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A twisty, electrifying new thriller from the author of The New Neighbors and The Liar's Room... The entire town thinks sixteen-year-old Sadie Saunders is dead. Missing now for a week, they say she was murdered. And they think they know who did it. Sadie's five best friends aren’t so sure, and they vow to find out the truth. So they pack their bags and head into the woods where Sadie was last seen. But they’re not just friends, they’re suspects. And each of them has a secret. As the landscape opens up, and the darkness closes in, the reality of their situation becomes clear… This was never really a search party. It’s a witch hunt. And not everyone will make it home alive.
From the prize-winning poet: “A stunning volume . . . A master of the understatement, Matthews is wryly philosophical and self-deprecating.” —Booklist When William Matthews died, the day after his fifty-fifth birthday, America lost one of its most important poets, one whose humor and wit were balanced by deep emotion, whose off-the-cuff inventiveness belied the acuity of his verse. Drawing from his eleven collections and including twenty-three previously unpublished poems, Search Party is the essential compilation of this beloved poet's work. Edited by his son, Sebastian Matthews, and William Matthews's friend and fellow poet Stanley Plumly (who also introduces the book), Search Party is an excellent introduction to the poet and his glistening riffs on twentieth-century topics from basketball to food to jazz.
‘The title is Search Party – the idea being that we’re all out here looking for something, and my poems are my way of finding myself.’ A young black poet blending spoken word and rap; an inner city upbringing with a Cambridge education; a social consciousness with a satirical wit and infectious rhythm – George The Poet is the voice of a new generation. Search Party is a thought-provoking and deeply autobiographical collection. From the overtly political ‘Go Home’ to the deeply personal ‘Full-time’; the narrative poems that offer vivid and unapologetic snapshots of inner-city life, such as ‘His Mistakes’, ‘Believer’ and the anthemic ‘My City’; to the provocative social commentary in ‘Lazy Dog’ and ‘YOLO’; to the inspiring, idea-driven pieces such as ‘The Power of Collaboration’ and ‘School Blues’, George takes poetry into new territories and to new audiences, offering a different way to talk about the things that matter, to explore his own experience and ideas, and encourage others explore theirs. George The Poet’s mesmerising and unforgettable live performances have earned him critical acclaim. From sell-out headline gigs and YouTube hits, to recording his own music, and now his first collection of poetry, George uses his work to speak truth to power and challenge our preconceived ideas about the society we’re living in. Whether you’re searching for yourself, for answers, for change – join the search party.
In the epigraph to this volume, Penelope Fitzgerald tells us: "If a story begins with finding, it must end with searching," and so we discover each story here to follow the arc of a search, just as each also contains a rescue. What is immediately apparent is that it will be impossible to guess the form this rescue will take or even who it is who'll require it. Instead, the astonishingly talented Valerie Trueblood has imbued each story with its own depth and mystery, so rescue comes as a surprise to the reader, who is in intimate sympathy for the soul in extremity. And these are diverse characters whose fates, in lesser hands, might be thought of as hopeless: the fired cop turned security guard, the stolid, 19–year–old nurses' aide who will not be going to art school, the cynical radio producer who is dying of breast cancer and on a plane on her way to Lourdes. In these thirteen stories linked by a common transcendent human genius, the writing is confident and clear and original, and often drop–dead stunning, as if the stories are being told by the most casually eloquent among us.
Interdisciplinary essays reevaluate the Black Panthers and their legacy in relation to revolutionary violence, radical ideology, urban politics, popular culture, and the media.
A completely redesigned issue of Daniel Clowes masterpiece of surrealistic and cinematic low-life drama which collects together all 10 chapters of Eightball's terrifying and fascinating journey into madness. As Clay Loudermilk attempts to unravel the mysteries behind a snuff film, he finds himself involved with an increasingly bizarre cast of characters. Clowes reputation as a graphic novel artist is renowned throughout the comic world, and he is set to reach a wider audience next year with the release of the film Ghost World, directed by Terry Zwigoff.
Snappsy the alligator is having a normal day when a pesky narrator steps in to spice up the story. Is Snappsy reading a book ... or is he making CRAFTY plans? Is Snappsy on his way to the grocery store ... or is he PROWLING the forest for defenseless birds and fuzzy bunnies? Is Snappsy innocently shopping for a party ... or is he OBSESSED with snack foods that start with the letter P? What's the truth? Snappsy the Alligator (Did Not Ask to Be in This Book) is an irreverent look at storytelling, friendship, and creative differences, perfect for fans of Mo Willems.
Much of late-nineteenth-century American politics was parade and pageant. Voters crowded the polls, and their votes made a real difference on policy. In Party Games, Mark Wahlgren Summers tells the full story and admires much of the political carnival, but he adds a cautionary note about the dark recesses: vote-buying, election-rigging, blackguarding, news suppression, and violence. Summers also points out that hardball politics and third-party challenges helped make the parties more responsive. Ballyhoo did not replace government action. In order to maintain power, major parties not only rigged the system but also gave dissidents part of what they wanted. The persistence of a two-party system, Summers concludes, resulted from its adaptability, as well as its ruthlessness. Even the reform of political abuses was shaped to fit the needs of the real owners of the political system--the politicians themselves.