Download Free Serbian Folk Songs Book in PDF and EPUB Free Download. You can read online Serbian Folk Songs and write the review.

In the early nineteenth century Serb scholar Vuk Karadzic collected and published now classic transcriptions of Balkan oral poetry. This edition, by taking great care to preserve the unique meter and rhythm at the heart of Serbian oral poetry as well as the idiom of the original singers, offers the most complete and authoritative translations ever assembled in English.
This scholarly study explores the moral and religious philosophy of Serbian folk poetry and makes its literary treasures available to English speakers. This thorough and well-documented study examines the theology and anthropology of the Serbian folk epic. The book opens a new field in Slavic folklore and offers scholars material previously unavailable in English. The work also sheds light on the soul of Serbian national culture. A scholar of Eastern European culture and history, Krstivoj Kotur investigates a number of fascinating topics, including conceptions of God; man’s relationship to culture and civilization; the transcendentalism of Serbian folk poets; the deep ontological, cosmic, and theurgic character of the heroes of the Serbian folk epic; and many others.
Le CD d'acc. comprend 182 mélodies et 33 variantes enregistrées par Bartók lors de ses collectes sur le terrain.
How can we define the referential systems by which music is determined and through which music gets its own sense and meaning? What is the relation between these systems? Such questions are of particular weight in relation to current music practices, characterized by a great many of analytical procedures and hermeneutical views. The questions raised open a series of different thematic fields presented in this book. The authors allocate the place of music to the field of aesthetic autonomy or describe its specific sign system(s). Special attention is focused on the systems of musicological contextualization and the meaning/understanding of music in different historical and/or functional contexts, from traditional liturgical chant up to recent compositions. Various contributions in the collection are dedicated to the relation between music and film, while others deal with the special sociological conditions that constitute some specific musical praxis, such as folk or rock music.
Essays by scholars from around the world explore the means by which music's long-acknowledged potential to persuade, seduce, indoctrinate, rouse, incite, or even silence listeners has been used to advance agendas of power and protest.
Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.