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James Clarence Mangan (1803-1849), the greatest Irish poet before Yeats, was for a long time both famous and unknown. While legends about him prospered after his death, his works remained largely unread. Only recently have his poems been collected by an international team of scholars and published by Irish Academic Press. It is from this four-volume edition that the present selection has been made. Containing upwards of 230 annotated poems, it provides the general reader with a more complete view of Mangan's many-faceted genius than has hitherto been available.
In this selection of Mangan's poetry and prose, Mangan can be appreciated not only for the poignancy and power of his late poems and autobiographical writings, but also for those talents admired by his original readers: his metrical skills, his love of wordplay and his surrealist humour.
That Mangan is Ireland's foremost Romantic poet is by now a commonplace. The poetry of this self-proscribed 'Out-and-Outer' may have contributed to the picture of an eccentric genius writhing in romantic agony, far removed from the daily throng. But there was a public side to this private poet. In reality, from the age of 28, with his publication of the politically engaged 'The Two Flats: Our Quackstitution', this poÃ?Â?Ã?Â]te maudit remained in constant dialogue with the wider reading public. Prose afforded the poet his podium. And much of his mature poetry is contained within prose articles. In prose, Mangan taught, thought, deliberated, parodied, and afforded glimpses of himself which were hidden from his poetic alter ego. In his German and Oriental Anthologies, he opened up a world of literature to his Irish readers. Articles like 'A Sixty-Drop Dose of Laudanum' betray his mastery of the well-turned aphorism. Stories like 'The Man in the Cloak' manifest his light-hearted fascination for the Gothic. C.P. Meehan prefaced his pioneering Essays in Prose and Verse by J.C. Mangan with the apologetic observation that 'every scrap of writing from Mangan's pen . deserves to be rescued from the countless contingencies to which manuscripts are exposed.' Having rescued Mangan's work in our collected edition, we offer no such apology: our best of Mangan's prose shows a man with his finger on the pulse, following his one precept-not to bore.
In the first comprehensive biography of the poet since D. J. O'Donoghue's appeared in 1897, Ellen Shannon-Mangan has written a study as readable as it is scholarly. The product of almost twenty years of research, James Clarence Mangan: A Biography gives readers a definitive portrait of a man who has been both mythologized and neglected for almost 150 years. Although Mangan was the most important Irish poet writing in English before William Butler Yeats, his life-long refusal to publish in England virtually guaranteed his obscurity. Availing himself only of the periodicals printed in Ireland, he still published hundreds of poems and prose pieces. The poet of 'Dark Rosaleen' never left Ireland, and rarely left Dublin, yet in thought and imagination he journeyed from Siberia to Arabia and from Ireland's ancient past to the terrible present of the Famine. His literary career began in 1818 when he was fifteen, and the last poem to appear before his death - in 1849 - was 'The Famine'. He wrote for such nationalist papers as the Comet and the United Irishman as well as for the prestigious Dublin University Magazine and the influential Nation. Nevertheless, only one collection of his poetry was published during his lifetime. His complete poems will appear for the first time as part of the series of which Shannon-Mangan's biography is the first volume. This compelling narrative sweeps away some long-retailed myths about Mangan - that he suffered a life of unrelieved poverty, that he had only one love affair which left him soured on women forever, that he was friendless and always alone, and that he was swathed in perpetual gloom. At the same time, the author examines the poet's early childhoodas the source of his eccentric behaviour, his dependence on alcohol and perhaps opium, and the role that the supernatural and his belief in it played in his life. Shannon-Mangan depicts a startlingly modern man who in spite of errors and weaknesses created a body of work unrivalled in its time.
This is the first collection of essays to focus on the extraordinary literary achievement of James Clarence Mangan (1803-1849), increasingly recognized as one of the most important Irish writers of the nineteenth century. It features contributions by acclaimed contemporary writers including Paul Muldoon and Ciaran Carson.
Woven Shades of Green is an annotated selection of literature by authors who focus on the natural world and the beauty of Ireland. It begins with the Irish monks and their largely anonymous nature poetry, written at a time when Ireland was heavily forested. A section follows devoted to the changing Irish landscape, through both deforestation and famine, including the nature poetry of William Allingham, and James Clarence Mangan, essays from Thomas Gainford and William Thackerary, and novel excerpts from William Carleton and Emily Lawless. The anthology then turns to the nature literature of the Irish Literary Revival, including Yeats and Synge, and an excerpt from George Moore’s novel The Lake. Part four shifts to modern Irish nature poetry, beginning with Patrick Kavanaugh, and continuing with the poetry of Seamus Heaney, Eavan Boland, and others. Finally, the anthology concludes with a section on various Irish naturalist writers, and the unique prose and philosophical nature writing of John Moriarty, followed by a comprehensive list of environmental organizations in Ireland, which seek to preserve the natural beauty of this unique country. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Melmoth the Wanderer (1820) is a novel by Charles Maturin. Written toward the end of Maturin’s life, Melmoth the Wanderer was the author’s fifth and most successful novel. Inspired by the story of the Wandering Jew and the Faustian legend, the novel is a powerful Gothic romance divided into nested stories, each one delving deeper into the mystery of Melmoth’s life. Often interpreted for its criticisms of 19th century Britain and the Catholic Church, Melmoth the Wanderer is considered one of the greatest novels of the Romantic era. Following a lead from a story told at his uncle’s funeral, John Melmoth, a student from Dublin, begins an obsessive search into his family’s mysterious past. Little is known about the man called “Melmoth the Traveller.” A portrait dated 1646 suggests that he has been dead for over a century. Despite this, he discovers a manuscript from a stranger named Stanton who claims to have seen Melmoth on several occasions over the past few decades. John tracks him down and finds him at a mental institution, where he was placed when his obsession with Melmoth was deemed insanity. Disturbed, John burns the portrait and attempts to put his questions behind him. Soon, he begins having visions of his own. Melmoth the Wanderer is a story of mystery and terror that engages with timeless themes of faith, fantasy, and the thin line between dreams and life. With a beautifully designed cover and professionally typeset manuscript, this edition of Charles Maturin’s Melmoth the Wanderer is a classic of Irish literature reimagined for modern readers.