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A “thrilling adventure story" (San Francisco Chronicle) that brings to life the astronomers who in the 1700s embarked upon a quest to calculate the size of the solar system, and paints a vivid portrait of the collaborations, rivalries, and volatile international politics that hindered them at every turn. • From the author of Magnificent Rebels and New York Times bestseller The Invention of Nature. On June 6, 1761, the world paused to observe a momentous occasion: the first transit of Venus between the Earth and the Sun in more than a century. Through that observation, astronomers could calculate the size of the solar system—but only if they could compile data from many different points of the globe, all recorded during the short period of the transit. Overcoming incredible odds and political strife, astronomers from Britain, France, Russia, Germany, Sweden, and the American colonies set up observatories in the remotest corners of the world, only to be thwarted by unpredictable weather and warring armies. Fortunately, transits of Venus occur in pairs; eight years later, they would have another opportunity to succeed. Thanks to these scientists, neither our conception of the universe nor the nature of scientific research would ever be the same.
The award-winning, New York Times bestselling literary masterpiece of Shirley Hazzard—the story of two beautiful orphan sisters whose fates are as moving and wonderful, and yet as predestined, as the transits of the planets themselves A Penguin Classic Considered "one of the great English-language novels of the twentieth century" (The Paris Review), The Transit of Venus follows Caroline and Grace Bell as they leave Australia to begin a new life in post-war England. From Sydney to London, New York, and Stockholm, and from the 1950s to the 1980s, the two sisters experience seduction and abandonment, marriage and widowhood, love and betrayal. With exquisite, breathtaking prose, Australian novelist Shirley Hazzard tells the story of the displacements and absurdities of modern life. The result is at once an intricately plotted Greek tragedy, a sweeping family saga, and a desperate love story.
Even though there were relatively few people of color in postrevolutionary France, images of and discussions about black women in particular appeared repeatedly in a variety of French cultural sectors and social milieus. In Vénus Noire, Robin Mitchell shows how these literary and visual depictions of black women helped to shape the country’s postrevolutionary national identity, particularly in response to the trauma of the French defeat in the Haitian Revolution. Vénus Noire explores the ramifications of this defeat in examining visual and literary representations of three black women who achieved fame in the years that followed. Sarah Baartmann, popularly known as the Hottentot Venus, represented distorted memories of Haiti in the French imagination, and Mitchell shows how her display, treatment, and representation embodied residual anger harbored by the French. Ourika, a young Senegalese girl brought to live in France by the Maréchal Prince de Beauvau, inspired plays, poems, and clothing and jewelry fads, and Mitchell examines how the French appropriated black female identity through these representations while at the same time perpetuating stereotypes of the hypersexual black woman. Finally, Mitchell shows how demonization of Jeanne Duval, longtime lover of the poet Charles Baudelaire, expressed France’s need to rid itself of black bodies even as images and discourses about these bodies proliferated. The stories of these women, carefully contextualized by Mitchell and put into dialogue with one another, reveal a blind spot about race in French national identity that persists in the postcolonial present.
The planet Venus: orbit, appearance in our skies, the famous eight-year cycle, transits of the Sun, passages of the Pleiades, visits by spacecraft, amazing physical nature. And the goddess Venus, in Sumerian, Syrian, Greek, Roman myth. Very abundant illustrations: charts and sky scenes for years ahead, diagrams, paintings, sculptures. And abundant selections from the poetry and lore of Love.
My memory loss is so bad I can’t remember half the stuff I’ve done. So how am I supposed to make one relationship work—let alone three? I'm Venus and I've got amnesia. Or at least I think I do. My memory's filled with black holes. Why can’t I remember my childhood or the parents who raised me? How did I end up in this random small town, and why can’t I remember what happened five minutes ago? I somehow end up on a road trip with Neptune, a girl who I barely even know. She ditches me in a small town called Silver Springs with no money, no phone, and no way to get home. So I need to find her. Stat. What I find instead is a wart on the tip of my nose. How did that get there? It’s no wonder the three Hotter than the Sun men I meet don’t seem to realize I exist. ★ Ernest, who owns an anti-romance bookstore, is more interested in reading. ★ Stefano, the doctor who claims he’s in the mafia, says he doesn’t date patients. News flash: this wart isn’t going to fix itself. ★ And Chett, the famous guitarist for Not a Vampire, has a son who seems to hate me. The planets must be misaligned—or I might be cursed—because the gaps in my memory are growing. I'm falling for Ernest, Stefano, and Chett, but how can we have a happy ever after when I can barely remember who they are? Venus is a standalone in the Solar Mates Series set in the Silver Springs shared universe and comes complete with a happily-ever-after. Scroll up to read this fun, quirky romance today. Search Terms: paranormal, amnesia, silver springs, shifters, wolf shifters, mafia, doctor, books, book shifter, unique shifters, genies, djinn, single dad, single father, romance, romcom, romantic comedy, reverse harem, why choose, multiple mates, fated mates, celebrity, celibate hero, college, cursed, first love, fish out of water, magic, mermaid, siren, mythology, rock star, virgin,
The dark side has infiltrated many governments and much of the world of finance. The mission from Venus threatens their planned takeover of Earth. Failing a takeover, the dark lords will cause the planet's destruction through nuclear war, to prevent Earth from ascending to the fourth dimension on the path of light. The volunteer wanderers are all that stand in the way.
