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John G. Johnson, who died in 1917, became a legend soon after his death. His prodigious intellect and energy, his consummate skill in court, his independence of thought and action are still spoken of with the same awe his name provoked when it was considered the magic answer to almost any knotty problem of law. This is the first attempt to put this remarkable, nationally famous figure between the covers of a book. His career is traced, step by step, from his humble birth, through his rapid rise in legal circles, to the crowning rewards of his later years when he was considered the most brilliant corporation lawyer in America. He is shown as a man of single-minded, tireless devotion to the study and application of the law in all its aspects, who gave equally efficient service to big clients and little. He was one of the last general practitioners of law, handling every kind of case to the total of over 10,000 in his lifetime, but his greatest reputation was made in the early years of the century when he tried the Northern Securities Case before the United States Supreme Court, The Government case against the U. S. Steel Corporation and other legal battles of the antitrust era. The story of Johnson's life is the story of his legal activities, for he had only one other genuine interest—art collecting. This aspect of his character is also described, but the book deals primarily with Johnson the living symbol of the law who well deserves this lasting record.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
"The fifth and final volume of essays by Leo Steinberg is devoted to modern and contemporary art. Expertly edited by Steinberg's longtime assistant Sheila Schwartz, this collection includes essays on Cézanne, Monet, Matisse, Ernst, Hans Haacke, Jasper Johns, Jeff Koons, and, in some ways the centerpiece of the collection, Steinberg's landmark essay "Encounters with Rauschenberg." It concludes with a selection of Steinberg's lesser-known occasional humorous pieces. The collection features an introductory essay by noted scholar and curator James Meyer. As with all volumes in the Essays by Leo Steinberg series, it is lavishly illustrated throughout with works by each of the artists Steinberg analyzes"--