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In 1925 Harold Ross hired Katharine Sergeant Angell as a manuscript reader for The New Yorker. Within months she became the magazine’s first fiction editor, discovering and championing the work of Vladimir Nabokov, John Updike, James Thurber, Marianne Moore, and her husband-to-be, E. B. White, among others. After years of cultivating fiction, White set her sights on a new genre: garden writing. On March 1, 1958, The New Yorker ran a column entitled “Onward and Upward in the Garden,” a critical review of garden catalogs, in which White extolled the writings of “seedmen and nurserymen,” those unsung authors who produced her “favorite reading matter.” Thirteen more columns followed, exploring the history and literature of gardens, flower arranging, herbalists, and developments in gardening. Two years after her death in 1977, E. B. White collected and published the series, with a fond introduction. The result is this sharp-eyed appreciation of the green world of growing things, of the aesthetic pleasures of gardens and garden writing, and of the dreams that gardens inspire.
In this book Timothy D. Carroll unveils God as the source of being and integrating all the components of life, demonstrating the essential connection points within humanity's relationship to the divine, as portrayed within a matrix. Presenting God as the universal Father of humanity, he explains the significance of both the divine logos, where God is seen face-to-face with himself, and the humanity of the divine. Timothy does this all while keeping the reader mindful of his own origin, identity, and destiny. The unique blending of the spiritual and the theological makes this book profoundly accessible to both the young in faith and those who are mature, from the idea of a spiritual matrix to insights into the doctrine of hell, while closing the book with his own ninety-five theses on universal reconciliation and love.