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See and experience God's love and light in the ordinary-when you make the time to notice.
This book explores the aesthetics of the objects and environments we encounter in daily life. Thomas Leddy stresses the close relationship between everyday aesthetics and the aesthetics of art, but places special emphasis on neglected aesthetic terms such as ‘neat,’ ‘messy,’ ‘pretty,’ ‘lovely,’ ‘cute,’ and ‘pleasant.’ The author advances a general theory of aesthetic experience that can account for our appreciation of art, nature, and the everyday.
Explores miracles as dimensions of everyday existence through the lens of religious naturalism.
This book teaches photographers how to connect fully with the visual richness present in their ordinary, daily experiences. According To The authors, photography is not purely a mechanical process. You need to know how to look, As well as where to point the camera, and when to press the button. Then as you develop your ability to see, your appreciation and inspiration from the world around you become enhanced. Filled with practical exercises and techniques inspired by mindfulness meditation, this book teaches photographers how to "see what's in front of them". It offers a system of training and exercises that draw upon Buddhist concepts, As well as on insights of great photographic masters such as Alfred Stieglitz, Edward Weston, and Henri Cartier-Bresson. There is a series of visual exercises and assignments for working with texture, light, and colour, As well as for developing mindfulness, As a way of bringing the principles of contemplative photography into ordinary experience.
This is the story of Condoleezza Rice that has never been told, not that of an ultra-accomplished world leader, but of a little girl--and a young woman--trying to find her place in a sometimes hostile world, of two exceptional parents, and an extended family and community that made all the difference. Condoleezza Rice has excelled as a diplomat, political scientist, and concert pianist. Her achievements run the gamut from helping to oversee the collapse of communism in Europe and the decline of the Soviet Union, to working to protect the country in the aftermath of 9-11, to becoming only the second woman--and the first black woman ever--to serve as Secretary of State. But until she was 25 she never learned to swim, because when she was a little girl in Birmingham, Alabama, Commissioner of Public Safety Bull Connor decided he'd rather shut down the city's pools than give black citizens access. Throughout the 1950's, Birmingham's black middle class largely succeeded in insulating their children from the most corrosive effects of racism, providing multiple support systems to ensure the next generation would live better than the last. But by 1963, Birmingham had become an environment where blacks were expected to keep their head down and do what they were told--or face violent consequences. That spring two bombs exploded in Rice’s neighborhood amid a series of chilling Klu Klux Klan attacks. Months later, four young girls lost their lives in a particularly vicious bombing. So how was Rice able to achieve what she ultimately did? Her father, John, a minister and educator, instilled a love of sports and politics. Her mother, a teacher, developed Condoleezza’s passion for piano and exposed her to the fine arts. From both, Rice learned the value of faith in the face of hardship and the importance of giving back to the community. Her parents’ fierce unwillingness to set limits propelled her to the venerable halls of Stanford University, where she quickly rose through the ranks to become the university’s second-in-command. An expert in Soviet and Eastern European Affairs, she played a leading role in U.S. policy as the Iron Curtain fell and the Soviet Union disintegrated. Less than a decade later, at the apex of the hotly contested 2000 presidential election, she received the exciting news--just shortly before her father’s death--that she would go on to the White House as the first female National Security Advisor. As comfortable describing lighthearted family moments as she is recalling the poignancy of her mother’s cancer battle and the heady challenge of going toe-to-toe with Soviet leaders, Rice holds nothing back in this remarkably candid telling.
A blend of teaching and inspiration from John MacArthur's popular books Twelve Ordinary Men and Twelve Extraordinary Women. Includes daily readings and scripture verses. --from publisher description.
How do you feel about decisions you make? Do you know how to manage anxiety? Are you getting the results you want in life? You have everything you need within your grasp to change and achieve whatever you set your mind to. The verses in this book present the power of God’s word to unleash surprising and exciting results in your life. Use them as a guide to Make the Ordinary Extraordinary.
Contributions by Megan Abbott, Michael Almereyda, Kris Belden-Adams, Maude Schuyler Clay, William Dunlap, W. Ralph Eubanks, William Ferris, Marti A. Funke, Lisa Howorth, Amanda Malloy, Richard McCabe, Emily Ballew Neff, Robert Saarnio, and Anne Wilkes Tucker The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston is an examination of the life and work of the artist widely considered to be the father of color photography. William Eggleston was born in 1939 and grew up in the Mississippi Delta town of Sumner. His innovative 1976 exhibition at the Museum of Modern Art in New York helped establish color photography as an artistic medium and has inspired photographers and artists around the world. Edited by Ann J. Abadie, the catalog contains fifty-five Eggleston photographs, thirty-six that were featured in The Beautiful Mysterious exhibition at the University of Mississippi Museum from September 2016 to February 2017. Eggleston’s longtime friend William Ferris, a celebrated folklorist, donated all the photographs to the Museum. The photographs range from 1962 into the 1980s, representing each of Eggleston’s projects during that time. Some of the photographs are inscribed with Eggleston’s rare handwritten notes about location, people, dates, and projects. Eight of Eggleston’s early dye transfers are in the collection. Many of these works had not been on public display before this exhibition, including black-and-white images that are unique-copy single prints. This is a penetrating examination of the influence of the Mississippi Delta and the American South on Eggleston’s work and of Eggleston’s influence on photography and other creative fields.
Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.
"Ordinary Things and Their Extraordinary Meaning provides a new look at the everyday relationship between psychological processes and extraordinary aspects of ordinary phenomena. Why should we deal with ordinary things? People's life is made of everyday practical, taken-for-granted things, such as driving a car, using money, listening music, etc. When you drive from home to workplace, you are migrating between contexts. Is this an empty space you are crossing, or the time you spend into the car is something meaningful? In psychological terms, things have, at least, three levels of existence, a material, a symbolic and an affective one. The underlying idea is that the symbolic elaboration of everyday things is characterized by the transcendence of the particular object-sign, leading to the creation of more and more complex sign fields. These fields expand according to an inclusive logic up to dialogically and dialectically incorporate opposites (i.e., clean/dirty, transparent/opaque, hide/show, join/divide, slow/fast, etc.). Even the meaning of 'ordinary' and 'extraordinary’ follow such an inclusive logic. If you give a positive value to ordinary, extraordinary is rule-breaking; otherwise, if ordinary means trivial, extraordinary assumes a positive value. Besides, things are cultural artifacts mediating the experience of the world, the psychological processes and the construction of mind. Reflecting upon 'things' is thus a more meaningful pathway to understand Psyche." -- back cover.