionists and stands as one of the grand examples of pointillism. Seurat filled his large-scale work with numerous hidden messages and you can use this pocket-sized notebook to jot down your own big ideas, important appointments, phone numbers, and more. Includes 64 blank pages.
This revelatory study of Georges Seurat (1859–1891) explores the artist’s profound interest in theories of visual perception and analyzes how they influenced his celebrated seascape, urban, and suburban scenes. While Seurat is known for his innovative use of color theory to develop his pointillist technique, this book is the first to underscore the centrality of diverse ideas about vision to his seascapes, figural paintings, and drawings. Michelle Foa highlights the importance of the scientist Hermann von Helmholtz, whose work on the physiology of vision directly shaped the artist’s approach. Foa contends that Seurat’s body of work constitutes a far-reaching investigation into various modes of visual engagement with the world and into the different states of mind that visual experiences can produce. Foa’s analysis also brings to light Seurat’s sustained exploration of long-standing and new forms of illusionism in art. Beautifully illustrated with more than 140 paintings and drawings, this book serves as an essential reference on Seurat.
"This collection of the most influential of Herbert's writings on Seurat, long out of print, bear out the praise he has received for "his ability to mix a deep knowledge of paintings and drawings as physical objects with an acute awareness of the way they embody ideas and can be understood as social documents". This book will appeal both to the general reader and to the student of French nineteenth-century art."--BOOK JACKET.
Head for Paris with Seurat's celebrated work and re-create the original painting or devise your own masterpiece. This book features the park's landscape with the characters removed and transformed into stickers.
With their pioneering method using dots, the artists of Pointillism no longer directed their gaze only towards the imitation of reality. In their paintings between 1886 and 1930 their dots, colour and light assumed an independent existence to create masterpieces of unprecedented brightness and colour diversity. The works by the inventors of this technique, Georges Seurat and Paul Signac, marked the beginning of this exuberant outburst of colour. Works by Henri Matisse, Pablo Picasso, Carlo Carrá, Karl Schmidt-Rottluff, Piet Mondrian and Paul Klee demonstrate how artists made a study of Pointillism during the 20th century. Vincent van Gogh contributed to the way that modernist painters abandoned Pointillism. More than 100 selected works, including paintings, watercolours and drawings, illuminate the dawn of a new era which this art movement was responsible for bringing about: the beginning of modern painting.