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This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation. The chapters explore a number of questions including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically? How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment? Why and how do we value some serials while disliking others? What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture? This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art.
Recovers the careers of four US women serial writers, and establishes a new archive for American literary studies.
A quarterly review of philosophy.
In The Drama of Serial Conversion in Early Modern England, Holly Crawford Pickett reconceptualizes early modern religious identity by exploring the astonishing stories of serial converts: historical figures such as William Alabaster, Kenelm Digby, William Chillingworth, and Marc Antonio De Dominis, along with fictional ones, who changed their religious affiliations between Catholicism and Protestantism multiple times. Pickett argues that serial converts both reveal and helped revise early modern understandings of the self. Through investigation of the techniques that serial converts used to stage and justify their conversions, Pickett demonstrates the performative nature of the act of conversion itself, offering a counternarrative to the paradigm of sincere, private conversion that was on the rise in the tumultuous years following the Reformation. Drawing from archival investigation into the lives and works of serial converts and performance studies theory, this book shows how the genres and conventions associated with conversion shaped not only forms of communication but also the very experience of conversion. By juxtaposing plays about serial conversion—by Thomas Dekker and Philip Massinger, Thomas Middleton, Elizabeth Cary, Ben Jonson, and William Shakespeare—with spiritual autobiographies, Pickett highlights the shared task of convert and playwright: performing conversion for an audience. Serial converts served as uncomfortable reminders to their contemporaries that religious identity is always unverifiable. The first study to explore serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges confessional divisions within much early modern historiography by analyzing the surprising convergence of Protestant and Catholic in the figure of the serial convert. It also reveals a neglected strain of religious discourse in early modern England that valued mutability and flexibility even in the midst of hardening and increasingly narrow understandings of conversion.
In February 1983 civil servant Dennis Nilsen was arrested after body parts were found to be blocking drains at the house where he lived. As the squad car drove him away, he confessed he had strangled 15 young men. It wasn't just the crimes that stunned; it was also the way he spoke. Nilsen said he had loved the young men he killed. His words seemed bizarre. When newspapers carried stories of how the 37-year-old lured men back to his flat and why, the nation was shocked by his sheer evil. Yet some psychiatrists considered him a man of rare, complex, and extreme psychological problems.In addition, none of them had met a killer who seemed so keen to understand his own psyche. Whilst on remand in Brixton Prison, Nilsen filled 55 exercise books with thoughts. During his subsequent thirty years in prison he has continued to write, most notably on the first draft of a multi-volume autobiography. The Home Office has now banned it, calling the work pornographic and outrageous. Only one journalist has read the book. Using exclusive access to Nilsen's writing and extensive independent research, Russ Coffey explains what Nilsen says and how much of it we can believe. This is a shocking glimpse into the mind of a killer.
This series of books allow you to gradually change the way you think by words you say. Words are symbols to the mind that spark the imagination to produce your thoughts. Thoughts become things! Changing your words affect a change in your imagination to alter the thoughts. Here’s what people are saying. “No more pain—the prayers work!” (Yvette) “It is the best tool for healing since Louise Hay, Heal your Body” (Reverend M. MacLean). “A fabulous go-to reference library for what ‘ails’ you” (R. Rudolf, author). “For the most obscure ailment, this is the book to find the word to start the process of healing” (Reverend Doctor C. E. Lambert). “This is a stunning book to assist with alignment of the divine power in each of us” (D. Congdon). “These are mind-changing prayers” (Anonymous). “My cousin was driving me to the hospital, and when I got there, the doctor said that it had cleared up, and I didn’t need the surgical procedure. It’s definitely something that doctors accept but don’t understand” (Phyllys Gibson). “A method to learn yourself” (Judy Jackson, nurse practitioner).
This work explores the use of drama and theatre in the challenging area of working with people who hear voices, focusing especially on survivors of abuse and those diagnosed as suffering from schizophrenia.