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The first biography in English of the priapic pop genius, drawing on new interviews to capture the debauched heart of the chain-smoking French cultural icon
The definitive biography of one of the most emigmatic, beloved, and celebrated artists of our time. Leonard Cohen's extensive and successful recent worldwide tour has demonstrated that his popularity across generations and borders has never been greater. Cohen's life is one of singular mystique. This major in-depth biography is the book Cohen's fans have been waiting for. Acclaimed writer/journalist Sylvie Simmons has interviewed more than 100 figures from Cohen's life and work, including his main muses; the women in his life -- from Suzanne and Marianne to Rebecca de Mornay and Anjani Thomas; artists such as Rufus Wainwright, Nick Cave, David Crosby, Judy Collins, and Philip Glass; his record producers; his closest friends, from childhood to adulthood; and many of the spiritual figures who have influenced his life. Cohen, notoriously private, has granted interviews himself. Thoroughly researched and thoughtful, penetrating and lively, fascinating and revealing of stories and facts never read before, I'm Your Man offers new perspectives on Cohen and his life. It will be one of the most talked-about books of the season, and for years to come.
Outside his native France, the view of Serge Gainsbourg was once of a one-hit wonder lothario. This has been slowly replaced by an awareness of how talented and innovative a songwriter he was. Gainsbourg was an eclectic, protean figure; a Dadaist, poète maudit, Pop-Artist, libertine and anti-hero. An icon and iconoclast. His masterpiece is arguably Histoire de Melody Nelson, an album suite combining many of his signature themes; sex, taboo, provocation, humour, exoticism and ultimately tragedy. Composed and arranged with the great Jean-Claude Vannier, its score of lush cinematic strings and proto-hip hop beats, combined with Serge's spoken-word poetry, has become remarkably influential across a vast musical spectrum; inspiring soundtracks, indie groups and electronic artists. In recent years, the album's reputation has grown from cult status to that of a modern classic with the likes of Beck, Portishead, Mike Patton, Air and Pulp paying tribute. How did the son of Jewish Russian immigrants, hounded during the Nazi Occupation, rise to such notoriety and acclaim, being celebrated by President François Mitterand as "our Baudelaire, our Apollinaire"? How did the early chanson singer evolve into a musical visionary incorporating samples, breakbeats and dub into his music, decades ahead of the curve? And what are the roots and legacy of a concept album about a Rolls Royce, a red-haired Lolita muse, otherworldly mansions, plane crashes and Cargo Cults?
Serge Gainsbourg is arguably the Francophone songwriter whose contribution to the international appeal of French popular music has been the most significant in the post-war era. Sampled by Beck, De La Soul, Massive Attack and Fatboy Slim, remixed by Howie B. and David Holmes, translated by Mick Harvey, and covered by Iggy Pop, Donna Summer, Portishead, Madeleine Peyroux, the Pet Shop Boys and Franz Ferdinand, his music has crossed borders in a way no other modern French-language singer-songwriter's has. The interdisciplinary approach of Serge Gainsbourg: An International Perspective engages in a dialogue between musicology, film and media studies, literature, cultural studies, gender studies, and more, revealing the broad scope of Gainsbourg's impact in and outside of France, from the late 1950s through today. Bringing together a large selection of scholars from across the world, this collection of 26 chapters emphasizes his unique position in French culture, covering issues such as his musical influences and collaborations, esthetics and form, his experimentations with disciplines other than music (mainly film and literature), not to mention the conversation at play between high art and mass culture in this artist's multifaceted body of work.
French cult figure, Serge Gainsbourg is forever synonymous with Je T'Aime -- Moi Non Plus' on which he and Jane Birkin simulated the sounds of erotic congress. But this 1969 Number One was a mere sideshow to an eye-stretching career in which he bestrode Gaelic culture as a singing composer, novelist, film director and actor. In this first full biography in English, Clayson reveals the whole, outrageous story, of this unlikely pop star: lover of icons, a natural at courting controversy via outrageous recordings.
In 1966, an aspiring singer-songwriter drove a battered funeral car 2,000 miles from his native Canada to Los Angeles, California, to seek his fortune in the music business. Thirty-five years later, Neil Young is still going strong, the survivor of an astonishing career which has taken in the Buffalo Springfield, Crosby, Still, Nash & Young, numerous collaborations and 30-plus solo albums. Featuring new and previously unpublished interviews with close friends and musicians, Simmons' book provides startling new insights into Young's music, shedding fresh light on his family life, behind-the-scenes relationships and health problems. It also uncovers new facts about his friendship with murderer Charles Manson, and closely examines his schizophrenic '80s output and musical return to form as Godfather of Grunge in '90s.
Sylvie Simmons' fiction debut, Too Weird for Ziggy is a comic, corruscatingly observed collection of linked stories all set in the world of crass A & R men, fans mired in hero-worship and music starts perpetually on the verge of ego tantrum or outright crack up. From a pop goddess named Pussy who has a nervous breakdown and is found hoarding her own her and fingernail clippings to cults utterly devoted to Karen Carpenter that spring up after the singer's image appears on various buildings (including a kebab shop): from a band of crock-rockers whose star-making tour goes horribly wrong when their lead singer starts to grow breasts to an MTV-sponsored siance to raise a dead rock god, Simmons' tales embrace the bizarre world of rock. Too Weird for Ziggy has the devastating humour, punch and hook of a great pop tune.
The biographical film or biopic is a staple of film production in all major film industries and yet, within film studies, its generic, aesthetic, and cultural significance has remained underexplored. The Biopic in Contemporary Film Culture fills this gap, conceptualizing the biopic with a particular eye toward the "life" of the genre internationally. New theoretical approaches combine with specially commissioned chapters on contemporary biographical film production in India, Italy, South Korea, France, Russia, Great Britain, and the US, in order to present a selective but well-rounded portrait of the biopic’s place in film culture. From Marie Antoinette to The Social Network, the pieces in this volume critically examine the place of the biopic within ongoing debates about how cinema can and should represent history and "real lives." Contributors discuss the biopic’s grounding in the conventions of the historical film, and explore the genre’s defining traits as well as its potential for innovation. The Biopic in Contemporary Film Culture expands the critical boundaries of this evolving, versatile genre.
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
That Sweet Enemy brings both British wit (Robert Tombs is a British historian) and French panache (Isabelle Tombs is a French historian) to bear on three centuries of the history of Britain and France. From Waterloo to Chirac’s slandering of British cooking, the authors chart this cross-channel entanglement and the unparalleled breadth of cultural, economic, and political influence it has wrought on both sides, illuminating the complex and sometimes contradictory aspects of this relationship—rivalry, enmity, and misapprehension mixed with envy, admiration, and genuine affection—and the myriad ways it has shaped the modern world. Written with wit and elegance, and illustrated with delightful images and cartoons from both sides of the Channel, That Sweet Enemy is a unique and immensely enjoyable history, destined to become a classic.