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It may be difficult to say anything about Stevie Ray Vaughan that hasn’t already been said. The skinny kid from Oak Cliff on the south side of Dallas who followed his older brother Jimmie in and out of local blues clubs and eventually to Austin would go on to establish himself as the finest guitar player of his generation and perhaps the best of all time. Vaughan was truly a conduit for the symphony of the universe. The music that flowed through him endeared him to hordes of fans and won him near-divine status among guitarists. Vaughan continues to inspire and enthrall even decades after his passing. What others have attempted to portray in prose, photographer Tracy Anne Hart has expressed in imagery. From 1983 until just before his death in 1990, Hart captured Vaughan as he summoned magic with his passion, his technique, his intensity, and his love and respect for the music. The result is a deeply felt visual portrait of Stevie Ray Vaughan that tells us almost as much about the photographer behind the camera as it does about the musician in front. Through Hart’s eyes and mind, readers will experience his genius in an entirely new way. Hart also provides a glimpse at Vaughan’s legacy, offering evidence of some of the next generation of guitarists who consider Vaughan a principal influence. The sum of her efforts comprises a work that offers a visual feast for guitar enthusiasts and music fans in Texas and beyond. Enjoy the photographs and remember to listen to Stevie’s music as often and as loudly as possible!
An instant New York Times bestseller! The definitive biography of guitar legend Stevie Ray Vaughan, with an epilogue by Jimmie Vaughan, and foreword and afterword by Double Trouble’s Chris Layton and Tommy Shannon. Just a few years after he almost died from a severe addiction to cocaine and alcohol, a clean and sober Stevie Ray Vaughan was riding high. His last album was his most critically lauded and commercially successful. He had fulfilled a lifelong dream by collaborating with his first and greatest musical hero, his brother Jimmie. His tumultuous marriage was over and he was in a new and healthy romantic relationship. Vaughan seemed poised for a new, limitless chapter of his life and career. Instead, it all came to a shocking and sudden end on August 27, 1990, when he was killed in a helicopter crash following a dynamic performance with Eric Clapton. Just 35 years old, he left behind a powerful musical legacy and an endless stream of What Ifs. In the ensuing 29 years, Vaughan’s legend and acclaim have only grown and he is now an undisputed international musical icon. Despite the cinematic scope of Vaughan’s life and death, there has never been a truly proper accounting of his story. Until now. Texas Flood provides the unadulterated truth about Stevie Ray Vaughan from those who knew him best: his brother Jimmie, his Double Trouble bandmates Tommy Shannon, Chris Layton and Reese Wynans, and many other close friends, family members, girlfriends, fellow musicians, managers and crew members.
Digital Humanities for Literary Studies introduces readers to an intuitive range of computer-assisted methods and techniques suited to literary criticism. It describes a selection of the most popular approaches currently being applied by digital humanities scholars, providing both a technical explanation of these methodologies as well as a guide to key theoretical considerations. This edition includes the theoretical underpinnings necessary to understand the fundamentals and purpose of a particular methodology, while each chapter links to a companion website with supplementary materials intended to help readers apply techniques to their own research. Digital Humanities for Literary Studies equips readers with a stronger understanding of how computation can assist in literary criticism. It offers a critical and practical overview of the technical and literary considerations involved in digital humanities approaches to literature, a survey of the tools used, and examples of how one might go about conducting text analysis with computers. Comprised of contributions from some of the pioneers of digital humanities, this essential new resource sheds light on the ways in which the digital humanities can be used to compel, interpret, and re-examine ways of reading.
A portrait of the legendary American rock-and-roll band draws on exclusive interviews to track their career from 1969 to the present and is complemented by previously unpublished photographs and memorabilia.
According to Eric Clapton, John Mayer, and the late Stevie Ray Vaughn, Buddy Guy is the greatest blues guitarist of all time. An enormous influence on these musicians as well as Jimi Hendrix, Jimmy Page, and Jeff Beck, he is the living embodiment of Chicago blues. Guy's epic story stands at the absolute nexus of modern blues. He came to Chicago from rural Louisiana in the fifties—the very moment when urban blues were electrifying our culture. He was a regular session player at Chess Records. Willie Dixon was his mentor. He was a sideman in the bands of Muddy Waters and Howlin' Wolf. He and Junior Wells formed a band of their own. In the sixties, he became a recording star in his own right. When I Left Home tells Guy's picaresque story in his own unique voice, that of a storyteller who remembers everything, including blues masters in their prime and the exploding, evolving culture of music that happened all around him.
Traces the life of one of America's greatest guitarists, from his early years in the Texas music scene, his rivalry with his brother Jimmie, and his battles with drugs and alcohol, to his tragic death in 1990.
Recipes from the viewers of "Texas Country Reporter."
A BEHIND-THE-SCENES LOOK AT THE ADVENTURES OF FIRST-RATE STORYTELLER, GUITARIST, AND RELENTLESS ROAD WARRIOR JESSE DAYTON Jesse Dayton’s story reads like a who’s who of American music. In his debut memoir Beaumonster, Dayton reveals the stranger-than-fiction encounters and outlandish experiences that have ensued across his wide-ranging career. After sneaking into night clubs to play gigs in his youth, eighteen-year-old Dayton and his trio began packing clubs and theaters across Houston, Dallas, and Austin. His first solo record which featured great luminaries like Doug Sahm, Flaco Jiménez, and Johnny Gimble, hit number one on the Americana radio charts and then he was off to the races— touring the world solo and with punk legends Social Distortion and the Supersuckers. While doing press in Nashville, he caught the attention of Waylon Jennings and was whisked off to Woodland Studios, where he was greeted by none other than Johnny Cash, who told Dayton, “We’ve been waiting for you.” Since then, Dayton’s ride across the entertainment industry, traversing genres and formats, has only gotten wilder. Whether it’s playing guitar on records and film with the likes of Cash, Ray Price, Willie Nelson, Johnny Bush, Glen Campbell and Duff McKagan; writing and recording soundtracks for horror director/rockstar Rob Zombie; directing Malcolm McDowell and Sid Haig in his own horror movie; filling in for the iconic punk band X’s guitarist; joining Ryan Bingham on tour; or the many solo and guest projects he continues to work on, Dayton is down to leave his mark, making Beaumonster a uniquely entertaining tale that will impress new and old fans alike.
You'll love how Bob "the Blade" Robinson stuck it to the man. You'll learn how schizophrenia isn't all that bad. What is the GREATEST guitar solo in rock? Who is the real King of Rock N Roll? How can you live on 8k a year? You can't. But you can feed your head for that much. The new tell-all from a rock radio vet of 30 years. The first real read about the sheer lunacy of the rock business. There was no other business is like it.