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'He has no literary precedent, and he also appears to have no imitators. He mines a seam that no one else touches on, every sentence in every book having a Magnus Mills ring to it that no other writer could produce' Independent In 'Hark the Herald', a guest stays at an eerie guesthouse over Christmas without encountering any other residents, despite constant reassurance from the landlord that he would see them if only he arrived for breakfast slightly earlier; in 'Only When the Sun Shines Brightly' Aesop's fable about a competition between the Sun and the Wind to get a man to take his coat off, gets a new look involving a railway arch, a builder and a piece of plastic sheeting; in 'Once in a Blue Moon' a man arrives home to find the family house under siege, with his mother armed, dangerous and firing at the police with a shotgun, and attempts to appease her with an invitation to seasonal hospitality; and in the title story, rivalry between three cousins over a faulty toy gets out of hand as the cousins unwittingly imitate the toy they're fighting over.Magnus Mills has published two collections of stories - Only When the Sun Shines Brightly and Once in a Blue Moon - which are collected here for the first time, along with three new stories.
'The Forensic Records Society is like Animal Farm but with blokes for pigs, and much better songs' Guardian Two men with a passion for vinyl create a society for the appreciation of records. Their aim is simple: to elevate the art of listening by doing so in forensic detail. The society enjoys moderate success in the back room of their local pub, The Half Moon, with other enthusiasts drawn to the initial promise of the weekly gathering. However, as the club gains popularity, its founder's uncompromising dogma results in a schism within the movement and soon a counter group forms. Then the arrival of a young woman called Alice further fractures the unity of the vulnerable society. As rifts are forged and gulfs widen, Magnus Mills examines the surreal nature of ordinary lives. The master of the comic deadpan returns for his ninth novel, a spectacularly disingenuous exploration of power, fanaticism and really, really good records.
Far away, in the ancient empire of Greater Fallowfields, things are falling apart. The imperial orchestra is presided over by a conductor who has never played a note, the clocks are changed constantly to ensure that the sun always sets at five o' clock, and the Astronomer Royal is only able to use the observatory telescope when he can find a sixpence to put in its slot. But while the kingdom drifts, awaiting the return of the young emperor, who has gone abroad and communicates only by penny post, a sinister and unfamiliar enemy is getting closer and closer...A Cruel Bird Came to the Nest and Looked In is Magnus Mills's most ambitious work to date. A surreal portrait of a world that, although strange and distant, contains rather too many similarities to our own for the alien not to become brilliantly familiar and disturbingly close to home. It is comic writing at its best - and it is Magnus Mills's most ambitious, enjoyable and rewarding novel to date.
'A heaving cauldron of black humour ... You'll never look at a stretch of high-tensile agricultural fencing in quite the same way ever again' Time Out 'Extremely unusual, finely crafted and funny' Observer 'Tam and I took hold of Mr McCrindle and lowered him into the hole, feet first. We decided to leave his cap on.' Fencers Tam, Richie and their ever-exasperated English foreman are forced to move from rural Scotland to England for work. After a disastrous start involving a botched fence and an accidental murder, the three move to a damp caravan in Upper Bowland and soon find themselves in direct competition with the sinister Hall Brothers whose business enterprises seem to combine fencing, butchering and sausage-making... The Restraint of Beasts introduced readers to the now much-loved unique voice of Magnus Mills and his surreally comic world.
The Great Field lies in the bend of a broad, meandering river. Bounded on three sides by water, on the fourth side it dwindles gradually into wilderness. A handful of tents are scattered far and wide across its immensity. Their flags flutter in the warm breeze, rich with the promise of halcyon days. But more and more people are setting up camp in the lush pastures, and with each new arrival, life becomes a little more complicated. And when a large and disciplined group arrives from across the river, emotions run so high that even a surplus of milk pudding can't soothe ruffled feathers. Change is coming; change that threatens the delicate balance of power in the Great Field. Magnus Mills's new novel takes its name from the site of a 1520 meeting between Henry VIII and Francis I of France, to improve relations between the countries as the Treaty of London deteriorated. It allegorically suggests a number of historical encounters on British soil: the coming of the Vikings, the coming of the Romans. But The Field of the Cloth of Gold sits firmly outside of time, a skillful and surreal fable dealing with ideas of ownership, empire, immigration, charisma, diplomacy, and bureaucracy. It cements Magnus Mills's status as one of the most original and beloved novelists writing today.
A dark, surreally funny novel from the bestselling Booker Prize-shortlisted author 'Hilariously surreal. It's a bit like the Coen Brothers directing an Alan Bennett play... Fantastic' Daily Mirror 'Understatedly surreal, deadpan gothic, Mills is a master of the uncanny ... Such a fresh fictional voice' Esquire It is the end of the summer. The tourists have already gone, and now the sun is abandoning the Lake District's damp valleys. Only a lone camper remains, enjoying the quiet. He plans to stay just long enough to prepare for a trip to the East. But then the owner of the campsite asks him to paint a fence and he innocently obliges. Soon other odd jobs pile up until little by little he becomes ensnared in the ominous 'out-of-season'...
The Comic Turn in Contemporary English Fiction explores the importance of comedy in contemporary literature and culture. In an era largely defined by a mood of crisis, bleakness, cruelty, melancholia, environmental catastrophe and collapse, Huw Marsh argues that contemporary fiction is as likely to treat these subjects comically as it is to treat them gravely, and that the recognition and proper analysis of this humour opens up new ways to think about literature. Structured around readings of authors including Martin Amis, Nicola Barker, Julian Barnes, Jonathan Coe, Howard Jacobson, Magnus Mills and Zadie Smith, this book suggests not only that much of the most interesting contemporary writing is funny and that there is a comic tendency in contemporary fiction, but also that this humour, this comic licence, allows writers of contemporary fiction to do peculiar and interesting things – things that are funny in the sense of odd or strange and that may in turn inspire a funny turn in readers. Marsh offers a series of original critical and theoretical frameworks for discussing questions of literary genre, style, affect and politics, demonstrating that comedy is an often neglected mode that plays a generative role in much of the most interesting contemporary writing, creating sites of rich political, stylistic, cognitive and ethical contestation whose analysis offers a new perspective on the present.
'A unique talent ... Mills's novels are among the best and most original in recent English fiction' Literary Review 'An enjoyable novel by a truly original writer' Sunday Times The Scheme was designed to provide an honest wage for an honest day's labour. Men driving identical, rust-resistant Univans deliver Univan parts to strategically spaced warehouses. Simple, self-perpetuating and efficient, it seems destined to last forever. But when some drivers begin leaving early and developing delivery sidelines, the workforce is divided into two camps: Flat-Dayers and Early Swervers. As tensions mount, the whole system threatens to fall apart...
The brilliant satirical novel by the Booker Prize-shortlisted author of The Restraint of Beasts 'To write one unique book is a rare achievement. The ability to produce several is truly special' Independent 'A demented, deadpan comic wonder' Thomas Pynchon It is the beginning of the century, and two teams of explorers are racing across a cold, windswept, deserted land to reach the furthest point from civilisation. It is, they find, 'an awfully long way'. Johns and his men take the western route, along a rocky scree, gossiping, bickering and grumbling as they go. Meanwhile, Tostig's men make their way along the dry riverbed in the east - they are fewer, with just five men and ten mules, and better organised than their rivals. But with Johns' team keeping apace in the distance, the race is on to reach the Agreed Furthest Point ...
'He has no literary precedent, and he also appears to have no imitators. He mines a seam that no one else touches on, every sentence in every book having a Magnus Mills ring to it that no other writer could produce' Independent