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This vibrant anthology of radio plays features works by one of Poland's 'angry young men' playwrights. Ireneusz Iredynski made his début in literature as a Polish 'angry young man' in the late 1950s. He moved with great versatility from verse to stage plays, film-scripts and plays for radio. While some of the plays in this collection seem to present a bleak view of life, they show a gentler side of Iredynski. Here it is people's dreams rather than their worst nightmares that are explored. In these plays, situations are kept simple and the theatrical technique is spare and economical, but yet, the playwright demonstrates an unfailing theatrical flair and shows himself a master of dramatic tension and the final unexpected twist.
Building on Sol Tax's pioneering work of the economic organization of Panajachel in the 1930s, Hinshaw describes this Guatemalan village and analyzes the differences among Indians in other villages responding to environmental, social, and economic changes in the next quarter century. This book offers a unique examination of belief patterns and social relations, and the continuity and change in the society's worldview.
From 1917 to 1933, the United States kept Puerto Rico in limbo, offering it neither a course toward independence nor much hope for prompt statehood. The Jones Act of 1917 gave Puerto Ricans U.S. citizenship, but the status of the island didn't change. In 1922, a Supreme Court decision reaffirmed the 1901 principle that island possessions had no right to equal treatment with continental territories and states. Clark unfolds with clarity the painful truth of the United States' unsavory attempt at being both a democratic and imperial nation: governors were sent without the consent of the Puerto Ricans and with little training; no positive measures were taken to improve the poor economy; little thought was given and no formal policy established to resolve its status or foster self-government.
“This thoughtfully crafted . . . insightful and informative [anthology] elucidates an overlooked, essential component of the Latin American literary canon” (Choice). Latin American Women Dramatists sheds much-needed light on the significant contributions made by these pioneering authors during the last half of the twentieth century. Contributors discuss fifteen works of Latin-American playwrights, delineate the artistic lives of women dramatists from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela. Looking at these writers and their work from political, historical, and feminist perspectives, this anthology also underscores the problems inherent in writing under repressive governments. “The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English.” —Times Literary Supplement, UK
This book presents the first comprehensive treatment of Anglo-American rivalry over Latin America in the late nineteenth century, who battled for economic and political influence in the region from the Civil War until 1895, when the Venezuelan boundary dispute came to a head and the Monroe Doctrine was finally recognized by the British. Yet author Joseph Smith posits that this was only an illusion of conflict, that the two major powers has shared objectives all along in the region.
Herencia (meaning "inheritance" or "heritage") is the first anthology to bring together literature spanning the entire history of Hispanic writing in the United States, from the age of exploration to the present. The product of a ten-year project involving hundreds of scholars nationwide, Herencia is the most comprehensive literary collection available, covering over three centuries and including writers from all the major Hispanic ethnic communities as well as a broad sample of writing from diverse genres. Here is the voice of the conqueror and the conquered, the revolutionary and the reactionary, the native and the uprooted or landless. Of course, readers will find pieces by such leading writers as Piri Thomas, Luis Valdez, Isabel Allende, Oscar Hijuelos, and Reinaldo Arenas. But what truly distinguish this anthology are its historical depth and its rich, complex portrait of Hispanic literature in the United States. Beginning with Cabeza de Vaca's account of his explorations in the New World, the anthology includes a passage from La Florida, a narrative historical poem of 22,000 verses, written by Franciscan friar Alonso de Escobedo. It also features an attack on Mexican stereotypes in the nascent movie industry written by Nicasio Idar, editor of Laredo's La Cronica; and an essay about Coney Island written by revolutionary Jose Marti. Embracing Chicano, Nuyorican, Cuban American, and Latino writings, the voices of immigrants and the voices of exiles, Herencia makes a vital contribution to our understanding not only of Hispanic writing in the United States, but also of the great contribution Hispanics have made to the United States.
This anthology of materials by and about Elena Garro includes translations of two of her one-act plays and several essays that explore her theatrical and narrative pieces. Also presented are a personal interview and a chronology of her life by her own account.