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One hundred and fifty-six poems, grouped by theme, are accompanied by drawings, oils, and watercolors by the poet.
Here in one volume is a selection of the extraordinary poems of Rita Dove, who, as the nation's Poet Laureate from 1993 to 1995, brought poetry into the lives of millions of people. Along with a new introduction and poem, Selected Poems comprises Dove's collections The Yellow House on the Corner, which includes a group of poems devoted to the themes of slavery and freedom; Museum, intimate ruminations on home and the world; and finally, Thomas and Beulah, winner of the Pulitzer Prize in 1987, a verse cycle loosely based on her grandparents' lives. Precisely yet intensely felt, resonant with the voices of ordinary people, Rita Dove's Selected Poems is marked by lyric intensity and compassionate storytelling.
In this compilation of older and newer poems, Strand demonstrates his mastery of cadence and narrative style.
A timeless, visionary collection of poems from one of China’s most acclaimed poets—now available in English for the first time in a generation and featuring a foreword by his son, contemporary artist and activist Ai Weiwei One of the most influential poets in Chinese history, Ai Qing is mostly unknown to American readers, but his work has shaped the nature of poetry in China for decades. Born between the fall of imperial Manchurian rule and the establishment of the Communist People’s Republic, Ai Qing was at one time an intimate of Mao Zedong. He would eventually fall out with the leader and be sentenced to hard labor during the Cultural Revolution, when he was exiled to the remote part of the country known as “Little Siberia” with his family, including his son, Ai Weiwei. In his work, Ai Qing tells the story of a China convulsing with change, leaving behind a legacy of feudalism and imperialism but uncertain about what the future will hold. Breaking with traditional forms of Chinese poetry, Ai Qing innovatively adapted free verse, writing with a simple sincerity in clear lines that could be understood by everyday readers. Selected Poems is an extraordinary collection that traces the powerful inner life of this influential poet who crafted poems of protest, who longed for a newer, happier age, and who wrote with a profound lyricism that reaches deep into the heart of the reader.
Intense verbal music with a jazz feeling; invention against the grain of expectation; intelligence racing among materials with the variety of a busy street—these have been the qualities of Robert Pinsky's work since his first book, Sadness and Happiness (1975), celebrated for setting a new direction in American poetry. At that time, responding to a question about that book, Pinsky said: "I would like to write a poetry which could contain every kind of thing, while keeping all the excitement of poetry." That ambition was realized in a new way with each of his books, including the book-length personal monologue An Explanation of America; the transformed autobiography of History of My Heart; the bestselling translation The Inferno of Dante; and, most recently, the savage, inventive Gulf Music. That variety and renewal are represented in this brilliantly chosen volume.
Justly celebrated as one of our strongest poets, Stephen Dunn selects from his eight collections and presents sixteen new poems marked by the haunting "Snowmass Cycle."
Poetry. Visual Poetry. A selection from over 40 years of Bennett's work, introduced by Ivan Argüelles: "Where to begin writing about this baffling and certainly most 'avant- garde' of all poets living and working in the USA today? Bennett's reputation is international, and his interest in Mesoamerican culture has drawn him frequently to that part of the world where he is a recognized figure. His experimentations over the years have encompassed multiple techniques, including visual poetry, and his own 'polyglottery,' moving in and out of English, Spanish, Portuguese, French or some Mesoamerican language. What may seem aleatory is in fact more intentional and grounded than is first apparent. Bennett has roots in traditional literatures, those of Siglo de Oro Spain and of Elizabethan England, but he is capable of transducing those literatures, metamorphosing them by way of the avant-garde movements of the 20th century, into something utterly innovative and New, such as few contemporary artists have done."