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Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley and Chester Himes' African-American detectives in Cotton Comes to Harlem. Diversity develops further in Sara Paretsky's tough woman detective V.I. Warshawski in Indemnity Only, Umberto Eco's medievalist and postmodern The Name of the Rose and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best modern crime fiction has been primarily international--Manuel Vasquez Montalban's Catalan Summer Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, Sweden's Stieg Larsson's The Girl with a Dragon Tattoo and Vikram Chanda's Mumbai-based Sacred Games. Instructors considering this book for use in a course may request an examination copy here.
Starting with William Godwin's Caleb Williams and Charles Brockden Brown's Edgar Huntly, this book covers in detail the great works of detective fiction--Poe's Dupin stories, Conan Doyle's The Adventures of Sherlock Holmes, Christie's The Murder of Roger Ackroyd, Sayers' Strong Poison, Chandler's The Big Sleep, and Simenon's The Yellow Dog. Lesser-known but important early works are also discussed, including Wilkie Collins' The Woman in White, Emile Gaboriau's M. Lecoq, Anna Katharine Green's The Leavenworth Case and Fergus Hume's The Mystery of a Hansom Cab. More recent titles show increasing variety in the mystery genre, with Patricia Highsmith's criminal-focused The Talented Mr. Ripley and Chester Himes' African-American detectives in Cotton Comes to Harlem. Diversity develops further in Sara Paretsky's tough woman detective V.I. Warshawski in Indemnity Only, Umberto Eco's medievalist and postmodern The Name of the Rose and the forensic feminism of Patricia Cornwell's Postmortem. Notably, the best modern crime fiction has been primarily international--Manuel Vasquez Montalban's Catalan Summer Seas, Ian Rankin's Edinburgh-set The Naming of the Dead, Sweden's Stieg Larsson's The Girl with a Dragon Tattoo and Vikram Chanda's Mumbai-based Sacred Games. Instructors considering this book for use in a course may request an examination copy here.
Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times
A devious tale of psychological suspense perfect for fans of Paula Hawkins’ The Girl on the Train—and is soon to be a major movie directed by Agnieszka Holland. In a tantalizing set-up reminiscent of Patricia Highsmith’s classic Strangers on a Train… On a night flight from London to Boston, Ted Severson meets the stunning and mysterious Lily Kintner. Sharing one too many martinis, the strangers begin to play a game of truth, revealing very intimate details about themselves. Ted talks about his marriage that’s going stale and his wife Miranda, who he’s sure is cheating on him. Ted and his wife were a mismatch from the start—he the rich businessman, she the artistic free spirit—a contrast that once inflamed their passion, but has now become a cliché. But their game turns a little darker when Ted jokes that he could kill Miranda for what she’s done. Lily, without missing a beat, says calmly, “I’d like to help.” After all, some people are the kind worth killing, like a lying, stinking, cheating spouse. . . . Back in Boston, Ted and Lily’s twisted bond grows stronger as they begin to plot Miranda's demise. But there are a few things about Lily’s past that she hasn’t shared with Ted, namely her experience in the art and craft of murder, a journey that began in her very precocious youth. Suddenly these co-conspirators are embroiled in a chilling game of cat-and-mouse, one they both cannot survive . . . with a shrewd and very determined detective on their tail.
The Big Bow Mystery (1892) is a novel by Israel Zangwill. Although he is frequently recognized as a writer who focused on the plight of London’s Jewish community, Zangwill also wrote works of genre fiction. Originally serialized in The Star, The Big Bow Mystery is a satirical take on the locked room mystery that continues to astound, entertain, and frustrate readers to this day. Having risen through poverty to become an educator and author, Zangwill dedicated his career to the voiceless, the oppressed, and the needy, advocating for their rights and bearing witness to their suffering in some of the most powerful novels and stories of the Victorian era. On a foggy morning in a working-class neighborhood on the East End of London, a landlady rises to light the fire and make a pot of tea. Eventually, Mrs. Drabdump realizes that one of her tenants has overslept, and goes upstairs to wake him. Finding his room locked from the inside, she grows concerned and enlists the help of another tenant. Forcing open the door, they find the man—a prominent activist for worker’s rights—dead in his own bed. When the coroner’s report reveals that the man was neither murdered or killed by his own hand, an investigation is launched involving inept policemen, a major politician, and several strange characters whose peculiarities provide a darkly humorous tint to an otherwise brutal tale of death and urban decay. With a beautifully designed cover and professionally typeset manuscript, this edition of Israel Zangwill’s The Big Bow Mystery is a classic of British literature reimagined for modern readers.
