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How has the seaside been photographed? From the roaring waves of the nineteenth century through the reportage of the 1960s and the critical documentary of the 80s and 90s, to what is perhaps the more intimate work of the last ten years. No-one can tell it exactly the way it is. We all have a vision of the seaside which is uniquely our own. Memories, false and real, are aided and abetted by photography, a unique, fascinating, but in the end unreliable source of evidence. And time changes everything. What remains are a set of substantial fragments, thoughts along the way, obsessions, records, constructions, journeys. Ours for the taking
Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.
From the abandoned piers to the dazzling arcades, celebrate the British seaside through the lenses of Britain's most popular photographers, featuring Tony Ray-Jones, David Hurn and Simon Roberts and new work by Martin Parr.--Museum website.
Anyone who grew up holidaying on England's beaches is familiar with the distinctive features of these historic resorts - not the exclusive, paradisiacal haunts of the rich and famous, but the gritty, often rocky shores of the Atlantic and the Irish and North Seas, filled with amusement arcades, bathing huts, beach umbrellas and people of all ages and classes. Jon Nicholson's Polaroid SX70 is the perfect vehicle to capture the colour and character of summers at the sea. At once immediate and ephemeral, these delicately hued, slightly muted images taken with original, out-of-date film stock depict the faded glory of Yarmouth's giant piers, Brighton's pebbly shores, the Blackpool Pleasure Beach amusement park, the dunes of Hemsby, and many other resorts across Britain. Each of the 70 photographs is beautifully reproduced on its own page with descriptive captions. A foreword by Joseph Galliano provides a wry, contemporary perspective on these beloved, centuries-old locations. AUTHOR: Jon Nicholson's photographs have been featured in the world's most celebrated magazines, including National Geographic, Conde Nast Traveller and Stern. He has travelled the globe in his work with UN agencies and the sports industry. Most recently he was named the official photographer of the 2012 Olympic Games in London. Joseph Galliano is the editor of the Dear Me: A Letter to My 16 Year-Old Self series of books, which feature letters written by celebrities, writers, musicians, athletes and actors to their younger selves. He is also a freelance journalist and editor and the former editor of GT magazine. His work has appeared in, amongst other publications, The Times, The Guardian, I:D. ILLUSTRATIONS: 70 colour
We may never find message in a bottle, but most of us have fond memories of collecting beach glass. Let the images captured in Treasures from the Tide bring you back to a simpler time and the joy of discovery. This unique photo keepsake celebrates the simple beauty of found objects. Beaches remind us of simple pleasures—swimming in the surf, building sand castles, and collecting smooth, opalescent beach glass. These once man-made objects, perhaps glass bottles or insulators, were broken, rolled and tumbled by the waves, and smoothed into something completely different, something—almost—natural again. Beach glass is found art. Why we take such pleasure in these bits and pieces of manufactured materials reclaimed by nature may be something to contemplate while enjoying Treasures from the Tide—the author surely has, and she conveys that pleasure in playful, organic sculptures that come to life in the interplay of colors and shapes and their interaction with the sand and surf they came from. The sense of a moment in time captured in these photos is like an insect captured in amber, and, in this book, beach glass becomes just as precious.
"East Coast Atlantic Beaches features over 80 museum-quality photographs of lush and serene seascape scenes from world-renowned black-and-white photographer Michael Kahn. These warmly toned black-and-white seaside photographs range from Georgia to Maine, showcasing the beauty of the sand and the sea that speaks to so many of us. Michael grew up spending summer vacations on these Atlantic beaches, and his personal connection to the landscape shines through each minute detail. "Ever since I can remember," Michael says, "I have been infatuated with the sea. I swam, sailed, fished, and collected shells and sharks' teeth that had washed up on the sand. I hid in the dunes and marveled at the treasures the water and wind revealed, then covered again." These luminous silver gelatin prints, developed in Michael's darkroom, masterfully capture the majestic beauty of these beaches."--Publisher's description
A revised edition of the classic book that launched Martin Parr and transformed the world of documentary photography.
In the United Kingdom, one is never more than seventy-five miles away from the coast. With this much shoreline, it's not surprising that there is a strong British tradition of photography by the seaside. American photographers may have given birth to street photography, but according to photographer Martin Parr, "in the UK, we have the beach!" Here, he asserts, people can relax, be themselves, and show off all those traces of mildly eccentric British behavior. Parr has been photographing this subject for many decades, documenting all aspects of the tradition. His international career, in fact, could well be traced to the launch of The Last Resort, a 1986 book depicting the seaside resort of New Brighton, near Liverpool. What may be less known is that this obsession has led Parr to photograph beaches across the world. This compilation, his first on the topic, presents photos of beachgoers on far-flung shores, including Argentina, Brazil, China, Spain, Italy, Latvia, Japan, the United States, Mexico, Thailand, and of course, the UK, among others. This book shows Parr at his best, startling us with the moments of captured absurdity and immersing us in the rituals and traditions associated with beach life the world over.
Take a visual journey of seashore vistas with man's and woman's best friend. From playful puppies to mature companions, dogs celebrate sand and surf through their joyful antics and explorations. BALOTESCU 's photographs capture the magic of nature's two finest creations...stunning seascapes and carefree canines.