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Throughout their lives animals must complete many tasks, including finding food, avoiding predators, attracting mates, and navigating through a complex and dynamic environment. Consequently, they have evolved a staggering array of sensory organs that are fundamental to survival and reproduction and shape much of their evolution and behaviour. Sensory ecology deals with how animals acquire, process, and use information in their lives, and the sensory systems involved. It investigates the type of information that is gathered by animals, how it is used in a range of behaviours, and the evolution of such traits. It deals with both mechanistic questions (e.g. how sensory receptors capture information from the environment, and how the physical attributes of the environment affect information transmission) and functional questions (e.g. the adaptive significance of the information used by the animal to make a decision). Recent research has dealt more explicitly with how sensory systems are involved with and even drive evolutionary change, including the formation of new species. Sensory Ecology, Behaviour, and Evolution provides a broad introduction to sensory ecology across a wide range of taxonomic groups, covering all the various sensory modalities (e.g. sound, visual, chemical, magnetic, and electric) relating to diverse areas spanning anti-predator strategies, foraging, mate choice, navigation and more, with the aim being to illustrate key principles and differences. This accessible textbook is suitable for senior undergraduates, graduate students, and professional academics taking courses or conducting research in sensory ecology/biology, neuroethology, behavioural and evolutionary ecology, communication, and signalling. It will also be of relevance and use to psychologists interested in sensory information and behaviour.
Never so pleased, sir. 'Twas an excellent dance, And for a preface, I never heard a better. Two Noble Kinsmen, Act III, Sc.S This volume is based mostly on the lectures delivered at an Advanced Study Institute (ASI) of the same title held in July 1977. One lecture given is not in the volume and three chapters, although not based on lectures delivered, have been added to better balance the book. A chapter on the ecosensory functions in crustaceans could not be put in due to time contingency. This absence is deeply regretted. The idea to hold an ASI on Sensory Ecology evolved slowly, main ly due to my own research interest in the past and partly to the discussions I had with a number of colleagues, particularly Dr. John Lythgoe of the University of Sussex. The purpose was to interface Sensory Physiology with Ecology so that workers in those fields will develop a greater awareness for each other. Sense organs have of course evolved to keep their possessors.~ware of the environment and changes in it. Thus, normally one could expect that a study of their functions will be undertaken in relation to environmental parameters.
Zooplankton is a major work of reference for researchers in plankton biology, physiology and behavior, which combines behavioral and psychological approaches to the study of plankton on present and interdisciplinary investigation of sensory processes in pelagic environments. The breadth of perspective thus achieved provides valuable insights into the larger scale ecological processes of biological productivity, community structure and population dynamics. Technological advances in almost all aspects of biological research have opened up opportunities for a re-examination of the sensory ecology of planktonic organisms. In this wide-ranging collection, leading researchers in planktonic behavior and physiology address the rapidly developing interface between these two major areas. The studies presented range from the laboratory to the field and from the cell to the whole organism, but share the common goal of understanding the special sensory world of organisms that live in pelagic environments and how their behavior and physiology relate to it.
The collection of chapters in this book present the concept of matched filters: response characteristics “matching” the characteristics of crucially important sensory inputs, which allows detection of vital sensory stimuli while sensory inputs not necessary for the survival of the animal tend to be filtered out, or sacrificed. The individual contributions discuss that the evolution of sensing systems resulted from the necessity to achieve the most efficient sensing of vital information at the lowest possible energetic cost. Matched filters are found in all senses including vision, hearing, olfaction, mechanoreception, electroreception and infrared sensing and different cases will be referred to in detail.
This is the first integrated synthesis of avian sensory ecology, explaining the broad principles and taking the reader into the sensory world of birds from an evolutionary and ecological perspective.
It deals with both mechanistic questions (e.g.
Sense organs serve as a kind of biological interface between the environment and the organism. Therefore, the relationship between sensory systems and ecology is very close and its knowledge of fundamental importance for an understanding of animal behavior. The sixteen chapters of this book exemplify the diversity of the constraints and opportunities associated with the sensation of stimuli representing different forms of energy. The book stresses the events taking place in the sensory periphery where the animal is exposed to and gets in touch with its natural habitat and acquires the information needed to organize its interaction with its environment. Ecology of Sensing brings together the leading experts in the field.
Cognitive Ecology identifies the richness of input to our sensory evaluations, from our cultural heritage and philosophies of aesthetics to perceptual cognition and judgment. Integrating the arts, humanities, and sciences, Cognitive Ecology investigates the relationship of perception and cognition to wider issues of how science is conducted, and how the questions we ask about perception influence the answers we find. Part One discusses how issues of the human mind are inseparable from the culture from which the investigations arise, how mind and environment co-define experience and actions, and how culture otherwise influences cognitive function. Part Two outlines how philosophical themes of aesthetics have guided psychological research, and discuss the physical and aesthetic perception of music, film, and art. Part Three presents an overview of how the senses interact for sensory evaluation.