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A Source Book for Mediæval History is a scholarly piece by Oliver J. Thatcher. It covers all major historical events and leaders from the Germania of Tacitus in the 1st century to the decrees of the Hanseatic League in the 13th century.
The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.
Pilgrimage inspired and shaped the distinct experiences of commoners and nobles, men and women, clergy and laity for over a thousand years. Pilgrimage in the Middle Ages: A Reader is a rich collection of primary sources for the history of Christian pilgrimage in Europe and the Mediterranean world from the fourth through the sixteenth centuries. The collection illustrates the far-reaching significance and consequences of pilgrimage for the culture, society, economics, politics, and spirituality of the Middle Ages. Brett Edward Whalen focuses on sites within Europe and beyond its borders, including the holy places of Jerusalem, and provides documents that shed light upon Eastern Christian, Jewish, and Islamic pilgrimages. The result is an innovative sourcebook that offers a window into broader trends, shifts, and transformations in the Middle Ages.
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity. Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages. Featuring more than 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
"Provides an excellent selection of complete texts or substantial extracts from key primary sources, helpfully grouped thematically and illustrating many current issues in modern historical study." - Rosamond McKitterick, Newnham College, University of Cambridge
Patrick J. Geary's highly acclaimed collection of source materials on the medieval period is well-known for offering an excellent selection of substantial excerpts—or whole documents wherever possible—from the most widely studied historical texts. This much-anticipated fifth edition features a larger format, as well as enlarged type, to make the collection more reader-friendly. Study questions have been added at the end of each section to help students focus on key points in the text. Volume II includes new material on the Black Death as well as new readings on Western Europe and the Mongols. A color photo section has been added, introducing students to fascinating medieval art such as the two earliest images of Joan of Arc and the Sachsenspiegel.