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From bold heroines to clan battles, standing stones to castles, there is hardly any aspect of Scotland's heritage that does not feature in our storytelling traditions. This collection of stories from all parts of Scotland, and from all periods of our dramatic - and often truly heroic - history is both an introduction to and a journey into Scotland's rich cultural heritage. Covering the same themes as Disney-Pixar's new fairytale film, Brave, this book provides the next step for those wishing to delve deeper into Scotland's culture and traditions. BACK COVER: There is not a stream or a rock that does not have its story. STUART McHARDY With the release of Disney-Pixar's 'Brave' the world's attention is being drawn to Scotland and its fascinating history. But 'Brave' merely scrapes the surface of Scotland's rich story-telling culture. This collection of tales is the next step for anyone wishing to look further into the traditions of Scotland. These enchanting tales reflect the wide diversity of its heritage and there are few aspects of Scottish tradition that have escaped memorialisation in folklore. With its captivating, and often gruesome, tales of heroic warriors in battle, bold heroines, deceitful aristocracy, and supernatural creatures Brave Land is a journey into the cultural heritage of a nation and the folklore surrounding the creation of the breath-taking landscape of its country. Scotland the Brave Land provides the reader the perfect opportunity to delve a little deeper into the myths, legends and history of this truly mesmerising country.
With Scottish Miscellany, author Jonathan Green lets you revel in the fun and fascinating explanations behind Scottish traditions and folklore, giving you the answers to questions you’ve always had—or never knew you had—and more as he covers all aspects of Scotland. From Scottish culture to the ancient history of the country to modern pastimes, this book has all that and more. Learn why the thistle is the floral emblem of Scotland, how Scotch whisky is made, why the Scots celebrate Hogmanay, how to play the bagpipes, and much more. This delightful book is the perfect gift for anyone planning a visit to Scotland, with an interest in Scottish history, or a drop of Scottish blood.
Laraine Burrell gets the call to come back to England from the United States just in time to visit briefly with her father before he passes away. Following his death, she is overcome with grief, feeling that she has squandered the time she had with her father. Instead of staying close, she chose to travel the world and seek her own goals as a young woman, always thinking there would be time later on to tell her dad all the things she wanted to tell him—how much she loved him, and how he was her hero. Now, she realizes, it’s too late. Wanting to do something significant for her father to make up for her neglect, Burrell reflects on the fascinating life her father, a Royal Yachtsman, led—and decides that the one thing she can do for him is to tell his exceptional life story and make sure he is not forgotten. Our Grand Finale is the culmination of that effort—an exploration of both the author’s and her father’s unusual life experiences, and a reminder that “later” doesn’t always come.
Lord Cockburn, Victorian defender of Edinburgh's beauties, describes Calton Hill as 'the Glory of Edinburgh'. 'It presents us,' enthused Cockburn, 'with the finest prospects both of its vicinity and the city... it is adorned by beautiful buildings dedicated to science and to the memory of distinguished men. 'Following on from the success of Arthur's Seat, the Journeys and Evocations series continues with a look at the events and folklore surrounding Edinburgh's iconic Calton Hill. Standing only 338 ft (103m) high, this small hill offers a fascinating view of Edinburgh both literally and historically. The book brings together prose, poetry and photographic images to explore the Calton Hill's role in radical nationalist politics through the centuries as well as taking a look at the buildings, philosophy and intrigue of a central part of Edinburgh's landscape. Two of the city's leading storytellers, Donald Smith, director of the Scottish Storytelling Centre... and historian and writer Stuart McHardy, have sifted through the centuries to compile the remarkable guide to Edinburgh's famous landmark. EDINBURGH EVENING NEWS on Arthur's Seat.
Pursued as a Union spy inside Confederate territory, Corrie's desperate attempt to escape on horseback is cut short by the sound of gunfire and the excruciating pain in her back from a bullet. Mercifully, the fear and pain are quickly overtaken by darkness as the reins slip through her fingers. When Corrie slowly awakens from weeks of unconsciousness, the first face she sees belongs to Christopher Braxton, the young man who found her nearly dead on the roadside and carried her to safety. As she is nursed back to health, Corrie finds that the physical damage to her body is not nearly as difficult to treat as her lingering amnesia. Beginning with the single letter in her pocket, Corrie and Christopher struggle to piece together the limited clues to Corrie's past.
The volume contains articles concerning the influence of Latinitas in the territory now occupied by Poland, Lithuania, Ukraine and Belarus'. The articles, all published in English, range from history to literature and to cultural history and the history of ideas. They analyze the issue of building an identity, either real or imagined, from different points of view. Among the most interesting topics are the classical origins of myths and ideas that have helped build the national identities of those that constituted the ethnic mosaic of the Grand Duchy of Lithuania and the role of Neo-Latin poetry, as a conveyor of Latinitas, in the development of national identities. Because of the significance of Latinitas for both common European cultural traditions and the national cultures, literatures and languages of Belarus, Poland, Lithuania, Estonia, Latvia and Ukraine, it is to be hoped that the subject will continue to attract a good level of attention in the future.
Out of the mainstream but ahead of the tide, that is Scottish Science Fiction. Science Fiction emphasizes “progress” through technology, advanced mental states, or future times. How does Scotland, often considered a land of the past, lead in Science Fiction? “Left behind” by international politics, Scots have cultivated alternate places and different times as sites of identity so that Scotland can seem a futuristic fiction itself. This book explores the tensions between science and a particular society that produce an innovative science fiction. Essays consider Scottish thermodynamics, Celtic myth, the rigors of religious “conversion,” Scotland’s fractured politics yet civil society, its languages of alterity (Scots, Gaelic, allegory, poetry), and the lure of the future. From Peter Pan and Dr. Jekyll to the poetry of Edwin Morgan and the worlds of Muriel Spark, Ken Macleod, or Iain M. Banks, Scotland’s creative complex yields a literature that models the future for Science Fiction.