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Sergei M. Eisenstein'sPotemkin, a vivid account of the mutiny of Russian sailors on a Czarist battleship in 1905, is universally acknowledged to be one of the greatest films of all time. Until now, however, Potemkin's astonishing vividness and artistry has never been translated satisfactorily into print. David Mayer's precise, shot-by-shot re-creation of Potemkin, the product of five years' work, is unquestionably definitive. For the student, it is a complete and faithful guide to the film. For the non-initiate, it can be read as a novel—a magnificent story of revolution and repression. With nearly three hundred illustrations, it can be used as a screenplay by film lovers. Mayer's concise introduction analyzes Eisenstein's innovative montage concepts and illustrates them with sequences of frames from the film. Now, with descriptions of each of the more than 1300 shot that make up the authoritative Museum of Modern Art version, even the smallest particulars of Eisenstein's directorial genius can be discovered and studied without losing Potemkin's narrative and visual flow.
"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.
A renowned Soviet director discusses his theory of film as an artistic medium which must appeal to all senses and applies it to an analysis of sequences from his major movies.
A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.
Sovjetregisseur en filmtheoreticus Sergei M. Eisenstein werkte in 1946 en 1947 een jaar voor zijn dood aan een algemene geschiedenis van de cinema. De manier waarop hij de geschiedschrijving van van de cinema benadert, is tegelijk fascinerend in haar ambitie en uiterst modern in haar methode. Eisenstein presenteert hier een virtuele wereldkaart van alle aan de bioscoop gerelateerde media, en ontwikkelt op hetzelfde moment een methode voor het schrijven van een geschiedenis die net als de cinema is gebaseerd op montage. De teksten van Eisenstein worden begeleid door een reeks kritische essays, geschreven door enkele van 's werelds meest gekwalificeerde Eisensteinkenners.
Sergei Eisenstein is arguably the most important single figure in the history of movies. He was certainly the most versatile. The director of the masterpieces Battleship Potemkin and Alexander Nevsky, Eisenstein also wrote ground-breaking essays on film art and taught classes on motion picture production. In this book Eisenstein writes about film directing.
An impassioned firsthand account of the Russian Revolution An American journalist and revolutionary writer, John Reed became a close friend of Lenin and was an eyewitness to the 1917 revolution in Russia. Ten Days That Shook the World is Reeds extraordinary record of that event. 'It flashed upon me suddenly: they were going to shoot me!' This electrifying eyewitness account of the Russian Revolution, written by an American journalist in St Petersburg as the Bolsheviks seized power in 1917, is an unsurpassed record of history in the making. John Reed (1887-1920) American journalist and poet-adventurer whose colorful life as a revolutionary writer ended in Russia but made him the hero of a generation of radical intellectuals. Reed became a close friend of V.I. Lenin and was an eyewitness to the 1917 October revolution. He recorded this historical event in his best-known book TEN DAYS THAT SHOOK THE WORLD (1920). Reed is buried with other Bolshevik heroes beside the Kremlin wall.
Now back in print, this acclaimed biography reassesses a titan of early cinema based on new material released after the fall of the Soviet Union. Sergei Eisenstein: A Life in Conflict tells the dramatic story of one of world cinema’s towering geniuses and principal theorists. Ronald Bergan details Eisenstein’s life from his precocious childhood to his explosion onto the avant-garde scene in revolutionary Russia, through his groundbreaking film career, his relationships with authors and artists such as James Joyce and Walt Disney, and his untimely death at age fifty. Eisenstein’s landmark films, including The Battleship Potemkin and Ivan the Terrible, are still watched, admired, and taught throughout the world. Drawing upon material recently released from the Soviet archives after the breakup of the USSR and from Eisenstein’s personal letters, diaries, and sketches, Bergan shines a new light on the influence of Eisenstein’s early life on his work, his homosexuality, and his keen interest in the West. This book is the definitive biography of an influential director who saw film as the synthesis of all the arts and whose work displayed a passionate and profound grasp of art, science, philosophy, and religion.