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A disintegrating romantic anatomy in five acts.
“An intriguing odyssey” though the history of the self and the rise of narcissism (The New York Times). Self-absorption, perfectionism, personal branding—it wasn’t always like this, but it’s always been a part of us. Why is the urge to look at ourselves so powerful? Is there any way to break its spell—especially since it doesn’t necessarily make us better or happier people? Full of unexpected connections among history, psychology, economics, neuroscience, and more, Selfie is a “terrific” book that makes sense of who we have become (NPR’s On Point). Award-winning journalist Will Storr takes us from ancient Greece, through the Christian Middle Ages, to the self-esteem evangelists of 1980s California, the rise of the “selfie generation,” and the era of hyper-individualism in which we live now, telling the epic tale of the person we all know so intimately—because it’s us. “It’s easy to look at Instagram and selfie-sticks and shake our heads at millennial narcissism. But Will Storr takes a longer view. He ignores the easy targets and instead tells the amazing 2,500-year story of how we’ve come to think about our selves. A top-notch journalist, historian, essayist, and sleuth, Storr has written an essential book for understanding, and coping with, the 21st century.” —Nathan Hill, New York Times-bestselling author of The Nix “This fascinating psychological and social history . . . reveals how biology and culture conspire to keep us striving for perfection, and the devastating toll that can take.”—The Washington Post “Ably synthesizes centuries of attitudes and beliefs about selfhood, from Aristotle, John Calvin, and Freud to Sartre, Ayn Rand, and Steve Jobs.” —USA Today “Eminently suitable for readers of both Yuval Noah Harari and Daniel Kahneman, Selfie also has shades of Jon Ronson in its subversive humor and investigative spirit.” —Bookseller “Storr is an electrifying analyst of Internet culture.” —Financial Times “Continually delivers rich insights . . . captivating.” —Kirkus Reviews
You see them every day, the suicide flowers. They bloom from the cracks and crevices of concrete sidewalks. From between asphalt creases and gaps. Yet these flowers blossom and prosper until the careless foot tramples. Others wither and fade, having survived, despite their strained and dubious foundations. Raeburn Messiah, the Messiah of Metal, sings for a living. Currently, he's on the downward spiral that unfaithful fame loves so dearly. He feels that he's got it bad, his life is over. That is, until he meets one of his most adoring fans, Gabriel, who has but months to live due to the complications of leukemia. They are men, both dying slow, painful deaths. But, each carries a secret that could save the other. For Raeburn and Gabriel are the suicide flowers, doomed to be trampled, destined to flourish.
Author Kirk F. Panneton battled acute depression for more than a decade prior to his nearly successful suicide attempt on January 27, 2013. Although that moment marked the peak of numerous physical and psychological struggles, it also serves as the starting point for his journey through the fourth dimension during his recovery. Panneton spent four weeks in a rural ICU in Arkansas in an epic battle for his own survival. During this time, he experienced a passage through hell as a soldier of light, as his loved ones looked on from the sidelines. He chose of life and love time and again in order to emerge victorious from the endless and unforgiving tests set forth for him by the forces of evil. In this memoir, he recounts his story of redemption, both his physical experiences after waking and those that occurred while he was in a comatose state. He shares not only his recollections but also personal writings from himself and from family members during that period describing the events as they lived them. Most of all, he presents a unique, firsthand narrative of his encounter with death in hopes of giving people everywhere a reason to keep going.
First published in 1993, The Virgin Suicides announced the arrival of a major new American novelist. In a quiet suburb of Detroit, the five Lisbon sisters—beautiful, eccentric, and obsessively watched by the neighborhood boys—commit suicide one by one over the course of a single year. As the boys observe them from afar, transfixed, they piece together the mystery of the family’s fatal melancholy, in this hypnotic and unforgettable novel of adolescent love, disquiet, and death. Jeffrey Eugenides evokes the emotions of youth with haunting sensitivity and dark humor and creates a coming-of-age story unlike any of our time. Adapted into a critically acclaimed film by Sofia Coppola, The Virgin Suicides is a modern classic, a lyrical and timeless tale of sex and suicide that transforms and mythologizes suburban middle-American life.
This collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema's relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.
From James Preller, the author of Bystander, another unflinching book about bullying and its fallout. The summer before school starts, Sam's friend and classmate Morgan Mallen kills herself. Morgan had been bullied. Maybe she kissed the wrong boy. Or said the wrong thing. What about that selfie that made the rounds? Morgan was this, and Morgan was that. But who really knows what happened? As Sam explores the events leading up to the tragedy, he must face a difficult and life-changing question: Why did he keep his friendship with Morgan a secret? And could he have done something-anything-to prevent her final actions? This title has Common Core connections.
