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Containing almost 2000 entries, a history and geography of Scotland. Towns, villages, islands, mountains, lochs and rivers of Scotland.
For the last fifty years or so the standard critical view of Sir Walter Scott's fiction has been that, while paying full tribute to Scotland's heroic, ancient independence and romantic Jacobite past, his Scottish Waverley Novels ultimately present Scotland's future as nonetheless belonging within the peace, prosperity and progress of the United Kingdom and the British Empire. Julian Meldon D'Arcy's Subversive Scott radically revises this conventional evaluation of Scott's work and reveals that embedded in the Waverley Novels narratives are dissonant discourses and discreet subtexts which inspire far more subversive readings than hitherto perceived. Indeed, D'Arcy argues, there is considerable evidence in Scott's work to corroborate a claim that, despite his apparently politically correct fiction and lifestyle, his Waverley Novels contain undetected and underrated manifestations of Scottish nationalism which not only invoke sharp criticism of both the Union and English imperial policy, but also reveal his passionate concern, as a true Scotsman, with the issues of Scotland's national identity, dignity, and independence. Given the re-establishment of the Scottish Parliament in Edinburgh, and Scotland's resurgent sense of political identity and relevance, D'Arcy's re-evaluation of the Waverley Novels is thus a fresh, timely and stimulating contribution to the study of Sir Walter Scott's fiction and politics.
Much of German propaganda was sinister, especially in the portrayal of Jewish citizens. American propaganda was cautionary and dark. British propaganda, on the other hand, was that the righteous should prevail and that those in the wrong - be they errant schoolboys, bullies, or robbers, or even wartime leaders, should always fail. Rubbishing the enemy, assassinating nasty characters with humorous methods, was a technique people learned from comics. Britain was expert in this area. So enter Heath Robinson, and R F Paterson's Mein Rant, which we reproduce in this book, with a new introduction by leading comic archivist, Morris Heggie. Mein Rant is a clever and funny satire of Hitler's Mein Kampf, illustrated by Heath Robinson. Today, and since World War One, Heath Robinson's name has been used to describe absurdly complicated inventions that achieved very simple results. Here his work is used to great impact. Mein Kampf ('My Struggle'), Hitler's autobiography, was published in two volumes in 1925 and 1926 which Hitler wrote in Landsberg Prison, and R F Paterson said of it: Mein Kampf had neither rhyme nor reason, while my abridgement undoubtedly has rhyme. 'A conversion of Hitler's Mein Kampf to a delightful and pungent verse-satire. The result is an absolute triumph of the Comic Muse over intractable, almost hopeless material'.
New and controversial major redaction of Walter Scott's Waverley, set in Scotland in 1745, the year of the Jacobite uprising.
Innovative and accessibly written, Picturing Scotland examines the genesis and production of the first author-approved illustrations for Sir Walter' Scott's Waverley novels in Scotland. Consulting numerous neglected primary sources, Richard J. Hill demonstrates that Scott, usually seen as disinterested in the mechanics of publishing, actually was at the forefront of one of the most innovative publishing and printing trends, the illustrated novel. Hill examines the historical precedents, influences, and innovations behind the creation of the illustrated editions, tracking Scott's personal interaction with the mechanics of the printing and illustration process, as well as Scott's opinions on visual representations of literary scenes. Of particular interest is Scott's relationships with William Allan and Alexander Nasmyth, two important early nineteenth-century Scottish artists. As the first illustrators of the Waverley novels, their work provided a template for one of the more lucrative publishing phenomena. Informed by meticulous close readings of Scott's novels and augmented by a bibliographic catalogue of illustrations, Picturing Scotland is an important contribution to Scott studies, the development of the illustrated novel, and publishing history.