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The "New York Times"-bestselling duo of Crusie and Mayer teams up again with a hilarious paranormal novel that shows why the wildest ride at the Dreamland amusement park isn't the roller coaster. Martin's Press.
FIGHTMASTER AND DROP KICK RETURN! They're back from the future to alter the past - can Invincible stop them - or will he be lost in the time stream forever? Also in this issue: Kid Omni-Man saves the day!
I was totally inspired by RL Stine's One Day in Horrorland. I loved the idea of a scary amusement park for kids. I also liked the idea of someone being cursed Thinner style. Bobby Blaine thinks his visit to an amusement park will be fun. Well, he's cursed and it's going to get terrifying.
Aleric finds a world full of supernatural powers and possibilities. Decisions lay scattered across his path, and he can’t trust anyone. These tricky situations make him doubt his lineage. Will Aleric be able to discover the truth? Was there nothing his parents were hiding from him all these years? Aleric watches on as everything turns into a live vortex – destroying his friends and relationships. Or is this a mere delusion? Will Aleric ever just let things be? Or will the dark secrets hunt him down? Life is a bubble, held hostage at the gunpoint of doubt.
During the first part of the twentieth century thousands of working-class New Yorkers flocked to Coney Island in search of a release from their workaday lives and the values of bourgeois society. On the other side of the Atlantic, British workers headed off to the beach resort of Blackpool for entertainment and relaxation. However, by the middle of the century, a new type of park began to emerge, providing well-ordered, squeaky-clean, and carefully orchestrated corporate entertainment. Contrasting the experiences of Coney Island and Blackpool with those of Disneyland and Beamish, Gary S. Cross and John K. Walton explore playful crowds and the pursuit of pleasure in the twentieth century to offer a transatlantic perspective on changing ideas about leisure, class, and mass culture. Blackpool and Coney Island were the definitive playgrounds of the industrial working class. Teeming crowds partook of a gritty vulgarity that offered a variety of pleasures and thrills from roller coaster rides and freak shows to dance halls and dioramas of exotic locales. Responding to the new money and mobility of the working class, the purveyors of Coney Island and Blackpool offered the playful crowd an "industrial saturnalia."Cross and Walton capture the sights and sounds of Blackpool and Coney Island and consider how these "Sodoms by the sea" flouted the social and cultural status quo. The authors also examine the resorts' very different fates as Coney Island has now become a mere shadow of its former self while Blackpool continues to lure visitors and offer new attractions. The authors also explore the experiences offered at Disneyland and Beamish, a heritage park that celebrates Britain's industrial and social history. While both parks borrowed elements from their predecessors, they also adapted to the longings and concerns of postwar consumer culture. Appealing to middle-class families, Disney provided crowds a chance to indulge in child-like innocence and a nostalgia for a simpler time. At Beamish, crowds gathered to find an escape from the fragmented and hedonistic life of modern society in a reconstructed realm of the past where local traditions and nature prevail.
To the rescue.
Lion, raccoon, bird, tiger, fox, bear, squirrel, and monkey unite in an unlikely adventure. They've all been whisked away to various national parks, where they learn in exciting new ways."Ice cold water pricked her skin, threatening to swallow her whole with its freezing essence. She bobbed to the surface, gasping for air. Then, the river churned her under once again, and she tumbled along the round formations bubbling along the river bottom. Her shoulder hit rock and she cried out in pain. Occasionally, she thought she saw a white flash, once on a rock, once on the river bank near him, and even in the water around her."The animals join together under a common occurrence; when Mother Nature seeks them out individually. They each have a quest that they want to fulfill...but will nature let them?
"Originally published in single magazine format as Screamland"--Colophon.
Patricia Faith Polak is an adventurous world traveler whose experiences have led her to appreciate the island she calls home, and now to poetically reflect on the beauty and cultural diversity of Manhattan. Polaks varied verse not only explores the past as hot cocoa is sipped at Schraffts and a nickels worth of macaroni and cheese is devoured at the Automat, but also reflects on present day as an indigo sky illuminates the city, the sun glows on the tree-shaded paving cobbles outside the Metropolitan Museum of Art, a park near the East River welcomes nannies, a grassy caf in Greenwich Village lures guests, a chic gallery on the Lower East Side hosts an opening, and as a redhead looks expectantly toward a paper-capped soda jerk in an Edward Hopper painting. Manhattan Melody shares fifty contemporary reflections from an award-winning poet that share a fresh perspective on the beauty and diversity that surrounds a New York island.