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Martin Scorsese is one of the most celebrated film-makers working today in Hollywood. A five time Academy Award Nominee for Best Director, Scorsese's films consistently push the boundaries of what viewers expect to see on the silver screen. From Taxi Driver to Goodfellas to The Departed, Scorsese continually challeneges audiences with his gritty, often brutal films. Developed from over 30 years of interviews with his friend and fellow director, Michael Henry Wilson, Scorsese on Scorsese is the first book to examine the career of this cinematic master in his own words. Illustrated with documents, and personal photos from Scorsese's own archive along with film stills, this in-depth look at all of Scorsese's masterpieces from his early short films all the way up to his recent Shutter Island (2010) is a key reference work for both fans of the director and professionals looking for the keys to the master's work.
Roger Ebert wrote the first film review that director Martin Scorsese ever received - for 1967's I Call First, later renamed Who's That Knocking at My Door - creating a lasting bond that made him one of Scorsese's most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America's most respected film critic's en...
With Richard Schickel as the canny and intelligent guide, these conversations take us deep into Scorsese's life and work. He reveals which films are most autobiographical, and what he was trying to explore and accomplish in other films.
This account of American films is balanced between subjective enthusiasm and objective analysis. Scorsese starts from his own childhood love affair with the cinema, when he discovered King Vidor's Dual in the Sun as a boy.
Unlike other books on Martin Scorsese that favor the discussion of broad themes and plot summaries, Scorsese Up Close: A Study of the Films also looks at the cinematic text of the great director's films. With a scrutiny comparable to the detail Scorsese brings to the shooting and editing process, author Ben Nyce examines particular shots or sequences of shots in many of the director's works. By focusing on these key components, Nyce explains how the visual and aural elements of such scenes dramatize Scorsese's singular vision. Nyce first discusses several of the early works that established Scorsese as a filmmaker, beginning with a short student film, What's a Nice Girl Like You Doing in a Place Like This? Subsequent chapters focus on individual films in the Scorsese canon, including Mean Streets, The Last Temptation of Christ, The Age of Innocence, Bringing out the Dead, Taxi Driver, and Raging Bull. Nyce's close attention to the details within each of these films will satisfy fans and students alike, especially those who share a passion for Scorsese's artistry and an appreciation for the craft of his filmmaking. Illustrated with photos.
Scorsese and Religion explores and analyzes the religious vision of filmmaker Martin Scorsese’s oeuvre, showing that Scorsese cannot be properly understood without reflecting on the ways that his religious interests are expressed in and through his art.
This account of Martin Scorsese's films explores 2 main avenues: the way Scorsese remakes other movies (Raging Bull replays The Red Shoes and Taxi Driver as a resurgence of The Searchers); and the way viewers absorb and relate to films.
Collected interviews with the man who has been called the greatest living American film director
Academy Award–winning director Martin Scorsese is one of the most significant American filmmakers in the history of cinema. Although best known for his movies about gangsters and violence, such as Mean Streets, Goodfellas, Casino, and Taxi Driver, Scorsese has addressed a much wider range of themes and topics in the four decades of his career. In The Philosophy of Martin Scorsese, an impressive cast of contributors explores the complex themes and philosophical underpinnings of Martin Scorsese’s films. The essays concerning Scorsese’s films about crime and violence investigate the nature of friendship, the ethics of vigilantism, and the nature of unhappiness. The authors delve deeply into the minds of Scorsese’s tortured characters and explore how the men and women he depicts grapple with moral codes and their emotions. Several of the essays explore specific themes in individual films. The authors describe how Scorsese addresses the nuances of social mores and values in The Age of Innocence, the nature of temptation and self-sacrifice in The Last Temptation of Christ and Bringing Out the Dead, and the complexities of innovation and ambition in The Aviator. Other chapters in the collection examine larger philosophical questions. In a world where everything can be interpreted as meaningful, Scorsese at times uses his films to teach audiences about the meaning in life beyond the everyday world depicted in the cinema. For example, his films touching on religious subjects, such as Kundun and The Last Temptation of Christ, allow the director to explore spiritualism and peaceful ways of responding to the chaos in the world.Filled with penetrating insights on Scorsese’s body of work, The Philosophy of Martin Scorsese shows the director engaging with many of the most basic questions about our humanity and how we relate to one another in a complex world.
From the urban violence and psychosis of MEAN STREETS, TAXI DRIVER, and GOODFELLAS to the romanticism of THE AGE OF INNOCENCE, and from the drama of RAGING BULL to the supremely provocative LAST TEMPTATION OF CHRIST, this book provides a "lively, informative look at the 'consummate cineast, ' whom Steven Spielberg calls America's best and most honest director" (LIBRARY JOURNAL).