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Three stage plays (The Cure, When I Was God & After Luke) - conceived as a tragicomic exploration of various father-son relationships, set against the social, historical and topographical background of Cork City, the second city of the Republic of Ireland. The trilogy is comprised of three short plays and is structured such that the casting requirements of all three plays can be met by three actors, with each actor appearing in two of the plays.THE CURE. In times of personal crisis, either a cure or a miracle may be required to turn a life around. Our anti-hero is incapable of confronting and dealing with a number of personal issues. It is a recurring theme in his life, a theme that has been handed down, from generation to generation through the male line in his family, like a baton in a relay race. We meet him trawling the streets looking for an early morning pub in search of a cure. But fate takes a hand to his feet and the streets of Cork become his road to Damascus.WHEN I WAS GOD. It's FAI Cup Final day. Referee Dino Keegan is retiring from the game. At half-time the spotlight of self-doubt shines directly down on Dino as the ghosts of his past visit him in his dressing room. On the field of dreams the referee is God, but what happens when God is made man?AFTER LUKE. Is inspired by the parable of the Prodigal Son, in St. Luke's Gospel. It explores greed-driven frenzy surrounding the property market at the height of the Celtic Tiger economy. The action unfolds in that contentious place where concrete and asphalt meet pasture and stone and urban necessity collides with the rural idyll - with devastatingly tragic consequences.
Emmy Award-winning writer Anne Opotowsky and stunning artist Angie Hoffmeister present the second volume in this massive saga of ambition, loyalty, and the walls we build inside and out; animating an irresistible historical setting with powerful modern resonance. Book Two of Anne Opotowsky's epic Walled City Trilogy leaps simultaneously forward and back. In 1905, a child is kidnapped and brought to Hong Kong, growing into a clever and reckless young man looking for answers. In the 1930s, the British are shaping that island into the free-trade playground for which it will soon become famous... while China's internal strife borders on chaos. The eccentricities of Hong Kong rub off on everyone, the greed is more palpable, the lust and caution ride herd on both the young and old. Within the Walled City itself, the population has grown by leaps and bounds, despite attempts to clear them out. Both the British and the Chinese now declare it a lawless ghetto, a legal No Man's Land... so the city evolves into an astonishing world of its own. In this chaotic yet harmonious world, the three boys from Book One -- Song, Xi, and Yubo -- are finding three very different ways to become men. Abductions, obsessions, refugees, and star-crossed lovers intertwine throughout this staggeringly ambitious and gorgeously illustrated saga... while the undercurrents of power, manipulation, and loss begin to show terrible cracks in the walls.
The second MYSTIC CITY novel . . . it's Romeo & Juliet in a dystopic Manhattan. A city in flames. A trust betrayed. A perfect love destroyed. Has Aria lost Hunter, her one true love? Ever since rebellion broke out in Mystic City, pitting the ruling elite against the magic-wielding mystics, Aria has barely seen her boyfriend. Not surprising, since Hunter is the leader of the mystic uprising, and he'll do whatever it takes to win freedom for his people—even if that means using Aria. But Aria is no one's pawn. She believes she can bring the two warring sides together, save the city, and win back the Hunter she fell in love with. Before she can play peacemaker, though, Aria will need to find the missing heart of a dead mystic. The heart gives untold powers to whoever possesses it, but finding it means seeking out a fierce enemy whose deepest desire is for Aria to be gone—forever. "Recommended for dystopian fans."--School Library Journal
S. A. Chakraborty continues the sweeping adventure begun in The City of Brass—"the best adult fantasy I’ve read since The Name of the Wind" (#1 New York Times bestselling author Sabaa Tahir)—conjuring a world where djinn summon flames with the snap of a finger and waters run deep with old magic; where blood can be dangerous as any spell, and a clever con artist from Cairo will alter the fate of a kingdom. Nahri’s life changed forever the moment she accidentally summoned Dara, a formidable, mysterious djinn, during one of her schemes. Whisked from her home in Cairo, she was thrust into the dazzling royal court of Daevabad—and quickly discovered she would need all her grifter instincts to survive there. Now, with Daevabad entrenched in the dark aftermath of a devastating battle, Nahri must forge a new path for herself. But even as she embraces her heritage and the power it holds, she knows she’s been trapped in a gilded cage, watched by a king who rules from the throne that once belonged to her family—and one misstep will doom her tribe.. Meanwhile, Ali has been exiled for daring to defy his father. Hunted by assassins, adrift on the unforgiving copper sands of his ancestral land, he is forced to rely on the frightening abilities the marid—the unpredictable water spirits—have gifted him. But in doing so, he threatens to unearth a terrible secret his family has long kept buried. And as a new century approaches and the djinn gather within Daevabad's towering brass walls for celebrations, a threat brews unseen in the desolate north. It’s a force that would bring a storm of fire straight to the city’s gates . . . and one that seeks the aid of a warrior trapped between worlds, torn between a violent duty he can never escape and a peace he fears he will never deserve.
