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U.S. Army chaplain Winfield Scott and his wife, Helen, founded Scottsdale in 1888 as a small farming and ranching settlement on undeveloped desert east of Phoenix. After World War II, many people were attracted by the dry climate, desert landscape, and business opportunities. The community encouraged creativity in architecture, and Frank Lloyd Wright, Paolo Soleri, and Paul Schweikher designed buildings here. To draw tourists, the business community adopted "The West's Most Western Town" as a slogan in 1947. By the time employers such as Motorola arrived, fast-paced construction was already underway and the architecture reflected that era. In the 1970s, an architectural debate took place between western and modern styles, resulting in innovative architecture. Transitioning into the 21st century, Scottsdale witnessed more growth with downtown revitalization, a new appreciation of contemporary projects, and an awareness of desert preservation.
Just a century ago, the now-tony tourist destination of Scottsdale was a tiny farming village in the pristine desert east of Phoenix. Named for its 1888 homesteaders--U.S. Army chaplain Winfield Scott and his wife, Helen--Scottsdale remained a farming and ranching community through World War II. After the war, businesses and families flocked to Scottsdale for its climate and unlimited opportunities--creating a place they branded "The West's Most Western Town." Throughout the decades, residents and visitors alike have enjoyed adventures in the desert; a thriving arts, crafts, and cultural community; a healthful climate and healthcare industry; and fun-packed events and outdoor sports. Residents have had the additional benefits of living and working in a great hometown, with excelling schools, an international reputation for environmental preservation, and a diverse economy that boasts an eclectic array of businesses.
Three surveyors in the late 19th century were so attracted to the area's desert beauty that they named it "the Paradise Valley." Starting in the 1920s, adobe homes were constructed in various revival styles. In 1936, the Camelback Inn resort set a high-quality standard with an inviting and relaxed character. Other guest lodges arrived, including the Hermosa Inn and the El Chorro Lodge. The 1950s brought more luxurious resorts, including the Paradise Valley Racquet Club and the Mountain Shadows Resort. With the threat of Phoenix or Scottsdale annexing the area, the citizens started debating incorporation in 1949 and were successful in 1961. Churches, schools, town facilities, and single-family homes followed. Numerous town ordinances were adopted to preserve a quiet, desert lifestyle such as burying all utilities, restrictive zoning, and hillside preservation.
Director's foreword -- Acknowledgements -- A conversation with Beverly McIver / Kim Boganey -- Beverly McIver : self-portraits in multiple perspectives / Michele Faith Wallace -- Pigments and personas / Richard J. Powell -- Plates -- Selected exhibition history, collections and awards -- Selected bibliography -- Works in the exhibition.
Evolving Transcendentalism in Literature and Architecture: Frank Furness, Louis Sullivan, and Frank Lloyd Wright demonstrates how American architects read literature and transformed abstract philosophy and literary form into physical substance. Furness, Sullivan, and Wright were inspired by such Transcendentalists as Ralph Waldo Emerson, Henry David Thoreau, and Walt Whitman, and attempted to embody the concepts of nature, American identity, and Universalism in their architecture. Notably, this book is the first attempt to concentrate on analyzing these architects’ works from the perspective of Transcendentalism. This is also the first time that reproductions of Wright’s copy of Leaves of Grass and several tape records of Wright’s Sunday morning talks, both held in the Frank Lloyd Wright Archive, have been published. Importantly, these Transcendentalist architects’ philosophy has been influential in the development of contemporary environmental architects all over the world, including Paolo Soleri (an Italian-American) and Glenn Murcutt (an Australian), both of whom are discussed in the final chapter of this book.
Contemporary Museum Architecture and Design showcases 18 diverse essays written by people who design, work in, and study museums, offering a variety of perspectives on this complex building type. Throughout, the authors emphasize new kinds of experiences that museum architecture helps create, connecting ideas about design at various levels of analysis, from thinking about how the building sits in the city to exploring the details of technology. With sections focusing on museums as architectural icons, community engagement through design, the role of gallery spaces in the experience of museums, disability experiences, and sustainable design for museums, the collected chapters cover topics both familiar and fresh to those interested in museum architecture. Featuring over 150 color illustrations, this book celebrates successful museum architecture while the critical analysis sheds light on important issues to consider in museum design. Written by an international range of museum administrators, architects, and researchers this collection is an essential resource for understanding the social impacts of museum architecture and design for professionals, students, and museum-lovers alike.
For coloring book enthusiasts and architecture students — 44 finely detailed renderings of Wright home and studio, Unity Temple, Guggenheim Museum, Robie House, Imperial Hotel, more.
The only book on the exuberant work of a uniquely original American architect Bart Prince, whose breathtaking buildings stand from Ohio to Hawaii, is recognized internationally for embodying the American tradition of individualism personified by Louis Sullivan, Frank Lloyd Wright, and Bruce Goff.