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Devin Salvo has always remained three steps ahead: in chess, on the pitch, and in his love life. His every desire is within arm's reach, except the one person Devin has always wished would be his in the end. All it takes is one conversation to open his eyes to a new possibility, one moment to change what Devin believes about friendship and love and one person to change the rules of the game. Sam Marshall has been fighting his feelings for his friend and roommate for two years. When an opportunity presents itself, he makes his move, only to be faced with the very real fear that what he sees in Devin, the potential waiting to be realized, may be more than their friendship can handle.
This atlas demonstrates all components of the body through imaging, in much the same way that a geographical atlas demonstrates components of the world. Each body system and organ is imaged in every plane using all relevant modalities, allowing the reader to gain knowledge of density and signal intensity. Areas and methods not usually featured in imaging atlases are addressed, including the cranial nerve pathways, white matter tractography, and pediatric imaging. As the emphasis is very much on high-quality images with detailed labeling, there is no significant written component; however, ‘pearl boxes’ are scattered throughout the book to provide the reader with greater insight. This atlas will be an invaluable aid to students and clinicians with a radiological image in hand, as it will enable them to look up an exact replica and identify the anatomical components. The message to the reader is: Choose an organ, read the ‘map,’ and enjoy the journey!
"I Can See Right Through You", by Kelly Link, is an off-kilter ghost story (or not) about an estranged couple who have remained friends long after they were originally paired in a vampire movie that made them famous. Now the demon lover searches out his former lover in Florida while she is in the middle of filming a tv episode about ghost hunting.
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
A Steamy Collection of Romance Short Stories in One Boxed Set. A Neighbors to Lovers/Friends to Lovers Romance Collection. One passionate night. One hot kiss with her sexy neighbor. Her life would never be the same again. As if life isn't complicated enough for Holly. Firstly, she's struggling to finish college on limited funds, then her former guardian and aunt is calling her bluff on having a boyfriend--since in her aunt's opinion, single girls are single because something is wrong with them. Period. When she asks her neighbour Evan to pretend to be her beau, knowing very little about him, except he's hot and smart, she might get more than she bargained for... Evan Knights can't believe his luck when the cute neighbor from down the hall asks him to pretend to be her boyfriend--just for the weekend. Trouble is--there's nothing pretence about his hot feelings for her. When Holly tells him she'll return a favor to him, his mind is set on having a night of mind-blowing unforgettable passion. Will his sizzling attraction be too hot for her to handle? But he's hiding a dark secret. Getting too close to Holly might be too risky. But isn't love all about risks?
The fourth edition of this popular book by Jessica Utts develops statistical literacy and critical thinking through real-world applications, with an emphasis on ideas, not calculations. This text focuses on the key concepts that educated citizens need to know about statistics. These ideas are introduced in interesting applied and real contexts, without using an abundance of technicalities and calculations that only serve to confuse students. NEW for Fall 2020 - Turn your students into statistical thinkers with the Statistical Analysis and Learning Tool (SALT). SALT is an easy-to-use data analysis tool created with the intro-level student in mind. It contains dynamic graphics and allows students to manipulate data sets in order to visualize statistics and gain a deeper conceptual understanding about the meaning behind data. SALT is built by Cengage, comes integrated in Cengage WebAssign Statistics courses and available to use standalone. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times