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A fantastical collection of classic stories with a hands-on STEM twist.
Presents a new perspective on Victorian scientific discoveries and inventions; includes a range of Victorian scientific fairy-tales and stories; looks at why fairies and their tales were chosen as an appropriate new form for capturing and presenting scientific and technological knowledge to young audiences; examines a range of scientific subjects, from palaeontology to entomology to astronomy.--Provided by publisher.
DigiCat Publishing presents to you this special edition of "The Science of Fairy Tales" (An Inquiry into Fairy Mythology) by Edwin Sidney Hartland. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Chapters include; The Art Of Story-telling; Savage Ideas; Fairy Births And Human Midwives; Changelings; Robberies From Fairyland; The Supernatural Lapse Of Time In Fairyland; and, Swan Maidens.
This book "draws on fairy tales as the context for practicing the scientific method and learning scientific knowledge."--Cover back.
"Between 1550 and 1650, marvellous stories of women giving birth to animals, young girls growing penises, and valiant men slaying dragons appeared in Europe. Circulated in scientific texts and in the first two collections of fairy tales published on the continent, Giovan Francesco Straparolas Le piacevoli notti and Giambattista Basiles Lo cunto de li cunti, the stories invigorated readers and established a new literary genre. Despite the fact that the printed European fairy tale was born in Italy, however, contemporary readers tend to think of France or Germany as the genres place of origin.Fairy-Tale Science looks at the birth of the literary fairy tale in the context of early modern discourses on the monstrous, and explains how scientific discourse and literary theories of the marvellous limited the genre's success on its native soil. Suzanne Magnanini argues that men of science positioned the fairy tale in opposition to science and fixed it as a negative pole in a binary system. This system came to define both a new type of scientific inquiry and the nascent literary genre. Magnanini also suggests that, by adopting theories of the monstrous as metaphors for their own literary production, Straparola and Basile aligned the literary fairy tale, the feminine, and the monstrous, and essentially marginalized the new genre.Fairy-Tale Science expands our understanding of the early modern European imagination and investigates the complex interplay between scientific discourse and marvellous literature."