'Detective Fiction' is a clear and compelling look at some of the best known, yet least-understood characters and texts of the modern day. Undergraduate students of Detective and Crime Fiction and of genre fiction in general, will find this book essential reading.
Classic American Crime Writing of the 1920s—including House Without a Key, The Benson Murder Case, The Tower Treasure, The Roman Hat Mystery, The Tower Treasure, and Little Caesar—offers some of the very best of that decade’s writing. Earl Derr Biggers wrote about Charlie Chan, a Chinese-American detective, at a time when racism was rampant. S. S. Van Dine invented Philo Vance, an effete, rich amateur psychologist who flourished while America danced and the stock market rose. Edwin Stratemeyer, a man of mystery himself, singlehandedly created the juvenile mystery, with the beloved Hardy Boys series. The quintessential American detective Ellery Queen leapt onto the stage, to remain popular for fifty years. W. R. Burnett, created the indelible character of Rico, the first gangster antihero. Each of the five novels included is presented in its original published form, with extensive historical and cultural annotations and illustrations added by Edgar-winning editor Leslie S. Klinger, allowing the reader to experience the story to its fullest. Klinger's detailed foreword gives an overview of the history of American crime writing from its beginnings in the early years of America to the twentieth century.
With Martin Edwards as librarian and guide, delve into an irresistible stack of bibliomysteries, where "golden age–inspired puzzle masters [are] doing what they do best: bringing together readers, books, and felonies [in] perhaps the single best collection yet in this blue-chip series (Kirkus Reviews)." There is no better hiding place for clues—or red herrings—than inside the pages of a book. But in this world of resentful ghost writers, indiscreet playwrights, and unscrupulous book collectors, literary prowess is often a prologue to disaster. Readers should be warned that the most riveting tales often conceal the deadliest of secrets. Featuring much-loved Golden Age detectives Nigel Strangeways, Philip Trent, Detective Chief Inspector Roderick Alleyn, and others, a bookish puzzle threatens an eagerly awaited inheritance; a submission to a publisher recounts a murder that seems increasingly to be a work of nonfiction; an irate novelist puts a grisly end to the source of his writer's block.
No one saw her leave, and no one knows where she went... It's a perfectly typical day for Lowell Mitchell at her perfectly ordinary university in Massachusetts. She goes to class, chats with friends, and retires to her dorm room. Everything is normal until suddenly it's not—in the blink of an eye, Lowell is gone. Facts are everything for Police Chief Frank Ford. He's a small-town cop, and he knows only hard evidence and thorough procedure will lead him to the truth. Together with the wise-cracking officer Burt Cameron, the grizzled chief will deal with the distraught family, chase dead-end leads, interrogate shady witnesses, and spend late nights ruminating over black coffee and cigars. Everyone tells him what a good, responsible girl Lowell is. But Ford believes that Lowell had a secret and that if he can discover it, this case will crack wide open. Considered one of the first-ever police procedurals and hailed as an American mystery milestone, Last Seen Wearing—based on a true story—builds suspense through its accurate portrayal of an official police investigation. Hillary Waugh, who earned the title of Grand Master from the Mystery Writers of America, went on to create several memorable series, but this classic crime novel ranks among his finest work. This next installment in the Library of Congress Crime Classics series will keep readers in suspense until the final page.
The “gripping, romantic, and dazzlingly original” (Cosmopolitan) Arkady Renko book that started it all: the #1 bestseller Gorky Park, an espionage classic that begins the series, by Martin Cruz Smith, “the master of the international thriller” (The New York Times). It begins with a triple murder in a Moscow amusement center: three corpses found frozen in the snow, faces and fingers missing. Chief homicide investigator Arkady Renko is brilliant, sensitive, honest, and cynical about everything except his profession. To identify the victims and uncover the truth, he must battle the KGB, FBI, and the New York City police as he pursues a rich, ruthless, and well-connected American fur dealer. Meanwhile, Renko is falling in love with a beautiful, headstrong dissident for whom he may risk everything. “Brilliant...there are enough enigmas within enigmas within enigmas to reel the mind” (The New Yorker) in this wonderfully textured, vivid look behind the Iron Curtain. “Once one gets going, one doesn’t want to stop...The action is gritty, the plot complicated, and the overriding quality is intelligence” (The Washington Post). The first in a classic series, Gorky Park “reminds you just how satisfying a smoothly turned thriller can be” (The New York Times Book Review).