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The aim of the book is twofold: first, to provide an overview of the critical history of eccentricity; and secondly to conceptualise a notion that is often presented as a defining feature of the English “character”. It addresses the key issues raised by eccentricity and brings out interdisciplinary links between science, politics, literature and the arts: the sources and dissemination of the concept of eccentricity; its relationship with the English national character as historical and ideological constructs; the structural need for variation and divergence within accepted social norms; the paradoxical status of the eccentric as outsider – when eccentricity is transgressive and alienating – and as insider – eccentricity as socially acceptable deviation. Fundamentally eccentricity is a normative notion: being ex-centred enables eccentrics to delineate and negotiate boundaries between the margins and the centre, the canon and the norm. The contributors question the links between eccentricity, diversity and originality; the value of individual experience and character; and as a corollary, the struggle to retain individuality against increasing standardization, commoditisation and channelling within the normative discourse of normality. Eccentricity as display and performance is also tackled in several chapters, which focus on reception, image and (self)-representation, exhibition and voyeurism.
The Mainstream Companion to Scottish Literature is the most comprehensive reference guide to Scotland's literature, covering a period from the earliest times to the early 1990s. It includes over 600 essays on the lives and works of the principal poets, novelists, dramatists critics and men and women of letters who have written in English, Scots or Gaelic. Thus, as well as such major writers as Robert Henryson, William Dunbar, Gavin Douglas, Allan Ramsay, Robert Fergusson, Robert Burns, Walter Scott, Robert Louis Stevenson and Hugh MacDiarmid, the Companion also lists many minor writers whose work might otherwise have been overlooked in any survey of Scottish literature. Also included here are entries on the lives of other more peripheral writers such as historians, philosophers, diarists and divines whose work has made a contribution to Scottish letters. Other essays range over such general subjects as the principal work of major writers, literary movements, historical events, the world of printing and publishing, folklore, journalism, drama and Gaelic. A feature of the book is the inclusion of the bibliography of each writer and reference to the major critical works. This comprehensive guide is an essential tool for the serious student of Scottish literature as well as being an ideal guide and companion for the general reader.
A concise but comprehensive collection of famous Scottish quotes.
Scotland, Britain, Empire takes on a cliché that permeates writing from and about the literature of the Scottish Highlands. Popular and influential in its time, this literature fell into disrepute for circulating a distorted and deforming myth that aided in Scotland's marginalization by consigning Scottish culture into the past while drawing a mist over harsher realities. Kenneth McNeil invokes recent work in postcolonial studies to show how British writers of the Romantic period were actually shaping a more complex national and imperial consciousness. He discusses canonical works--the works of James Macpherson and Sir Walter Scott--and noncanonical and nonliterary works--particularly in the fields of historiography, anthropology, and sociology. This book calls for a rethinking of the "romanticization" of the Highlands and shows that Scottish writing on the Highlands reflects the unique circumstances of a culture simultaneously feeling the weight of imperial "anglobalization" while playing a vital role in its inception. While writers from both sides of the Highland line looked to the traditions, language, and landscape of the Highlands to define their national character, the Highlands were deemed the space of the primitive--like other spaces around the globe brought under imperial sway. But this concern with the value and fate of indigenousness was in fact a turn to the modern.
The comparative study of the literatures of Ireland and Scotland has emerged as a distinct and buoyant field in recent years. This collection of new essays offers the first sustained comparison of modern Irish and Scottish poetry, featuring close readings of texts within broad historical and political contextualisation. Playing on influences, crossovers, connections, disconnections and differences, the 'affinities' and 'opposites' traced in this book cross both Irish and Scottish poetry in many directions. Contributors include major scholars of the new 'archipelagic' approach, as well as leading Irish and Scottish poets providing important insights into current creative practice. Poets discussed include W. B. Yeats, Hugh MacDiarmid, Sorley MacLean, Louis MacNeice, Edwin Morgan, Douglas Dunn, Seamus Heaney, Ian Hamilton Finlay, Michael Longley, Medbh McGuckian, Nuala ni Dhomhnaill, Don Paterson and Kathleen Jamie. This book is a major contribution to our understanding of poetry from these islands in the twentieth and twenty-first centuries.
Baglow shows that this search for justification was a focus for MacDiarmid almost from the start, but that it was only with his development of "synthetic Scots" that he begin to grapple with it directly. While at first the idea of a Scottish essence seemed to promise the spiritual foundation MacDiarmid was seeking, as his poetry developed this idea became less important and he came to see poetry as an unrealizable ideal. This reading of MacDiarmid's poetry, relating it to the modernist movement, will be of value to readers interested in twentieth-century literature.
