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Provides a unique, philosophical interpretation of a significant twentieth-century painter - Wassily Kandinsky.
Everything done by Dr. Roberts has the personal touch of his great love and care for God's people. Now, in the sunset of a life that has touched millions around the world, he passionately reveals the truths that have altered his life and awakened the church. From the presence of the invisible God, he brings to you the hidden keys that will unlock God's power as it releases His compassion.
An interactive journey to discover your true identity as a child of the King. Seeing the Invisible is a reflective devotional that invites you to embark on a three-dimensional encounter with the majesty of Gods passion, the power of His presence, and the revelation of your purpose as a son or daughter of God. The tangible reality of who our Father is will cause the most resistant to release the binding shackles of mere humanity and begin to experience the wonders of being His son. Based upon the writings and personal journey of the late Donald F. Nori Sr., founder of Destiny Image Publishers, Seeing the Invisible is an invitation to go deeper in your relationship with the Lord. Through 90 reflective entries, daily challenges, scriptures for meditation and growth, and space for responsive journaling, Don shares rhema words from Heaven, gained in the crucible of life. Prepare to be comforted and challenged, as you go deeper in your walk with the Father.
Originally published under the title In the School of Faith, Seeing the Invisible is without a doubt one of A.B. Simpson's greatest works. A man who himself saw the invisible, Simpson will inspire you to a bold new life of faith.
The power of images to represent the unseeable: stunning visualizations of science, from the microscopic to the incredibly vast. We live among patterns of delicate beauty and exquisite chaos that our eyes can’t detect; we are surrounded by invisible particles and shifting fields of matter that permeate all of space. Our very cells are intricate molecular machines, and the story of our origins stretches back through an unimaginable amount of time. How can we see the richness of what lies beyond our sensory perception? Scientists have developed visualization tools that can make the invisible visible. This bountifully illustrated book demonstrates the power of images to represent the unseeable, offering stunning visualizations of science that range from the microscopic to the incredibly vast. With more than 200 color images and an engaging text by leading science writer Jack Challoner, Seeing Science explains and illustrates the techniques by which scientists create visualizations of their discoveries. We see the first detection of a black hole as represented by an image from an Xray telescope, get a direct view of DNA through an electron microscope, and much more. Visualizations are also used to make sense of an avalanche of data—concisely presenting information from the 20,000 or so human genes, for example. Scientists represent complex theories in computer models, which take on a curious beauty of their own. And scientists and artists collaborate to create art from science visualizations, with intriguing results.
Scholars from diverse disciplines tackle the many questions posed by the work and life of abstraction pioneer Hilma af Klint In this thorough critical appraisal, 20 specialists on modern art, art history, philosophy and religious studies examine the unique art, the cultural circumstances and art-historical positioning of Swedish abstractionist Hilma af Klint. Topics explored here range from early abstract art and the impact of Darwinism to Goethe's color theory, as well as the importance of occult religious movements such as theosophy and anthroposophy that influenced the early modernists, and discussions of af Klint's own personal diary notes and research. The book is based on the seminars that were held in conjunction with the exhibition Hilma af Klint: A Pioneer of Abstraction in 2013. This extremely successful exhibition attracted a record number of visitors to the Moderna Museet in Stockholm, after which it continued to the Hamburger Bahnhof Museum in Berlin and the Louisiana Museum of Modern Art in Denmark.
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the extraordinary "The Intertwining--The Chiasm," that reveals the central pattern of Merleau-Ponty's own thought. The working notes for the book provide the reader with a truly exciting insight into the mind of the philosopher at work as he refines and develops new pivotal concepts.
Science is said to be on the verge of achieving the ancient dream of making objects invisible. Invisible is a biography of an idea, tied to the history of science over the "longue duree." Taking in Plato to today s science, Ball shows us that the stories we have told about invisibility are not in fact about technical capability but about power, sex, concealment, morality, and corruption. Precisely because they refer to matters that lie beyond our senses, unseen beings and worlds have long been a repository for hopes, fears, and suppressed desires. Ideas of invisibility are, like all ideas rooted in legend, ultimately parables about our own potential and weaknesses. Invisible presents the first comprehensive survey of the roles that the idea of invisibility has played throughout time and culture. This territory takes us from medieval grimoires to cutting-edge nanotechnology, from fairy tales to telecommunications, from camouflage to early cinematography, and from beliefs about ghosts to the dawn of nuclear physics and the discovery of dark energy. Invisible reveals what our age-old fantasies about what lurks unseen, and whether we can enter that realm ourselves, truly say about us. "
The content of the book reconsiders the relation between visibility and transcendence. The focus is especially on the contribution to this issue from the theological tradition in protestant Europe between the 16th and the 21st Centuries. In the book a thematically broad field is covered embracing more than five centuries and a plurality of methods drawn from theology, philosophy, and the history and theory of art.The book is divided into five sub-themes: In the first and more fundamental part, 'The phenomenology of in-visibility', questions underlying the other four themes are sought defined or narrowed down. Here the modes of appearing/revealing or hiding of phenomena are reflected. In the second section of the book dealing with 'Language as a mode of revealing and hiding' the specific role of verbal expressions understood in a very broad sense is at the core: What is the fundamental understanding and use of language, when speaking of the ineffable? The third section about 'Human existence between visibility and invisibility' focuses on theological anthropology: its features and norms. The ambiguity of anthropological categories such as faith, rationality, imagination, memory and emotion play a prominent role in this context.Thefourth section concerning 'The manifestation of a 'beyond' in the arts' investigates transcendence in the arts. What are the theological discourses behind the religious uses of the different artistic media (i.e. images, music, liturgical inventory, architecture)? Finally in the fifth section concerning 'Visible community and invisible transcendence' one finds contributions working with the idea of 'vicarious representation'.
The act of bearing witness can reveal much, but what about the figure of the witness itself? As contemporary culture is increasingly dominated by surveillance, the witness--whether artist, historian, scientist, government official, or ordinary citizen--has become empowered in realms from art to politics. In Seeing Witness, Jane Blocker challenges the implicit authority of witnessing through the examination of a series of contemporary artworks, all of which make the act of witnessing visible, open to inspection and critique.