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Onionman is up to his old tricks messing with the time continuum, so an evil villain from the past can continue to create pirate havoc. Sergeant Smelly and Captain Chunder must visit the past to ensure the evil pirate Florence Frightful-Beard loses the battle of Chunder-Fart. Will farting ever stop being funny? Not with fire-fart powered ships and chunder cannons in the hilarious adventures of Sergeant Smelly and Captain Chunder.
Aliens from the Planet Eeeville have invaded Earth with much evilness. Will evil finally win the day? Will the Pooperhero Sergeant Smelly produce enough fart bombs and fire-farts to defeat the aliens? Will farting continue to be funny and gross at the same time? Find out the answers to these questions and much less in the hilarious adventures of Sergeant Smelly and Captain Chunder.
Aliens from the Planet Eeeville are stranded on Earth thanks to the superhero duo of Sergeant Smelly and Captain Chunder. The aliens have teamed up with the evil Onionman to rid the world of the superheroes by sending them to a distant planet. Can the superheroes escape the from the planet? Can they defeat the Dreaded Chilli Beasts from the Planet Fire-Butts? Will farting ever stop annoying grown-up parents? Find out the answers to these questions and more in the hilarious, fire-farting adventures of Sergeant Smelly and Captain Chunder.
After two failed attempts at World Domination the evil Onionman resorts to time travel and dinosaurs. Can his evil Jurassic plan conquer the world or can Sergeant Smelly and Captain Chunder save the day? They might need a little help from Frederick Fart-Mountain from the Bureau of Universal Time Travel.
The evil Onionman has kidnapped Father Christmas and plans to blame Sergeant Smelly for ruining Christmas. Can Sergeant Smelly and his farting superpowers save the day? Can the fire-farting reindeer help save Christmas? Will farting ever stop being funny? Find out the answers to these questions and many more in the continuing rip-roaring hilarious adventures of Sergeant Smelly and Captain Chunder.
Zak Connors travels to Daxtorria to find help to tame the Dark. To defeat Daniel Kronnus, he must first confront and conquer himself. Zella Scott is detained on Inchkell island to prevent her from using her powers and faces a battle with Makorbo, the power-hungry leader of the Trejoarian Council.
Zak Connors returns to Kronnus City to search for the remaining Trejoarian children and to continue his fight with Daniel Kronnus. As his powers grow, the harder it becomes to block out other people’s thoughts. Battles rage inside his head as he contends with the Dark.
Suelette Dreyfus and her co-author, WikiLeaks founder Julian Assange, tell the extraordinary true story of the computer underground, and the bizarre lives and crimes of an elite ring of international hackers who took on the establishment. Spanning three continents and a decade of high level infiltration, they created chaos amongst some of the world's biggest and most powerful organisations, including NASA and the US military. Brilliant and obsessed, many of them found themselves addicted to hacking and phreaking. Some descended into drugs and madness, others ended up in jail. As riveting as the finest detective novel and meticulously researched, Underground follows the hackers through their crimes, their betrayals, the hunt, raids and investigations. It is a gripping tale of the digital underground.
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.