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A semiotic analysis is made of the six major plays by Eugene O'Neill and an attempt is made to yield a systematic analysis towards humanistic interpretations of texts. Theoretical interpretations are enriched with discussions of the plays. Technical matters such as the segmentation of the text are specified in appendices. Six semiotic dimensions have been studied: motifs, theatrical semiotic systems, their use in communicational functions, role function of the dramatis personae, their levels of awareness, and aristotelian divisions.
A collection of essays about the works of Eugene O'Neill.
Specially commissioned essays explore the life and work of Eugene O'Neill from his earliest writings to Long Day's Journey Into Night.
"As a glimpse onto U.S. American semiotics through the mind's eye of a witness, participant-observer, architect, and midwife, this slim but rich book fulfills its title." -- Journal of Linguistic Anthropology "This book is an invaluable historical, conceptual, and anecdotal account of the rise of semiotics in the United States." -- Review of Metaphysics Sebeok, who has done more to establish the field of semiotics in the United States than any other single scholar, here draws upon his personal experiences of half a century to present the achievement and current status of semiotics in this country. He focuses on salient individuals and intellectual issues, including theatre, television, folklore, sociology, tourism, and graphic design. He also examines semiotic applications to architecture, marketing and advertising, jurisprudence, and medicine.
Like Roland Barthes' well-known book, L’Empire des signes, from which the title of the present collection is taken, this volume contains essays dealing with certain aspects of Japanese culture.
In the course of the long debate on the nature and the classification of signs, from Boethius to Ockham, there are at least three lines of thought: the Stoic heritage, that influences Augustine, Abelard, Francis Bacon; the Aristotelian tradition, stemming from the commentaries on De Interpretatione; the discussion of the grammarians, from Priscian to the Modistae. Modern interpreters are frequently misled by the fact that the various authors regularly used the same terms. Such a homogeneous terminology, however, covers profound theoretical differences. The aim of these essays is to show that the medieval theory of signs does not represent a unique body of semiotic notions: there are diverse and frequently alternative semiotic theories. This book thus represents an attempt to encourage further research on the still unrecognized variety of the semiotic approaches offered by the medieval philosophies of language.
The present Conference is the 4th of similar conferences with the same subject, which are organised of the Department of Business Administration. The Technological Educational Institution of Athens, is a Tertiary Educational Institution of Excellence with an impressive record in teaching and research and is sponsoring the present Conference. The purpose of our Conference is to present and publish the research output of, not only TEI of Athens, but all the Universities and Technological Institutions of Greece and the different Nations of the World. Another important purpose is to facilitate the interaction between two worlds: the world of Business and the world of Academic Community. The organizers of this Conference have the ambition to establish a forum for discussions on the theory and applications of the Quantitative and Qualitative Methods in the different business sectors such as Small to Medium Enterprises or large Companies in Industry, Commerce, Tourism, Health, Public Sector, Shipping Industry and financial services. The Conference has a Scientific Committee and all the papers have been examined by two anonymous referees. Selected papers will be published in internationally recognized journals. The Proceedings of the Conference have ISBN, ISSN numbers and they will appear, after the Conference in Google.
At the turn of the century, there appeared in the Western world a stream of literary and dramatic works that confused their audiences to an unprecedented degree. Many of these works continue to confuse to this day and are avoided by theatre managers wishing to fill seats. Choosing for analysis a selection of five early-twentieth-century Russian plays, this book examines in detail the techniques, devices, and elements that the playwrights applied in order to undercut the traditional dramatic and theatrical expectations of their audiences. Kot studies experimental dramas by Gippius, Sologub, Blok, and Ivanov, but the centerpiece of the book is Chekhov's Cherry Orchard his last and greatest play. Kot argues that it presents a subtle balance of distancing and emotive techniques. An invaluable guide to the often bewildering nature of so-called "innovative" twentieth-century works, this book will appeal to anyone interested in modern theater.
In the last half century, the American theater has become more a part of the global theatrical community and as a result, America's playwrights and their works are receiving more attention internationally. Eugene O'Neill is perhaps the one American playwright who has gained the most renown with the global expansion of American theater. This work is not only an annotated bibliography of published works about O'Neill, but a careful record of the scores of productions of O'Neill's work both within and without the United States, in English-speaking countries and elsewhere, and the large number of published translations of his plays covering the years 1973 through 1999. The eight sections of this large work, each annotated, are: A articles in English; B books (with reviews indicated); C dissertations; D non-English language articles, books, and dissertations; E and F listings by play title of productions of O'Neill's plays in the United States and abroad; G primary works by O'Neill; and H miscellaneous information on O'Neill productions.