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Includes section "Mountaineering literature."
William Hutchison Murray (1913 - 1996) was one of Scotland's most distinguished climbers in the years before and after the Second World War. As a prisoner of war in Italy he wrote his first classic book, Mountaineering in Scotland, on rough toilet paper which was confiscated and destroyed by the Gestapo. The rewritten version was published in 1947 and followed by the, now, equally famous, Undiscovered Scotland. In 1951 he was depute leader to Eric Shipton on the Everest Reconnaissance Expedition, which discovered the eventual successful route which would be climbed by Hilary and Tensing. From the 1960s onwards he was heavily involved in conservation campaigns and his book, Highland Landscape, commissioned by the National Trust for Scotland, identified areas of outstanding beauty that should be protected. It proved to be extremely influential. In 1966 he was awarded an OBE as he pursued a life of service, as is well illustrated by the various posts he held: Commissioner for the Countryside Commission for Scotland (1968-1980); President of the Scottish Mountaineering Club (1962-1964) and of the Ramblers Association Scotland (1966-82); Chairman of Scottish Countryside Activities Council (1967-82); Vice-President of the Alpine Club (1971-72); President of Mountaineering Council of Scotland (1972-75). He was a prolific author but a proper understanding of his life and work requires that we appreciate that his driving force was a quest to achieve inner purification that would lead him to oneness with Truth and Beauty. For many years the climber, author and teacher, Robin Lloyd-Jones (above) has been researching the life and work of Bill Murray and working steadily on this biography. It is not only a triumph of fine writing and interest, but a worthy accolade for this great man.
Includes section "Mountaineering literature."
This book is about the rise of a new ethos in British mountaineering during the late nineteenth century. It traces how British attitudes to mountains were transformed by developments both within the new sport of mountaineering and in the wider fin-de-siècle culture. The emergence of the new genre of mountaineering literature, which helped to create a self-conscious community of climbers with broadly shared values, coincided with a range of cultural and scientific trends that also influenced the direction of mountaineering. The author discusses the growing preoccupation with the physical basis of aesthetic sensations, and with physicality and materiality in general; the new interest in the physiology of effort and fatigue; and the characteristically Victorian drive to enumerate, codify, and classify. Examining a wide range of texts, from memoirs and climbing club journals to hotel visitors’ books, he argues that the figure known as the ‘New Mountaineer’ was seen to embody a distinctly modern approach to mountain climbing and mountain aesthetics.
Includes section "Mountaineering literature."