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This atlas presents macroscopic descriptions, macro cross section pictures, general characteristics and identification keys of 335 wood species currently introduced in the European timber market from all over the world. Overall 292 different genera are represented and CITES-listed timbers are also included. Macroscopic descriptions are based on a recently proposed list of macroscopic features for wood identification. Macroscopic features and their codes are defined and illustrated in the atlas. Wood descriptions also include information about natural durability, physical and mechanical properties, end uses, environmental sustainability and possible related misleading commercial names. Furthermore, each genus is described in terms of number of species, geographical distribution and main commercial timbers, and details are given about to what extent timbers within the genus can be typically identified through macroscopic and microscopic analysis, if any. The atlas will be a valuable guide for all agents in charge for timber verification, those involved in the European Timber Regulation enforcement and CITES inspections, as well as wood scientists, foresters, wood sellers, wood restorers, and any wood worker and wood passionate interested in a fast and reliable tool for wood identification.
"Guitars inspire cult-like devotion: an afficionado can tell you precisely when and where their favorite instruments were made. And she will likely also tell you about the wood they were made from and its unique effects on the instruments' sound. In Following Guitars, Chris Gibson and Andrew Warren trace guitars all the way back to the tree. It is a book about musical instrument making, the timbers and trees from which guitars are made. It chronicles the authors' journeys across the world, to guitar festivals, factories, remote sawmills, Indigenous lands, and distant rainforests, in search of the behind-the-scenes stories of how guitars are made, where the much-cherished guitar timbers ultimately come from, and the people and skills involved along the way. The authors are able to unlock insights on longer arcs of world history: on the human exploitation of nature, colonialism, industrial capitalism, and cultural change. They end on a parable of wider resonance: of the incredible but unappreciated skill and care that goes into growing and felling trees, milling timber, and making enchanted musical instruments; set against the human tendency to reform our use (and abuse) of natural resources only when it appears too late"--
This guide covers the main timber species regulatedby the Convention on International Trade inEndangered Species (CITES). It provides informationon the key issues regarding the implementation ofthe Convention for this important group of plants.Written for the non-expert, individual sections coverthe species found in signifi cant trade, with details ontheir distribution, uses, traded parts and derivatives,and scientific c and common names.Additional sections cover timber identification andmeasurement, guidance on CITES documentationand key resources.
This guide targets trade in ramin (Gonystylus spp.) alight tropical hardwood, native to peat forest swampsof Southeast Asia, which is regulated on Appendix IIof CITES. The vital information required by CITESauthorities and traders is provided, in a simple andvisually attractive form; what requires permits,international trade patterns and the identification ofwood and products in trade.
The first edition of this unique book established itself as an unparalleled source of information on perfume. Although it is primarily aimed at perfumers and others in the perfume industry, it has also found substantial sales among a wide range of others including aromatherapists, botanists, and many others who wanted to learn more about this faceted subject. The new edition is now aimed squarely at perfumery marketing specialists and others in the industry world-wide and covers in particular the needs of publicity/advertising teams and journalists, together with sales people and consultants at the counters who like to have a wide range of information at their fingertips. Changes include: an expansion of the number of profiles of the perfume houses, and of the 50 or so new perfumes worthy of record which have been launched since the previous edition. There is also increased coverage of the essences and the plants and other material from which they are derived. Coverage of perfume containers is substantially expanded and linked to other parts of the book.