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Servants of the Goddess weaves together the heartbreaking, yet paradoxically life-affirming stories of five devadasis—women, in the clutches of an ancient fertility cult, forced to serve the gods. Catherine Rubin Kermorgant sets out attempting to make a documentary film about the lives of present-day devadasis. Through her, we meet and get to know the devadasi women of Kalyana, a remote village in Karnataka. As they grow to trust Kermorgant and welcome her as an honorary sister, we hear their stories in their own words: stories of oppression, discrimination, violence and, most importantly, resilience. Kermorgant becomes a part of these stories and finds herself unwittingly enmeshed in a world of gender and caste bias which extends far beyond Kalyana—all the way to Paris, where the documentary is to be edited and produced. Servants of the Goddess is a testament to women’s strength and spirit, and a remarkably astute analysis of gender and caste relations in today’s rural India.
Sometimes people lose sight of the core of their ministry. They feel overwhelmed by the needs that surround them on a daily basis. Wise and beloved pastor Warren Wiersbe invites ministry leaders to listen in on thirty short "armchair chats" to encourage and strengthen them for service. He shares what he wishes he had known about ministering to others when he began his own Christian pilgrimage. "Ministry," he says, "takes place when divine resources meet human needs through loving channels to the glory of God." With this new edition of a classic book, which includes a foreword by Jim Cymbala, the next generation of ministry leaders can take advantage of Wiersbe's years of wisdom.
The Minaksi Temple is one of the largest, most celebrated and most popular Hindu temples in India. Situated in the ancient south Indian city of Madurai, it is dedicated to the goddess Minaksi and her husband the god Sundaresvara, a form of the great god Śiva. Minaksi's principal servants in the Temple are the priests who carry out all the elaborate rituals for her and Sundaresvara, and these priests are the subject of this book. Drawing upon his extensive field research in the Temple, Dr Fuller discusses the role of the priests in the Temple and their place in the wider society. He looks at their rights and duties in the Temple, and at the changes in their position that have occurred since the establishment of a modern government and legal system. Throughout his book, the author situates his detailed analysis of the Minaksi Temple priesthood within its wider social and historical context, and relates it to the previous work of anthropologists, as well as of historians, Sanskritists and legal scholars.
Can an Immortyl society survive in a modern world? From the ashes of the first battle of the Immortyl Revolution, vampires Mia Disantini and Kurt Eisen set out to build a new Immortyl society. Trouble arrives in the person of Cedric MacKinnon, a runaway adept of the ancient arts, who brings tidings of upheaval at the chief elder's court that threatens everything Mia and Kurt have accomplished. Mia finds it hard to resist when Cedric pledges his service and tempts her with the legendary skills he learned as an Immortyl courtesan. Facing opposition from both within and out, Mia begins to doubt Kurt is up to the task of leading their followers to his vision of an Immortyl Utopia. Torn between her loyalty to Kurt and Cedric's insistence that she is the earthly manifestation of the Goddess Durga and destined to lead, Mia confronts the greatest challenge of her life.
Thalia persuades her sisters, Muses Era and Polly, to help her avoid an arranged marriage, but their plan goes awry and Zeus sends the girls to Earth--only instead of arriving in ancient Athens, Greece, they arrive in modern Athens, Georgia.
The Hebrew Goddess demonstrates that the Jewish religion, far from being pure monotheism, contained from earliest times strong polytheistic elements, chief of which was the cult of the mother goddess. Lucidly written and richly illustrated, this third edition contains new chapters of the Shekhina.