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Stephen Spender, the son of a journalist, was born in London in 1909. He was educated at University College, Oxford, where he met, among others, W. H. Auden, Christopher Isherwood and Louis MacNeice, with whom he was to develop a poetics of engagement, writing powerfully of the confusion and alarm of 1930s Europe. He visited Spain during the Civil War, in 1937, where he assisted the Republican cause with propaganda activity. His post-war memoir World within World was recognised as one of the most illuminating literary autobiographies to have come out of the 1930s and 1940s, distilling a distinctively personal, humanistic socialism. His poetry has been praised for its exploratory candour, its personal approach to the stresses of modernity, and its exact portraiture of social and political upheaval. Grey Gowrie's new selection offers a timely and incisive revaluation of Spender's substantial poetic corpus.
Stephen Spender, along with his friends W. H. Auden, Louis MacNeice and C. Day Lewis, rose to prominence in the 1930s, writing powerfully of the fear and paranoia of a continent heading towards war. By the time of his death in 1995 he had established a distinguished reputation as a poet, critic, editor and translator. This New Collected Poems, edited by Michael Brett, gathers seven decades of verse from Poems (1933) to Dolphins (1994) and the late uncollected work. Reordering the thematic principle of the 1985 Collected Poems, this edition returns to a book-by-book chronology and allows the reader to experience, for the first time, the full development and range of his career.
British poet Stephen Spender (1909-95), through his life spanning the 20th century, befriended, collected or was otherwise connected to a pantheon of artists such as Arp, Auerbach, Bacon, Freud, Giacometti, Gorky, Guston, Hockney, Moore, Morandi, Picasso and others. Including examples of their work as well Spender's poems chosen by Auerbach, this publication is addressed to what Spender termed the "shared subject matter" of art and literature. Interweaving poetry, essay, artwork and generous archival photographs, The Worlds of Stephen Spender: I Think Continually of Those Who Were Truly Great takes for its inspiration themes that preoccupied Spender and which have taken on a renewed urgency: art's movement across borders; collaboration between artists and writers; solidarity against their censorship; and the moral responsibility of the creative individual in times of social crisis.
Presents the British poet's autobiography, including portraits of friends Virginia Woolf, T.S. Eliot, W.H. Auden, W.B. Yeats, and Christopher Isherwood.
"Beyond the wonderful insights ... there is a portrait of the world in the eye of the storm between two world wars. It is a novel of awakening -- awakening to sex, yes ... but also an awakening to the presence of evil in the world and to the possibilities of love and friendship." -- The Bloomsbury Review
Private faces in public places Are wiser and nicer Than public faces in private places. W.H. Auden, dedication to Stephen Spender, 1932 Stephen Spender wrote almost a million words of journal entries between his September Journal in 1939 and his death in 1995. In choosing from these voluminous journals for the new edition, the editors have tried to provide a picture of the various lives Spender brought together in autobiographical form. The earlier 1985 edition of the Journals was overseen by the author, and it privileged his thoughts about poetry - his own and other people's. The new edition includes the final ten years of Spender's life and provides access to the more intimate thoughts and feelings of the private man, but equally documents his life as a public intellectual who played a part in shaping the European literary and intellectual culture of his age. As we look back on the dramatic events of the twentieth century, we find that Spender was involved in many of them: the reconstruction of Germany and the construction of Europe (as Unesco's first Literary Councillor), the development of the cultural Cold War (as editor of Encounter), the founding of Israel, the anti-Vietnam movement in America. The Journals provide a personal version of sixty turbulent years of the twentieth century, hovering between diary, autobiography and history.
Dunstan Thompson was an American poet of great promise who burst onto the Anglo-American literary scene during World War II. In the words of one contemporary, Thompson was one of the rising "stars of modern poetry," a writer who might one day join the pantheon of poets like Hart Crane, W.H. Auden, Stephen Spender, and Dylan Thomas. And yet Thompson more or less disappeared from public view by the early 1950s. After publishing two volumes of poetry, a travel book, and a novel, Thompson had only a few scattered magazine publications until his death. A posthumous volume was privately printed in England, but the circulation was small. Here at Last is Love: Selected Poems is the definitive, authorized selection of Thompson's best work, revealing to a wider public the literary vision of a "lost master." The introduction by editor Gregory Wolfe offers the first extended narrative in print relating Thompson's complex personal story. The afterword by distinguished poet and critic Dana Gioia provides a thorough--and just--assessment of his poetic achievement. Thompson's early poetry was not only technically innovative, but saturated with the language and the drama of gay experience during World War II. Yet just a few years after the war, Thompson returned to the Catholic faith of his childhood, only to find that his new poetic voice was out of sync with the times. In spite of the difficulties he faced in his later years, Thompson did not give up writing poetry, continuing to produce quality work. After his reconversion, the poetry shifted in tone and form from a lush romanticism to an urbane classicism. The later work covers a wide range of subjects, from studies of historical figures to devotional lyrics. This volume will not only stir up the debate about Thompson's sexual and religious passions, but also help complete the history of twentieth-century Anglo-American poetry, finally making his work available to scholars and lovers of poetry everywhere.
A great collection of poetry from 6 of his previously published volumes and selected new works. Fields never has forgotten the relationship between laughter and grief.