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Scot Ranney's ""Jazz Piano Notebook"" series is a collection of jazz piano books written by Scot Ranney and other professional jazz pianists. The authors of these books share their favorite jazz piano ideas in the form of a dozen or so jazz piano sheet music exercises, grooves, chord progressions, improvisation ideas, jazz theory, and anything else they find interesting based on their years of performing on stage, composing, and practicing. Volume 2 is called ""Latinesque"" because more than half of the book focuses on Calypso jazz piano. There are exercises, progressions, and grooves, including an exploration of a calypso groove inspired by Monty Alexander. The intention of this book is to help you improve your chops and creativity, and to strengthen that connection between what you hear internally and what your fingers are playing. Level: Easy to difficult depending on the piece. Minimum requirements: Know how to read piano sheet music and be willing to practice. Paperback version.
(Jazz Instruction). Primarily a music theory reference, Modalogy presents a unique perspective on the origins, interlocking aspects, and usage of the most common scales and modes in occidental music. Anyone wishing to seriously explore the realms of scales, modes, and their real-world functions will find the most important issues dealt with in meticulous detail within these pages. Logical illustrations accompany in-depth examinations of chordal harmonies, cadential motions, and progressions. This book is perfect for both music students and teachers, as either a course in itself or to augment any theory curriculum.
(Keyboard Instruction). Legendary jazz pianist Oscar Peterson has long been devoted to the education of piano students. In this book he offers dozens of pieces designed to empower the student, whether novice or classically trained, with the technique needed to become an accomplished jazz pianist.
This book will help any musician unlock the secrets of the Afro-Cuban rhythmic feel. By clearly demonstrating the underlying pattern called the Clave and the comping patterns called Tumbaos that are played over the Clave, this book will help every keyboard player learn these fundamental Latin rhythms. [Matching bass book (EL9707CD) also available.]
Following the best-selling Jazz Piano Chords, this informative volume provides a scale reference and practice tool for any pianist wanting to learn to play jazz. Starting with diatonic, pentatonic, symmetrical and exotic scales, more advanced composer and jazz scales are introduced. the following discussion of polytonality, alternating scales, using scales with chords and scale chords represents the dominating concepts of contemporary jazz. the book ends with extensive 12-key libraries of scales, and scales arranged by chords. Learning to use these scales will help any pianist play with more tonal and modal variety, color, freedom and interest.
Time in Indian Music is the first major study of rhythm, metre, and form in North Indian rag , or classical, music. Martin Clayton presents a theoretical model for the organization of time in this repertory, a model which is related explicitly to other spheres of Indian thought and culture as well as to current ideas on musical time in alternative repertoriesnullincluding that of Western music. This theoretical model is elucidated and illustrated with reference to many musical examples drawn from authentic recorded performances. These examples clarify key Indian musicological concepts such as tal (metre), lay (tempo or rhythm), and laykari (rhythmic variation).
The first book to teach the necessary mechanisms in an organized format that will be used for improvising two lines at once on the guitar (bass lines and melody lines). The material covered in the method includes: All of the diatonic seventh arpeggios in both ascending and descending forms, organized by the root in the bass, third in the bass and the fifth in the bass. Scale fragments with both static and moving bass lines. Basic rhythms with moving lines and syncopation. Each of these sections is further broken down into individual chapters focusing on a specific aspect of the topic. The material is geared towards both the intermediate and advanced guitarist. Topics such as fingerings, finger stretches and finger independence are also discussed. Having taught professionally for 35+ years, the author has the experience and curriculum to help takes students to the next level. The book is suitable for guitarists interested in players such as Ted Greene, Chet Atkins, Howard Morgen, George Van Eps, Jimmy Wyble and Charlie Christian. Classical guitarists looking to build a foundation on learning how to improvise multiple lines, will find the material suitable for their technique. Although improvisation is the focus of the book, the material can also be used for composition and song writing.
(Schott). Volume 1 introduces the intermediate pianist to the basic chord-types used in jazz, from major and minor triads to seventh and ninth chords. Other topics include: Chord/scale relationships, modes, broken chord and scale patterns, pentatonic and blues scales, walking bass lines, Latin rhythms and bass lines, the diatonic cycle, secondary dominants, II-V-I sequences, horizontal and vertical improvisation, tritone substitution, two-handed voicings, rootless voicings, technical exercises and fingering, accompaniment styles, ear-training, discography (suggested listening). 28 pieces by the author appear alongside special arrangements of well-known jazz standards, including: Autumn Leaves * Fly Me to the Moon * In a Sentimental Mood * Mannenberg * On Green Dolphin St (Part 1) * Ornithology * Song for My Father * Straight No Chaser * Take the A Train. Also included are transcribed solos by Thelonious Monk and Horace Silver, an invaluable source of authentic jazz techniques. Also includes audio files for download, containing erformances of all pieces, played by Tim alone or with his trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included, in which the piano is panned to one speaker, providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments, with guidance to hand on every page. Audio is accessed online.