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I got called into Principal Miller's office again. She handed me a notebook. This notebook. She told me keeping a journal is an excellent way to express oneself. So I have to write in this stupid thing and turn it in at the end of each month. Little does she know what she's in for. With everything that's been going on--Amy's band camp pregnancy, my parents' divorce, a secret wedding--it's practically one-stop shopping for all your Grant High gossip needs. Property of Ashley Juergens. Read at your own risk (especially you, Amy).
I got called into Principal Miller's office again. She handed me a notebook. This notebook. She told me keeping a journal is an excellent way to express oneself. So I have to write in this stupid thing and turn it in at the end of each month. Little does she know what she's in for. With everything that's been going on--Amy's band camp pregnancy, my parents' divorce, a secret wedding--it's practically one-stop shopping for all your Grant High gossip needs. Property of Ashley Juergens. Read at your own risk (especially you, Amy).
At the turn of the twentieth century, Ellen Rimbauer became the young bride of Seattle industrialist John Rimbauer, and began keeping a remarkable diary. This diary became the secret place where Ellen could confess her fears of the new marriage, her confusion over her emerging sexuality, and the nightmare that her life would become. The diary not only follows the development of a girl into womanhood, it follows the construction of the Rimbauer mansion called Rose Red; an enormous home that would be the site of so many horrific and inexplicable tragedies in the years ahead. The Diary of Ellen Rimbauer: My Life at Rose Red is a rare document, one that gives us an unusual view of daily life among the aristocracy in the early 1900s, a window into one woman's hidden emotional torment, and a record of the mysterious events at Rose Red that scandalized Seattle society at the time - events that can only be fully understood now that the diary has come to light. Edited by Joyce Reardon, Ph.D. as part of her research, the diary is being published as preparations are being made by Dr. Reardon to enter Rose Red and fully investigate its disturbing history.
A hilarious diary of married life with the sensible, no-nonsense man of all our dreams: Jürgen Klopp, from critically-acclaimed comedian and Twitter sensation Laura Lexx. Inspired by the viral tweet: 'If I ever met Jürgen Klopp I'd say "omg if we have a baby we should call it Klipp" just so he'd raise an eyebrow at me and tell me I'm a moron and I'd be so naked by the time he'd finished doing that...' In these uncertain times we all need a coping mechanism. And Laura Lexx has found the obvious one - imagining life married to the sensible, no-nonsense man of our dreams, Jürgen Klopp. She thinks maybe he has something to do with football? More importantly, he definitely knows how to efficiently stack a dishwasher and would tell you honestly if you were being unreasonable about a colleague. From job interviews to furniture shopping in IKEA to making a birthday cake for their daughter, Klipp, Klopp Actually is a hilarious, warm and deeply silly diary of life with everyone's favourite baseball-cap-wearing, bespectacled German football manager. 'I shiver, my skin breaking out into tiny goosebumps. "Are you cold?" He whispers, his lips brushing my ear, making the fine hairs ripple. "A little." I grin, pressing against his thigh. He runs a hand down the curve of my spine... "You should put a jumper on."' 'I'd LOVE to read a whole book of Laura's funny, clever, sweet imagination . . . it made me laugh a huge amount!' Marian Keyes 'Laura is so funny and I can't wait to read this book and I hope it isn't awkward when I *actually* marry Jürgen Klopp' Sara Pascoe 'It's rare to find brilliant new talent, rarer still to discover it on twitter but Laura's thread on Klopp was my highlight of the year. I cannot wait to see what she does in book form. I shall devour it. A great shining comedic talent' Emma Kennedy (P)2020 Hodder & Stoughton Limited
This book focuses on the power of the ‘ordinary’, ‘everydayness’ and ‘embodiment’ as keys to exploring the intersection of trauma and the everyday reality of religion. It critically investigates traumatic experiences from a perspective of lived religion, and therefore, examines how trauma is articulated and lived in the foreground of people’s concrete, material actualities. Trauma and Lived Religion seeks to demonstrate the vital relevance between the concept of lived religion and the study of trauma, and the reciprocal relationship between the two. A central question in this volume therefore focuses on the key dimensions of body, language, memory, testimony, and ritual. It will be of interest to academics in the fields of sociology, psychology, and religious studies with a focus on lived religion and trauma studies, across various religions and cultural contexts.
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
“A brave, powerful memoir” (People) that will change the way we look at identity and equality in this country, from the activist elected as the first openly transgender state senator in U.S. history “The energy and vigor Sarah has brought to the fight for equality is ever present in this book.”—Vice President Kamala Harris “If you’re living your own internal struggle, this book can help you find a way to live authentically, fully, and freely. . . . Let it show that we are all created equal and entitled to be treated with dignity and respect.”—President Joe Biden, from the foreword Before she became the first transgender person to speak at a national political convention in 2016 at the age of twenty-six, Sarah McBride struggled with the decision to come out—not just to her family but to the students of American University, where she was serving as student body president. She’d known she was a girl from her earliest memories, but it wasn’t until the Facebook post announcing her truth went viral that she realized just how much impact her story could have on the country. Four years later, McBride was one of the nation’s most prominent transgender activists, walking the halls of the White House, advocating inclusive legislation, and addressing the country in the midst of a heated presidential election. She had also found her first love and future husband, Andy, a trans man and fellow activist, who complemented her in every way . . . until cancer tragically intervened. Informative, heartbreaking, and profoundly empowering, Tomorrow Will Be Different is McBride’s story of love and loss and a powerful entry point into the LGBTQ community’s battle for equal rights and what it means to be openly transgender. From issues like bathroom access to health care to gender in America, McBride weaves the important political and cultural milestones into a personal journey that will open hearts and change minds. As McBride urges: “We must never be a country that says there’s only one way to love, only one way to look, and only one way to live.” The fight for equality and freedom has only just begun.
This collection reflects on the theory and application of expressive arts today in therapy, education, research and social and ecological change. Bringing the understanding of expressive arts into its contemporary theoretical framework, the book reveals the expansion of the field from its initial focus on therapy alone into a diverse range of other areas of interest to therapists, educators, researchers and those interested in working for social and ecological change. The book also contains a selection of discursive writing, poetry and visual art, highlighting the importance of keeping artistic creativity at the heart of the field. With contributions from pioneering arts therapists, this will be vital reading for arts therapists and students in the field today.