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Shortlisted for the History Book Award in Scotland's National Book Awards, 2023 During the long 19th century, Scotland was home to an established body of skilled jewellers who were able to access a range of materials from the country's varied natural landscape: precious gold and silver; sparkling crystals and colourful stones; freshwater pearls, shells and parts of rare animals. Following these materials on their journey from hill and shore, across the jeweller's bench and on to the bodies of wearers, this book challenges the persistent notion that the forces of industrialisation led to the decline of craft. It instead reveals a vivid picture of skilled producers who were driving new and revived areas of hand skill, and who were key to fostering a focused cultural engagement with the natural world – among both producers and consumers – through the things they made. By placing producers and their skill in cultural context, the book reveals how examining the materiality of even the smallest of objects can offer new and multifaceted insights into the wider transformations that marked British history during the long 19th century. Uniting a vast array of jewellery objects with a range of other sources – including paintings, engravings, newspaper reports, letters, inventories of big houses and small workshops, sketchbooks, novels, works of literary geology and early travel writings – this book provides a deep dive into the cultural history of jewellery production through accessible thematic studies. In doing so, it sets out innovative methodologies for writing about the histories of craft production, the natural environment and the material world. Now available in a paperback edition, it will be an important addition to the bookshelf of cultural historians and those interested in Scotland's wild landscapes and natural objects.
A comprehensive collection which traces the history of Scottish jewelry from the 16th century to the present day. The rings, brooches, bracelets and necklaces of Scotland's lords and ladies are still part of Scotland's rich fashion heritage.
This down-to-earth information-packed book is the very best kind of collecting companion. Among its practical features are recommendations for choosing, evaluating and caring for a collection, how to negotiate the best possible price, and a glossary bristling with facts and definitions. Rose Leiman Goldemberg learned, bought and wrote this book through her own practical and passionate love of antique jewelry.
This book is an all-in-one introduction for the novice who wishes to venture into the world of buying and selling vintage costume jewellery. It's also a source of information about the popular types of jewellery you are likely to come across at auctions and markets today. Do you want to know more about the origins of acrostic jewellery and their secret messages of love? Coral, jade, Queen Elizabeth I's 'Checkers Ring' or the history behind the tiger's clavicle brooch from the days of the Raj in India? You'll find these and other interesting, amusing and informative stories about jewellery in this book. Finally, and most importantly, there's a section on the lives of some silversmiths and jewellers, the unique jewellery they designed for us to love, cherish and wear, adding to our sparkle.
As evidenced by the famed Book of Kells and monumental high crosses, Scotland and Ireland have long shared a distinctive artistic tradition. The story of how this tradition developed and flourished for another millennium through survival, adaptation and revival is less well known. Some works were preserved and repaired as relics, objects of devotion believed to hold magical powers. Respect for the past saw the creation of new artefacts through the assemblage of older parts, or the creation of fakes and facsimiles. Meanings and values attached to these objects, and to places with strong early Christian associations, changed over time but their 'Celtic' and/or 'Gaelic' character has remained to the forefront of Scottish and Irish national expression. Exploring themes of authenticity, imitation, heritage, conservation and nationalism, these interdisciplinary essays draw attention to a variety of understudied artworks and illustrate the enduring link that exists between Scottish and Irish cultures.
Designed for the independent traveller to Scotland, this guide covers all the popular places of interest, events and attractions, together with a factfile providing essential travel information. It offers advice on means of travel, route details, accommodation, eating out and sporting activities.
Through the centuries, the distinctive character of Scottish jewelry has enchanted collectors from around the world. In the mid-nineteenth century, demand for the Highland specialties was so high that the supply from local craftsmen had to be supplemented by English imitations. In this spectacular, authoritative volume, leading jewelry historian Diana Scarisbruck presents 360 treasures from the renowned Ghysels collection. Examples include brooches, kilt pins, bracelets, earrings, tie pins, buttons, and belt buckles, many made by legendary designers such as Rettie & Sons of Aberdeen, Jamieson, and Ellis. One hundred beautiful illustrations highlight the exquisite craftsmanship of traditional Scottish designs executed in local materials--agates, cairngorms, amethysts, garnets, freshwater pearls--set in silver or gold to harmonize with the bright colors of the clan tartans. The book also traces the history of jewelry in Scotland and explains the significance of the various motifs--Celtic, heraldic, sporting, religious, naturalistic, military, and sentimental.
The original edition, published in 1956, was the first in its field, and it remains the only comprehensive treatment of the subject.
A comprehensive and informative look at Victorian jewellery, split into three eras - 'The Early Victorian, or Romantic Period (1837-60)', 'The Mid-Victorian, or Grand Period (1860-85)' and 'The Late Victorian, or Aesthetic Period (1885-1901)', each accompanied by extensive photographic illustrations. This fascinating work is thoroughly recommended for inclusion on the bookshelf of anyone interested in Victorian jewellery.