An innocent woman goes deep undercover to hunt down those responsible for her family’s death in Mark Burnell's The Rhythm Section, an action-packed international thriller—and the basis for the major motion picture from the producers of the James Bond film series, starring Jude Law and Blake Lively. Stephanie Patrick is devastated after her whole family dies in a plane crash. But when she discovers that the downing of flight NE027 wasn’t an accident but an act of terrorism, Stephanie enters the fight of her life to achieve her one goal: revenge. When she’s recruited by a covert intelligence organization, Stephanie sees a means to an end. Now, with nothing and no one left to lose, Stephanie undergoes rigorous training to become “Petra,” a mercenary terrorist based out of Germany, and “Marina,” an international businesswoman based in London. Her immersion into the world of international espionage teaches Stephanie how to numb her feelings and act on instinct alone. But as her missions become more brutal, and the stakes grow ever higher, she begins to question everything she knows about flight NEO027. Is her organization telling her the truth about what really happened? Is avenging her family worth the risk of her own life? And if it isn’t, will those who created her ever let her go?
A groundbreaking exploration of how cyberspace is changing the way we think, feel, and behave “A must-read for this moment in time.”—Steven D. Levitt, co-author of Freakonomics • One of the best books of the year—Nature Mary Aiken, the world’s leading expert in forensic cyberpsychology, offers a starting point for all future conversations about how the Internet is shaping development and behavior, societal norms and values, children, safety, privacy, and our perception of the world. Drawing on her own research and extensive experience with law enforcement, Aiken covers a wide range of subjects, from the impact of screens on the developing child to the explosion of teen sexting and the acceleration of compulsive and addictive behaviors online. Aiken provides surprising statistics and incredible-but-true case studies of hidden trends that are shaping our culture and raising troubling questions about where the digital revolution is taking us. Praise for The Cyber Effect “How to guide kids in a hyperconnected world is one of the biggest challenges for today’s parents. Mary Aiken clearly and calmly separates reality from myth. She clearly lays out the issues we really need to be concerned about and calmly instructs us on how to keep our kids safe and healthy in their digital lives.”—Peggy Orenstein, author of the New York Times bestseller Girls & Sex “[A] fresh voice and a uniquely compelling perspective that draws from the murky, fascinating depths of her criminal case file and her insight as a cyber-psychologist . . . This is Aiken’s cyber cri de coeur as a forensic scientist, and she wants everyone on the case.”—The Washington Post “Fascinating . . . If you have children, stop what you are doing and pick up a copy of The Cyber Effect.”—The Times (UK) “An incisive tour of sociotechnology and its discontents.”—Nature “Just as Rachel Carson launched the modern environmental movement with her Silent Spring, Mary Aiken delivers a deeply disturbing, utterly penetrating, and urgently timed investigation into the perils of the largest unregulated social experiment of our time.”—Bob Woodward “Mary Aiken takes us on a fascinating, thought-provoking, and at times scary journey down the rabbit hole to witness how the Internet is changing the human psyche. A must-read for anyone who wants to understand the temptations and tragedies of cyberspace.”—John R. Suler, PhD, author of The Psychology of Cyberspace “Drawing on a fascinating and mind-boggling range of research and knowledge, Mary Aiken has written a great, important book that terrifies then consoles by pointing a way forward so that our experience online might not outstrip our common sense.”—Steven D. Levitt “Having worked with law enforcement groups from INTERPOL and Europol as well as the U.S. government, Aiken knows firsthand how today’s digital tools can be exploited by criminals lurking in the Internet’s Dark Net.”—Newsweek
The Psychology of the Selfie provides a comprehensive overview and analysis of research on the significance of selfies, offering insights into the topic from a psychological perspective and examining important issues such as body image, self-objectification, mental health and psychological benefits. Selfies are a worldwide phenomenon. Although dismissed by critics as a sign of self-absorbed narcissism, they are also a social currency that maintains and reinforces friendships, a feedback loop for self-identity affirmation, a promotional tool for gaining social influence, and a method for preserving memories of life events. In this book, Barrie Gunter expertly explores the psychological underpinnings of the contemporary global phenomenon of "selfies", from the historical roots and meteoric rise due to technical advancements, to the different personality types of selfie-takers, to social relationships, to group and personal identity. Looking at both the psychological nature and impact of selfies, this book reviews different psychological outcomes for selfie-takers, both positive and negative, and the growth in psychological and physical problems that can sometimes arise. Presenting a comprehensive analysis specifically of selfie behaviour, this book is an essential reference for students and researchers in communications and media, journalism, information studies, psychology and sociology, as well as anyone with a general interest in the phenomenon.