This is the first and only guide to Scottish Romanticism. It captures the best of critical debate as well as presenting exciting new approaches to a distinctively Scottish Romanticism in literary theory, religious studies, music and song and the thematic
The Oxford Handbook of Robert Burns treats the extensive writing of and culture surrounding Scotland's national 'bard'. Robert Burns (1759-96) was a producer of lyrical verse, satirical poetry, in English and Scots, a song-writer and song-collector, a writer of bawdry, journals, commonplace books and correspondence. Sculpting his own image, his untutored rusticity was a sincere persona as much as it was not entirely accurate. Burns was an antiquarian, national patriot, pioneer of what today we would call 'folk culture', and a man of the Enlightenment and Romanticism. The Handbook considers Burns's reception in his own time and beyond, extending to his iconic status as a world-writer. Burns was important to the English Romantic poets, in the context of debates about Abolition in the US, in the Victorian era he was widely utilised as a model for different kinds of popular poetry and he has been utilised as a contestant in debates surrounding Scottish and, indeed, British politics, in peacetime and in wartime down to the present day. The writer's afterlife includes not only a large number of biographies but a whole culture of commemoration in art, architecture, fiction, material culture, museum-exhibition and even forged manuscripts and memorabilia as well as appearances, apparently, via Spiritualist seances. The politics of his work channel the fierce debates of late eighteenth-century Scottish ecclesiastical controversy as well as the ages of American, Agrarian and French revolutions. All of this ground is traversed in this Handbook, the largest critical compendium ever assembled about Robert Burns.
This collection of work on the theme of identities was the result of a conference held in the spring of 2005 at Edge Hill under the auspices of The Centre for Liverpool and Merseyside Studies. Whilst a significant proportion of the research focused on Liverpool and the North West, the theme of identities was sufficiently broad to entice scholars from diverse and varied fields. This collection, therefore, reflects the range of work presented and discussed at the conference and the multi-layered and multi-facetted nature of identity. Contributors to this edited collection examined the concept of identity in Britain through a range of historical perspectives, concerning themselves primarily with the later modern period. They reflect the extent to which nineteenth and twentieth century British social, cultural and political change has given rise to pluralist, fragmented and fractured identities and highlight the extent to which class, gender, religious and institutional frameworks have shifted continually. This publication will therefore be of interest to those working in diverse fields but who share an interest in the importance of identity as a decisive cultural, social, economic and political determinant. Questions of identity have centred a good deal of debate in the social sciences, especially since the reception of Foucault's work in the English-speaking world in the last couple of decades. This has often taken a theoretical form. Attempts to link theory with analytical practice have been strongest in the field that might be characterised as the 'politics of identity'. At any rate this has provided an important instance of theoretical and practical conflict. Herethe focus of the debate has been around questions of gender, nation, language, economy, security and race. It has tried toto clarify crucial divisions in the analysis of identity as between explanatory and constitutive models, and between positivist and post-positivist procedures. For the most part these intense and extensive concerns have passed by largely unnoticed among historians practising in Britain in the well-found but conventional idioms of political and social history. What this conference volume seeks to do is to help redress thedeficit, to domesticate some of the theoretical and polemical exchanges around 'identity' into a world of practical,yet conceptually aware historical work. This is a difficult but surely worthwhile task: to broach various imaginaries of identity, issues of identitarian politics, and questions of identity formation on a series of relatively familiar historical contexts. Of course, no selection of subjects for practical research in this way can be exhaustive. The group of essays offered here is sufficiently wide, and occasionally gratifyingly unexpected, at least to begin the job, to stimulate others and, most importantly, to interject theoretical concern into historial fields sometimes lacking it. Ten essays are included, together with the editor's introduction. The pieces are bound together by a common strategy not a shared empirical territory. They range from studies of gendered identity formation , to regional identities formed around seaside resorts, to empirical questions of class and capitalism and their identitarian politics, to historical analysis of mourning, and on to language, nationality, deafness, motherhood and their inflection in identity in past time. This well-edited combination of shared conceptual purpose and variety of empirical form seems to me to work well. The book will be widely used in a variety of historical fields, not least in those which have been the most resistant to recenttheoretical innovations in the social sciences. Keith Nield Editor SOCIAL HISTORY 'This is a fascinating and wide-ranging collection of essays linked by the over-riding theme of identity. While primarily historical in their focus, the essays will be of interest to more than just historians. They raise a variety of interesting conceptual and theoretical issues, from, for instance, the significance of the staymaker in the formation of eighteenth-century female identity, to the relationship between regional identity and late-nineteenth and early twentieth century Lancashire seaside resorts.' Sam Davies, Professor of History, School of Social Science, Liverpool John Moores University