Autobiography of an Extraterrestrial: A Guide to Self-Realization and Ascension by a Woman who came to Earth with a Mission of Love and BrotherhoodOmnec Onec came here to Earth from the Astral Plane of Planet Venus. She came as a child, in a physical body, in a spaceship. She arrived in 1955 and was raised by an Earth family. In her autobiography, Omnec explains the history, culture, and spiritual teachings of the Venusians, who have lived on the Astral Plane for a very long time and who are part of our ancestry. She tells us about her first years of life, which were spent on Venus, and about her Venusian Family. She explains why and how she came to Earth, and the mission that she was to fulfill. As a sister planet to Earth, Venus had already gone through a transformation to a higher consciousness and frequency, similar to what the Earth and many people are now experiencing. Venus at one time had a physical society on its surface as well, Omnec reveals, and in the course of its evolution ascended to a higher plane. The History of Venus, as described by Omnec, and the spirituality of the Venusians, are a Gift of Pure Love. By applying Omnecs teachings, we learn how Transformation into expanded consciousness and ascension into Higher realms can be mastered by people on Earth, in accordance with the Universal Laws of the Supreme Diety. This book is the authorized re-publication of the original version, as written by Omnec Onec in the late 1960s and as first published in the U.S.A in 1991 by Lt. Col. Ret. Wendelle C. Stevens.
Western culture has long been fascinated by black women, but a history of enslavement and colonial conquest has variously labeled black women's bodies as "exotic" and "grotesque." In this remarkable cultural history of black female beauty, Janell Hobson explores the enduring figure of the "Hottentot Venus." In 1810, Saartjie Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, and museums and universities as the "Hottentot Venus." The subsequent legacy of representations of black women's sexuality-from Josephine Baker to Serena Williams to hip-hop and dancehall videos-continues to refer back to this persistent icon. This book analyzes the history of critical and artistic responses to this iconography by black women in contemporary photography, film, literature, music, and dance.
THE STORIES: BAD BREATH. What starts as a seemingly light spoof of 1960s Mad Men-era advertising and the All-American Family turns darker, exposing lies and betrayals behind the glossy sheen. (6 men, 9 women, doubling.) CINDERELLA. This sharp and sly retelling is set in a pretentious middle-class home, somewhere in America. But this young woman seems to have everything in hand to save herself. (4 women.) THE DISPOSAL. Jess was convicted for killing his pregnant wife, and now he sits on death row, awaiting execution today. He alternates between calm acceptance and violent hysteria, raging at his fellow inmates and the prison’s chaplain. Jess is desperate for forgiveness from his father, but his father refuses to accept that Jess is guilty, robbing his son of the possibility of some kind of understanding. (8 men, 1 woman.) A HERO OF OUR TIME. Bonnie and Vic are teenage neighbors who have the eye for one another, but their families keep them apart. Bonnie’s father worries that his daughter hangs out with bad company. Vic’s religious and conservative mother wants her son to steer clear of impure thoughts and deeds. And so the parents condemn their children to lives of dissolution and repression. (4 men, 4 women.) A MURDER. A private man with a box of memories seeks lodging at a strange boarding house—a place where the weather and time itself can change in an instant. When the man discovers the dead body of a young boy in the wardrobe, we wonder if we really have crossed over into another dimension. (2 men, 1 woman.) VENUS IN THERAPY. The owner of a small beauty parlor in a country village, Venus loves to be in love. She seems to be ageless, and it’s possible that she really is an embodiment of the goddess of love. But this Venus feels that her lifelong desire has become a curse, and that in the face of sexual obsession, people don’t think of love as something real. (6 men, 7 women, doubling.)