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Anyone who grew up holidaying on England's beaches is familiar with the distinctive features of these historic resorts - not the exclusive, paradisiacal haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas and people of all ages and classes. Jon Nicholson's Polaroid SX70 is the perfect vehicle to capture the colour and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, out-of-date film stock depict the faded glory of Yarmouth's giant piers, Brighton's pebbly shores, the Blackpool Pleasure Beach amusement park, the dunes of Hemsby, and many other resorts across Britain. Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations. AUTHOR: Jon Nicholson's photographs have been featured in the world's most celebrated magazines, including National Geographic, Conde Nast Traveller and Stern. He has travelled the globe in his work with UN agencies and the sports industry. Most recently he was named the official photographer of the 2012 Olympic Games in London. Joseph Galliano is the editor of the Dear Me: A Letter to My 16 Year-Old Self series of books, which feature letters written by celebrities, writers, musicians, athletes and actors to their younger selves. He is also a freelance journalist and editor and the former editor of GT magazine. His work has appeared in, amongst other publications, The Times, The Guardian, I:D. ILLUSTRATIONS: 70 colour
In this book, Charles Merzbacher offers a concise, definitive guide to the essential skills, techniques and logistics of producing short films, focusing on the practical knowledge needed for line producing and overseeing smaller-scale productions. Drawing on insights from real-life production scenarios, veteran filmmaker and instructor Charles Merzbacher takes producers through every stage of the production process, from fundraising, preproduction and planning to the producer’s role in postproduction and distribution. Key topics include: Finding a worthy project; Schedules and budgets; Managing the casting process; Recruiting and managing crew; Location scouting; Legal and safety issues; Running a production; Negotiating music rights; And much more! An accompanying website—available at theshortseries.com—offers document templates for contracts, call sheets, budgets and other production forms, as well as sample production documents and short video guides featuring top industry professionals.
Marcello Di Cintio prepares for his “journey into the heart of Iran” with the utmost diligence. He takes lessons in Farsi, researches Persian poetry and sharpens his wrestling skills by returning to the mat after a gap of some years. Knowing that there is a special relationship between heroic poetry and the various styles of traditional Persian wrestling, he sets out to discover how Iranians “reconcile creativity with combat.” From the moment of his arrival in Tehran, the author is overwhelmed by hospitality. He immerses himself in male company in tea houses, conversing while smoking the qalyun or water pipe. Iranian men are only too willing to talk, especially about politics. Confusingly, he is told conflicting statements–that all Iranians love George Bush, that all Iranians hate George Bush; that life was infinitely better under the Shah, that the mullahs swept away the corruption of the Shah’s regime and made life better for all. Once out of Tehran, he learns where the traditional forms of wrestling are practised. His path through the country is directed by a search for the variant disciplines and local techniques of wrestling and a need to visit sites and shrines associated with the great Persian poets: Hafez, Ferdosi, Omar Khayyám, Attar, Shahriyar and many others. Everywhere his quest leads him, he discovers that poetry is loved and quoted by everyone from taxi-drivers to students. His engagement with Iranian culture is intimate: he wrestles (sometimes reluctantly) when invited, samples illegal home-brew alcohol, attends a wedding, joins mourners, learns a new way to drink tea and attempts to observe the Ramazan fast, though not a Muslim himself. Though he has inevitable brushes with officialdom, he never feels in danger, even when he hears that a Canadian photo-journalist has apparently been beaten to death in a police cell during the author’s visit. The outraged and horrified reaction of those around him to this violent act tightens the already close bond he has formed with the Persians. His greatest frustration is that he is unable to converse freely with Iranian women aware that an important part of his picture of Iran is thus absent. Yet the mosaic of incidents, encounters, vistas, conversations, atmospheres and acutely observed sights, smells and moments creates a detailed impression of a country and society that will challenge most, if not all, preconceptions.
This book collects the large-format Polaroids by the American artist and film director Julian Schnabel. Schnabel is a major force in the international art scene. Shot with an extraordinary 20 x 24-inch vintage camera, his intimate and revealing large-format images are printed in color and black and white; some have been hand-colored or painted on; and many are previously unpublished. The photographs include intriguing portraits of the artist's family and friends, including Lou Reed, Placido Domingo, the Beastie Boys, and Mickey Rourke. There are also private spaces dear to Schnabel, such as his own Palazzo Chupi in New York City--which he designed and decorated--as well as interiors of studios in Brooklyn, Montauk, and Long Island. Together these Polaroids create a unique tableau, both intensely personal and poetic. AUTHOR: Petra Giloy-Hirtz is a Munich based author and editor. Her most recent books include Lucas Reiner: Los Angeles Trees and Christopher Thomas. New York Sleeps. She is preparing a monograph on Julian Schnabel. ILLUSTRATIONS 100 colour photos
New York Times–bestselling author Gerald A. Browne’s suspenseful disaster novel about a massive mudslide along California’s southern coast The people of Southern California worship the sun, but their idol has forsaken them. For more than two weeks, rain has fallen on this earthly paradise, destroying crops, loosening the ground, and sending coffins into backyards, forcing rattlesnakes out of their nests into people’s homes. As the punishing weather continues, people start to panic. After all, a little rain never hurt anybody—but a lot can kill. The Seaside Supermarket near Laguna Beach is doing brisk business when an earthquake hits and the ground begins to slide. Among the customers are architect Frank Brydon, who is dying of cancer; a hotshot Hollywood producer; and a young couple on a road trip that’s supposed to save their relationship. As the earth shifts, the store slips down the hill face, coming to rest under a mountain of mud. With his knowledge of structural engineering, can Brydon lead the survivors in a desperate race against the clock to escape being buried alive?
