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By the late 1970s the Punk explosion and the Punk aesthetic spread out from Britain to New York, Los Angeles and San Francisco, and into music, film, fashion and writing. The American Punk scene, far from being a poor impersonation of the British movement, soon developed an energy and talent of its own, which was documented in its own home-grown magazine, Search and Destroy, edited by V. Vale between 1977 and 1979.
The CIA created him. Treachery unleashed him. Cal Shepard was trained by the government to be a hunter of other assassins. He's the tip of the spear in the war on terror and a master of tradecraft after 16 years in black-ops. When he's assigned to be a consultant for the Burke Corporation, a US defense firm creating a software-targeting database of terrorist threats, he thinks his time in the field is over. As an expectant father and with a battle-torn body, he's more than ready to settle down for a while in the quiet suburbs outside of DC. Days before the database is supposed to go live, he is framed for murder and becomes the target of a nationwide manhunt. But he's not about to disappear....not without exacting revenge. With an FBI task force on his trail and a group of hired guns needing to take him down before he can uncover the truth, Shepard realizes that the network of corruption extends to the upper echelons of the government. Applying his well-honed skills from years of search & destroy missions, Shepard takes the fight to the enemy, methodically hunting down those responsible and dispensing his own brand of justice. For fans of Jack Reacher, Mitch Rapp, Jason Bourne and Jack Ryan comes an explosive espionage thriller from Amazon bestselling author JT Sawyer.
World War I was the crucible of antisubmarine warfare (ASW), and the years of trial and error between 1914 and 1918 gave rise to the weapons and tactics used by today's ASW forces. With this study, military historian Dwight Messimer examines the weapons, tactics, and organization used by all the belligerents during the war and provides some surprising findings. Because he draws heavily from personal accounts as well as from official records, his book will appeal to both serious readers seeking hard facts and to general readers who like stories about war at sea. Messimer tells the story from both sides. German survivors who escaped from sunken U-boats explain what it was like to face the newly developed ASW weapons beneath the surface, and pilots tell what it was like from above. The author describes the German's well-organized and efficient ASW organization in the Baltic and the Helgoland Bight. He also discusses the weapons developed during the war that proved to be largely ineffective or outright failures. While his evaluations of the contributions made by aircraft and Q-ships put them in the category of only marginally effective, his analysis of the effectiveness of politics deems that ASW "weapon" the most effective of all. Solidly grounded in the best primary sources available in England, the United States, and Germany, this book is the first to address the ASW of all World War I belligerents.
This tightly argued and methodologically sound volume addresses widespread social assumptions associating crime and African-American men. An exploration into the criminal justice system in America today and its impact on young African-American males, this book challenges the linking of crime and race and the conservative anti-welfare, hard-on-crime agenda. Jerry Miller has spent a lifetime studying and challenging our criminal justice system. He has worked to make it more progressive and more just. He has watched as it turned into a system of segregation and control for many Americans of color. That is the story told here in devastating detail.
Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America’s cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis.
Hunted by his former comrades and labeled a traitor after he refuses to murder an innocent Afghan family, Mason Kane works to unravel a conspiracy that reaches all the way up to the highest levels of the government.
RICK WARD WANTS TO GO TO WAR. And he's not sure why. Maybe he's running from his dad and his crazy temper. Maybe he's running from his girl, who seems to think he's more of a joke than a man. Or maybe he's just running -- to find himself. But after Rick ventures into the Vietnam jungle, he discovers that no one -- not protestors, politicians, or writers -- has got a clue. War is far bigger, scarier, and more complicated than anything he ever could have imagined.
In the second book of the explosive Search and Destroy thriller series, Mason Kane—a special ops hero with a questionable past, joins forces with the CIA to neutralize a radical off shoot of ISIS and unravel a conspiracy emanating from the White House’s inner sanctum. After almost losing his life, foiling a terror plot that threated to draw the United States into another war—Mason Kane, disgraced American soldier, and special operations legend is still on the governments blacklist. To finally clear his name, Mason strikes a deal with the CIA—throwing himself back into the deadly world of black ops. But when an asset tied to ISIS leads an old friend into a trap, Mason goes off the grid, and finds himself trapped in the middle of a plot involving an extremely violent and highly capable terror cell—with ties to the President’s inner circle. With the help of Renee Hart, a DOD operative, and a team of elite special ops soldiers, Mason is determined to stop an attack aimed at crippling the US military before time runs out. Set in the shadows of the war on terror, and inspired by experiences of 82nd Airborne Paratrooper Joshua Hood, Warning Order is an action packed thriller full of shocking twists and non-stop action that throws the reader into the murky world of clandestine operations.
"Waksman brings a new understanding to familiar material by treating it in an original and stimulating manner. This book tells 'the other side of the story.'"—Philip Auslander, author of Performing Glam Rock: Gender and Theatricality in Popular Music "While there are a number of histories of punk and metal and numerous biographies of important bands within each genre, there is no comparable book to This Ain't the Summer of Love. The ultimate contribution the book makes is to provoke the reader into rethinking the ongoing fluid relationship between punk, a music that enjoyed considerable critical support, and metal, a music that has been systematically denigrated by critics. This book is the product of superior scholarship; it truly breaks fresh ground and as such it is an important book that will be regularly cited in future work."—Rob Bowman, Professor of Music at York University and author of Soulsville USA: The Story of Stax Records "Debunking simplistic assumptions that punk rebelled and heavy metal conformed, Steve Waksman demonstrates with precisely chosen examples that for decades the two shared strategies and concerns. As a result, this important volume is among the first to extend to rock history the same much-needed revisionism that elsewhere has transformed our understanding of minstrelsy, blues, country music, and pop."—Eric Weisbard, author of Use Your Illusion I & II
Using firsthand accounts from Vietnam soldiers, this book “tells it like it is, warts and all . . . [an] honest account of a cavalry squadron’s experience” (Military Review). The 1st Squadron, 1st Cavalry Regiment, of the 1st Armored Division deployed to Vietnam from Fort Hood, Texas, in August 1967. Search and Destroy covers the 1/1’s harrowing first year and a half of combat in the war’s toughest area of operations: I Corps. The book takes readers into the savage action at infamous places like Tam Ky, the Que Son Valley, the Pineapple Forest, Hill 34, and Cigar Island, chronicling General Westmoreland’s search-and-destroy war of attrition against the Viet Cong and North Vietnamese Army. Exploring the gray areas of guerrilla war, military historian Keith Nolan details moments of great compassion toward the Vietnamese, but also eruptions of My Lai-like violence, the grimmer aspects of the 1/1’s successes. Search and Destroy is a rare account of an exemplary fighting force in action, a dramatic close-up look at the Vietnam War. “Nolan’s research, his comprehension of the political as well as the military actions, his careful concern for those who were there, and, most of all, his writing, are superb.” —Stephen Ambrose