"[The] weird, beautiful, unapologetically apocalyptic Last Policeman trilogy is one of my favorite mystery series."—John Green, author of The Fault in Our Stars and Paper Towns Winner of the 2013 Edgar® Award Winner for Best Paperback Original! What’s the point in solving murders if we’re all going to die soon, anyway? Detective Hank Palace has faced this question ever since asteroid 2011GV1 hovered into view. There’s no chance left. No hope. Just six precious months until impact. The Last Policeman presents a fascinating portrait of a pre-apocalyptic United States. The economy spirals downward while crops rot in the fields. Churches and synagogues are packed. People all over the world are walking off the job—but not Hank Palace. He’s investigating a death by hanging in a city that sees a dozen suicides every week—except this one feels suspicious, and Palace is the only cop who cares. The first in a trilogy, The Last Policeman offers a mystery set on the brink of an apocalypse. As Palace’s investigation plays out under the shadow of 2011GV1, we’re confronted by hard questions way beyond “whodunit.” What basis does civilization rest upon? What is life worth? What would any of us do, what would we really do, if our days were numbered? Ebook contains an excerpt from the anticipated second book in the trilogy, Countdown City.
"You’ll want to race through The Silence of the White City, but it’s best to slow down and savor the full effect of the volatile, intoxicating universe Sáenz has created. This is the first novel of the White City trilogy to be translated into English—the second can’t come fast enough." —AirMail HOW DO YOU STOP A KILLER WHO'S ALWAYS TWO STEPS AHEAD? A madman is holding Vitoria hostage, killing its citizens in brutal ways and staging the bodies. The city's only hope is a brilliant detective struggling to battle his own demons. Inspector Unai López de Ayala, known as "Kraken," is charged with investigating a series of ritualistic murders. The killings are eerily similar to ones that terrorized the citizens of Vitoria twenty years earlier. But back then, police were sure they had discovered the killer, a prestigious archaeologist who is currently in jail. Now Kraken must race to determine whether the killer had an accomplice or if the wrong man has been incarcerated for two decades. This fast-paced, unrelenting thriller weaves in and out of the mythology and legends of the Basque country as it hurtles to its shocking conclusion.
In a Manhattan where the streets are under water and outcasts called mystics have paranormal powers, Aria Rose is engaged to Thomas Foster and the powerful Rose and Foster families--long time enemies--are uniting politically; the only trouble is that Aria can not remember ever meeting Thomas, much less falling in love with him.
An atmospheric and intrigue-filled novel of dead gods, buried histories, and a mysterious, protean city--from one of America's most acclaimed young fantasy writers. The city of Bulikov once wielded the powers of the gods to conquer the world, enslaving and brutalizing millions—until its divine protectors were killed. Now Bulikov has become just another colonial outpost of the world's new geopolitical power, but the surreal landscape of the city itself—first shaped, now shattered, by the thousands of miracles its guardians once worked upon it—stands as a constant, haunting reminder of its former supremacy. Into this broken city steps Shara Thivani. Officially, the unassuming young woman is just another junior diplomat sent by Bulikov's oppressors. Unofficially, she is one of her country's most accomplished spies, dispatched to catch a murderer. But as Shara pursues the killer, she starts to suspect that the beings who ruled this terrible place may not be as dead as they seem—and that Bulikov's cruel reign may not yet be over.
This book brings together geographers and literary scholars in a series of engagements near the boundaries of their disciplines. In urban studies, disproportionate attention has been given to a small set of privileged ‘first’ cities. This volume problematizes the dominance of such alpha cities, offering a wide perspective on ‘second cities’ and their literature. The volume is divided into three themed sections. ‘In the Shadow of the Alpha City’ problematizes the image of cities defined by their function and size, bringing out the contradictions and contestations inherent in cultural productions of second cities, including Birmingham and Bristol in the UK, Las Vegas in the USA, and Tartu in Estonia. ‘Frontier Second Cities’ pays attention to the multiple and trans-national pasts of second cities which occupy border zones, with a focus on Narva, in Estonia, and Turkish/Kurdish Diyarbakir. The final section, ‘The Diffuse Second City’, examines networks the diffuse secondary city made up of interlinked small cities, suburban sprawl and urban overspill, with literary case studies from Italy, Sweden, and Finland.
A special omnibus edition, collecting all three books of Robert Jackson Bennett’s acclaimed Divine Cities trilogy in a single volume. In a world where terrifying, capricious gods once walked the earth, enslaving and brutalizing millions, three unforgettable protagonists struggle to come to terms with the mysteries these divinities left behind— and to make sure these cruel masters do not rise again. In City of Stairs, an unassuming young woman named Shara Thivani arrives in Bulikov, the city that once wielded the powers of the gods to conquer the world. Officially, she is just another junior diplomat, dispatched by the city’s new colonial masters; unofficially, she is one of her country’s most accomplished spies, on a mission to solve a murder. As she pursues the killer, she begins to suspect that the gods who once guarded Bulikov are not as dead as they seem, and that the city’s cruel reign may begin anew. In City of Blades, General Turin Mulaghesh—foul-mouthed hero of the battle of Bulikov, rumored war criminal, ally of an embattled prime minister—is pressed into service one last time, investigating a terrifying discovery in the city of Voortyashtan, once the stronghold of the god of war and death. Voortyashtan’s god is most certainly dead, but something is awakening in the city. And someone is determined to make the world tremble at the city’s awful power once again. In City of Miracles, the formidable, seemingly unkillable Sigrud je Harkvaldsson returns from self-imposed exile on a mission of revenge, only to find himself embroiled in a battle that may be beyond even his abilities to win—a secret, decades-long war that will force him to confront the last mysteries of Bulikov, the city of miracles itself.