These nuggets of wisdom are offered by an Academy Award–nominated actor (James Woods), a popular comedian (Aasif Mandvi), and a world-famous novelist (Jodi Picoult) to their sixteen-year-old selves. No matter how accomplished and confident they seem today, at sixteen, they were like the rest of us—often unsure, frequently confused, and usually in need of a little reassurance. In Dear Me, 75 celebrities, writers, musicians, athletes, and actors have written letters to their younger selves that give words of comfort, warning, humor, and advice. These letters present intimate, moving, and witty insights into some of the world’s most intriguing and admired individuals. By turns funny, surprising, raw, and uplifting, this singular collection captures the universal conditions that are youth, life, and growing up.
As the twentieth century draws to a close, the desire for communities that offer an improved quality of life - where the pedestrian is as viable as the motorist; where the architecture is varied, human-scaled, and responsive to its environment; where residents can find privacy yet enjoy the company of their neighbors - has taken on a particularly significant urgency. As Richard Sexton convincingly documents in Parallel Utopias, two special places - The Sea Ranch in Northern California and Seaside in the Florida panhandle - have arrived at two unique solutions in the search for the ideal community. A lively introductory essay outlines the nature of this archetypal quest, followed by an engaging discussion of the philosophy, architecture, history, and character of both communities. Sexton's sumptuous full-color photographs tour each community in detail, from their built environment and the surrounding dramatic coastal landscape to the furnishings residents have chosen for their homes. In their contributing essays, urban sociologist Ray Oldenburg analyzes with piercing clarity the evolution and contradictions of our contemporary communities, and architect William Turnbull, Jr., lucidly examines the role of the architect in shaping viable living spaces.
NATIONAL BESTSELLER • From the National Book Award–winning author of Just Kids: a “sublime collection of true stories … and wild imaginings that take us to the very heart of who Patti Smith is” (Vanity Fair), told through the cafés and haunts she has worked in around the world. Patti Smith calls this bestselling work “a roadmap to my life.” M Train begins in the tiny Greenwich Village café where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, we travel to Frida Kahlo’s Casa Azul in Mexico; to the fertile moon terrain of Iceland; to a ramshackle seaside bungalow in New York’s Far Rockaway that Smith acquires just before Hurricane Sandy hits; to the West 4th Street subway station, filled with the sounds of the Velvet Underground after the death of Lou Reed; and to the graves of Genet, Plath, Rimbaud, and Mishima. Woven throughout are reflections on the writer’s craft and on artistic creation. Here, too, are singular memories of Smith’s life in Michigan and the irremediable loss of her husband, Fred Sonic Smith. Braiding despair with hope and consolation, illustrated with her signature Polaroids, M Train is a meditation on travel, detective shows, literature, and coffee. It is a powerful, deeply moving book by one of the most remarkable multiplatform artists at work today. Featuring a postscript with five new photos from Patti Smith
A visual narrative of this groundbreaking New Urbanism development in the Florida Panhandle. Designed by planning pioneers Andres Duany and Elizabeth Plater-Zyberk, Rosemary Beach is a decidedly different community. Renowned photographer Richard Sexton became an advocate of Rosemary Beach, finding it a positive example of how future communities can become better and more stimulating places. His admiration is palpable throughout this thoroughly descriptive and artful photo essay, which features a vicarious stroll through residential and civic buildings and public spaces, and details the prescribed house types that define the community. A secondary photo essay focuses on an intimate view of how residents live in Rosemary Beach. The final section provides a walking tour experience.
Tom Bianchi's erotic and celebratory Polaroids of magical summers on Fire Island Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent "physique" magazines at newsstands. In one such magazine, he found a photograph of bodybuilder Glenn Bishop on Fire Island. "Fire Island sounded exotic, perhaps a name made up by the photographer," he recalls in the preface to his latest monograph. "I had no idea it was a real place. Certainly, I had no idea then that it was a place I would one day call home." In 1970, fresh out of law school, Bianchi began traveling to New York, and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends' lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi's moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a magical bygone era. Tom Bianchi was born and raised in the suburbs of Chicago and graduated from Northwestern University School of Law in 1970. He became a corporate attorney, eventually working with Columbia Pictures in New York, painting and drawing on weekends. His artwork came to the attention of Betty Parsons and Carol Dreyfuss and they gave him his first one-man painting show in 1980. In 1984, he was given his first solo museum exhibition at the Spoleto Festival. After Bianchi's partner died of AIDS in 1988, he turned his focus to photography, producing Out of the Studio, a candid portrayal of gay intimacy. Its success led to producing numerous monographs, including On the Couch, Deep Sex and In Defense of Beauty. --Guy Trebay "The New York Times, Styles Section"